chris murray's *Texfiles*

"A note to Pound in heaven: Only one mistake, Ezra! You should have talked to women" --George Oppen, _Twenty Six Fragments_





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xoxo Hey, E-Mail Me! xoxo







ManY PoETiKaL HaTs LisT:

Holly's Pirate-girl Hat, chrismurray in a straw hat, Michael Helsem's Gray Wyvern NOLA Fedora. Duchamp's Rrose Selavy's flirting hat. Max Ernst's Hats of The Hat Makes the Man. Jordan Davis' The Hat! poetry. hks' smelly head baseball cap. Samuel Beckett's Lucky's Black bowler hat, giving his oration on what's questionable in mankind, in *Waiting for 'God-ot'*. my friend John Phillips's 1969 dove gray fedora w/ wild feather. Bob Dylan's mystery lover's Panama Hat. Bob Creeley's Black Mountain Felt Boater Hat. Duke Ellington's Satin Top Hat. Acorn Hats of Tree. Freud's 1950 City Fedora. Joseph Brodsky's Sailor Cap. Harry K Stammer's Copper Hat Hell. Lewis LaCook's bowler hat(s). Tom Beckett's Bad Hair Day Furry Pimp Hat. Daughter Holly's black beret. harry k stammer's fez. Cat in the Hat's Hat & best hat, Googling Texfiles: crocheted hat with flames. Harry K Stammer's tinseled berets. Tex's 10 gallon Gary Cooper felt Stetson cowboy hat. Jordan Davis's fedora. Dali's High-heel Shoe Hat. Harry K Stammer's en-blog LAPD Hat & aluminum baseball cap. cap'n caps. NY-Yankees caps. the HKS-in-person-caps are blue or green no logos nor captions. Ma Skanky Possum 10's nighttime cap. moose antler hat. propeller beenie hat. doo rag. knit face mask hat. Bob Dylan's & photographer Laziz Hamani's panama hats. Mark Weiss's Publisher's Hat. Rebecca Loudon's Seattle-TX-Hats'n'boots.




Ever-Evolving Links:


Silliman's Links
Dominic Rivron
Unidentified
Br Tom @ One & Plainer
Dan Waber: ars poetica anthology
Dan Waber: altered books anthology
chris daniels: Notes to a Fellow Traveller
Chris Daniels: Toward an Anti-Capitalist Poetry
David Daniels: The Gates Of Paradise
subterranean poets: Beijing Poetry Group
Charles Alexander/Chax Press: Chaxblog
Headlines Poetry: the latest weblog entries
Henry Gould's AlephoeBooks
Julie Choffel's Understory
Tom Murphy's former one
Jean Vengua's New Okir
Roger Pao's Asian-American Poetry
Tom Lisk: Oilcloth and Linoleum
Kevin Doran
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Janet Holmes: Humanophone
Lorna Dee Cervantes
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Brian Campbell: Out of the Woodwork
Shanna's DIY Publishing Blog
Galatea Resurrects: a Poetry Review
Tom Beckett
John Sakkis: BOTH BOTH
New Francois Luong:Voices in Utter Dark, KaBlow!sm is...
Old Francois Luong: Voices in Utter Dark
Margin Walker: Andrew Lundwall
Free Space Comix: the latest BK Stefans blog
Adam Lockhart, Experimentalist Composer
Antic View: Alan Bramhall & Jeff Harrison
lookouchblog: Jessica Smith
MiPOradio
Web Log -- Charles Bernstein
Google Poem Generator: Leevi Lehto
Marie Mutsuki Mockett
Feral Scholar: Stan Goff
worderos: Tom Beckett
In Galatea's Purse
Japundit
Quiet Desperation: Jim Ryal
Luca Antara: Martin Edmond
Brief Epigrams: Ryan Alexander MacDonald
Radio My Vocabulary: 4 pm Sunday Poetry Streams
Mark Lamoreaux: [[[0{:}0]]]
Hot Whiskey Blog
louder
Nick Bruno: They Shoot Poets Don't They?
Joe Massey: Rooted Fool
Kate Greenstreet: every other day
heuriskein: Tom Orange
Chiaroscuro Metropoli: Tom Beckett
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Jane Dark's Sugar High!
The Katherine Anne Porter Literary Center
(Charles) Olson Now: Michael Kellaher & Ammiel Alcalay
kari edwards' TranssubMUTATION
Notes on the Revival: Jeremy Hawkins
PurPur: Petrus Pokus
Snapper Missives: Scott Pierce
A Sad Day for Sad Birds II: Gina Meyers
Great Works: Peter Philpot
zafusy: experimental poetry journal
Writeboard: a collaborative writing tool
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Pornfeld: Michael Hoerman
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Chicanas! (Susana L. Gallardo)
Masters of Photography
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E-Po
Zotz!
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ecritures bleues: Laura Carter
The Ingredient: Alli Warren
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Entropy and Me: Hal Johnson
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Semio-Karl M&M
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a New Word Placements
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Richard Lopez
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SB POET
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|||AS/IS2|||
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Hear-it dot org: info on hearing problems
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YaY!! Eileen Tabios: Chatelaine Poetics !
Jill Jones: Ruby Street
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GoldenRuleJones
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Michelle Bautista
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Farewell Tonio!

In Through the Out Door
The Blonde Brunette
Awake at Dawn on Someone's Couch is Toast
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Xpress(ed) !
Chris Lott's Ruminate
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poetry for the people: canwehaveourballback?
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Jim Behrle's Monkey's Gone to Heaven
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Li Bloom's Abolone
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Chris Sullivan's Slight Publications
Chris Sullivan's Department of Culture
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Kasey's Old Limetree
James Meetze: Brutal Kittens
Cassie Lewis: The Jetty
Joseph Mosconi's Harlequin Knights
Nada Gordon's Ululate
ultimate: Stephanie Young's First Well Nourished Moon
Steve Evans: Third Factory
Noah Eli Gordon's Human Verb
Jean Vengua's Blue Kangaroo
Sawako Nakayasu: Texture Notes
Free Space Comix: BK Stefans
Crosfader
Malcolm Davidson's eeksy peeksy
Marsh Hawk Press group
Catherine Meng's Porthole Redux
Josh Corey's Cahiers de Corey
Very Nice! Shampoopoetry
UTA's Lit Mag: ZNine
Wild Honey Press
Jacket
JFK's Poetinresidence
Malcolm Davidson's Tram Spark poems
HYepez: RealiTi
HYpez: Mexperimental
Aimee Nez's Gila Monster
BestMaX: Jim Behrle's jismblog
Cori Copp's Littleshirleybean
Jordan Davis: Million Poems
Eileen Tabios: Corpsepoetics [see Chatelaine above]
YaY! Liz's Thirdwish
Ultra Linking
Henry Gould's HG Poetics




Tuesday, March 07, 2006

 

Sign : Thing, 1



chris at 2:52 PM |

 

Sign : Thing, 2



chris at 2:44 PM |

 

go SUPERFLUX !!

Hey, Y'all: if you are in Austin tomorrow for AWP or any other reason, stop by the Cactus Cafe at the UT campus union around 7:00 pm for the launch of the new print journal, SUPERFLUX, curated by Hoa Nguyen, Susan Briante, and me (I had planned on being there, but regrettably, just found out I won't be able to travel there, so will miss this and the other AWP doings). The SUPERFLUX launch will be a very fun time with many fab poets reading, and some fine music, a film, and just a whole lot of good cheer. Sending out big thanks to Hoa Nguyen for getting the launch together, and hugs and thanks to both Susan Briante and Hoa for all the hard work on the magazine. Terribly sorry to have to miss this one, and all the other good happenings at AWP--good luck to everyone there!



chris at 12:12 PM |

 

from Foucault's Technologies of the Self * :


What are the principle features of _askesis_ ["not a disclosure of the secret self but a remembering"]? They include exercises in which the subject puts [her]self in a situation in which [she] can verify whether [she] can confront events and use the discourses with which [she] is armed. It is a question of testing the preparation. Is this truth assimilated enough to become ethics so that we can behave as we must when an event presents itself? ... we must now evoke a fourth technique in the examination of self, the interpretation of dreams. It was to have an important destiny in the nineteenth century [referring here to Freud], but it occupied a relatively marginal position in the ancient world. Philosophers had an ambivalent attitude toward the interpretation of dreams. Most Stoics are critical and skeptical about such interpretation. But there is still the popular and general practice of it. There were experts who were able to interpret dreams, including Pythagoras and some of the Stoics, and some experts who wrote books to teach people to interpret their own dreams. There were huge amounts of literature on how to do it, but the only surviving dream manual is _The Interpretation of Dreams_ by Artemidoris (second century A.D.). Dream interpretation was important because in antiquity the meaning of dream was an announcement of a future event.
(35-36, 39)


* Michel Foucault, Technologies of the Self: a Seminar with Michel Foucault ed. Luther H. Martin, Huck Gutman, Patrick H. Hutton (Amherst: Univ. of Massachusetts Press, 1988).



chris at 11:31 AM |

Monday, March 06, 2006

 

Some great student work going on in my course. You know, there seems to be something of a resistance to that in the more expert levels here online. Resistance pertaining to the teaching of creative writing--or, well, maybe it's just a more complex kind of questioning about where such university courses might go, and worse, what they might breed or unwittingly become coerced into... . Yeah. It's definitely a minefield if one is aware of the contradictory institutional (as well as the formiddable aesthetic) forces at work in such trajectory of issues about poetry. i'm very appreciative of that, very sensitive to it, in the best intelligent ways i can at this moment muster.

But beyond all that, i have to say there are wonderfully insightful and adroit students out there who really want to engage writing in a public way, which for them means via university enrollment, and they have a lot to say/do with ideas and words. I love that energy in people. So we all just get in there and figure a few things out together. I see that as a beneficial thing for the community of experimental writers. It makes me happy--and at this moment that state of being is at a premium.

Just sayin', y'all...


xo,
o~o/



chris at 11:36 PM |

Sunday, March 05, 2006

 



Waiting for God-ing

          Estragon: Looks to me more like a bush.
          Vladmir: A shrub.
          Estragon: A bush.+

                --Samuel Beckett, Waiting for Godot



just for you, for us, the good of all
the god-mongers* are alarming
the god-mongers are altering
the god-mongers are arming
the god-mongers are authorizing

the god-mongers are banking
the god-mongers are blaming
the god-mongers are blurring
the god-mongers are bombing

the god-mongers are calling
the god-mongers are campaigning
the god-mongers are combatting
the god-mongers are coercing

the god-mongers are demonstrating
the god-mongers are denying
the god-mongers are disseminating
the god-mongers are distributing

the god-mongers are electing
the god-mongers are eluding
the god-mongers are enrolling
the god-mongers are establishing

the god-mongers are financing
the god-mongers are firing
the god-mongers are flaming
the god-mongers are framing

the god-mongers are gaining
the god-mongers are gendering
the god-mongers are glad-handing
the god-mongers are grabbing

the god-mongers are handling
the god-mongers are hacking
the god-mongers are heckling
the god-mongers are hiding

the god-mongers are identifying
the god-mongers are ignoring
the god-mongers are imitating
the god-mongers are interpellating

the god-mongers are jawing
the god-mongers are jeering
the god-mongers are joining
the god-mongers are not joking

the god-mongers are keeping
the god-mongers are kicking
the god-mongers are knitting
the god-mongers are knocking

the god-mongers are ladling
the god-mongers are law-enforcing
the god-mongers are law-making
the god-mongers are lending

the god-mongers are mailing
the god-mongers are mandating
the god-mongers are marching
the god-mongers are mobbing

the god-mongers are naming
the god-mongers are nationalizing
the god-mongers are nominating
the god-mongers are nuking

the god-mongers are observing
the god-mongers are occupying
the god-mongers are operating
the god-mongers are ovulating

the god-mongers are pandering
the god-mongers are picketing
the god-mongers are planning
the god-mongers are phoning

the god-mongers are quashing
the god-mongers are quadrupling
the god-mongers are questioning
the god-mongers are quoting

the god-mongers are raging
the god-mongers are recruiting
the god-mongers are rioting
the god-mongers are ruling

the god mongers are scouting
the god-mongers are selling
the god-mongers are spamming
the god-mongers are stealing

the god-mongers are taunting
the god-mongers are testing
the god-mongers are turning
the god-mongers are training

the god-mongers are unbending
the god-mongers are unblushing
the god-mongers are unwilling
the god-mongers are usurping

the god-mongers are validating
the god-mongers are veneering
the god-mongers are voting
the god-mongers are vowing

the god-mongers are waging
the god-mongers are waiting
the god-mongers are watching
the god-mongers are wire-tapping

the god-mongers are X-ing
the god-mongers are X rating
the god-mongers are XX rating
the god-mongers are XXX rating

the god-mongers are yachting
the god-mongers are yammering
the god-mongers are yawing
the god-mongers are yoking

the god-mongers are zapping
the god-mongers are zeroing
the god-mongers are zipping
the god-mongers are zoning
just for you, for us, the good of all







Notes:

+ "Shrub," and "bush" echo recent media nicknames for George W. Bush.

* By "god-monger" I mean only those whose organized religion takes as its goal aggressively obliterating ideas and practices with which they disagree, as well as the co-opting and imperializing of others. The term does not refer to individuals who are generous-minded and respectful of the co-existence of variety in kinds of spirituality and religion.




~~~~~~~~~~~~~~~~poem by chris murray o~o/ ~~~~~~~~~~~~~~~



I wrote the poem posted above over something that happened here yesterday at my apartment complex--which mostly houses folks who live near poverty level or are immigrants. Employees of the complex pinned posters to all our doors announcing that the owners of this complex have partnered up with "Crown Financial Ministries" to "implement a program" of "meetings for residents." The "mission" of this program of meetings?--"To Teach People God's Financial Principles."

So this is one of the outcomes of the Bush administration's move to put churches in charge of helping those in or near poverty. This Crown Financial company has a website that is not a dot COM, as might be expected, but a dot ORG (I guess because they are a religious organization as well as a company?).

Their website states, in part, that

"Scripture address every area of handling money. ...God gave us over 2,350 verses in the Bible dealing with money and property management? Crown Financial Ministries helps people learn these ... . Please prayerfully accept our invitation to partner with us."

and

"Crown Financial Ministries exists to equip people to learn, apply, and teach God’s financial principles so they may know Christ more intimately and be free to serve Him. ... Your faithful, monthly support as a Crown Outreach Partner provides necessary resources that result in lives being touched for Christ around the world. The financial freedom people gain through Crown frees millions of dollars to be used to help reach our world for Christ. As a Crown Outreach Partner, you will help challenge people to live with a strong commitment to God’s priorities. Most of all, because of your increased participation, you will personally experience a deep and lasting joy from helping thousands of people. People from your neighborhood, your city, your nation, and around the world."


I have to say, you know, that I have great respect for people's commitments to differing forms of spirituality and engagement, but I have strong reactions to coercive socialization processes and practices--also to rhetorical (ideological) devices of interpellation used with the goal of profiteering or taking advantage of the vulnerable... I've a loathing of manipulation in general. Usually the junk this complex tacks to our doors is just junk. But this time it seems insideous, beyond belief even in today's draconian western-cultural environment, insideous in its god-mongering. Especially the implication of imperializing the world made me want to vomit.



chris at 7:25 PM |

 

sheesh... where've i been?--just now found
the inventive, thoughtful, and provocative Antic View
--good stuff, Y'all.



chris at 6:52 PM |

 

What follows are 14 photos from my *DIs*PoZ*a*BL* Camera series. I had some fun with these...



chris at 3:30 PM |

 

Twisted Balloons, Will Return Soon


chris at 2:42 PM |

 

Inside the Double Green Sign


chris at 2:39 PM |

 

Wind Chime with Concrete Bunny


chris at 2:34 PM |

 

Inside Blue Cellophane Trash Bag


chris at 2:29 PM |

 

Concrete Slab Intersection, Cigarette Butt, Paper Heart (day after Valentine's Day, 2006, outside a convenience store)


chris at 2:26 PM |

 

Lost Larg Dog Last Week


chris at 2:23 PM |

 

EVOL!: Valentine Window Decorations, Arlington TX, Feb 15, 2006


chris at 2:18 PM |

 

Convenience Store: 3/$1.00, We Ac*ept Foot Stamps


chris at 2:14 PM |

 

from the series, Concrete Crop Circles: "e"


chris at 2:10 PM |

 

Fire Hydrant: A800QA TENN


chris at 2:07 PM |

 

Maple Leaf Is To Maple Leaf As


chris at 2:02 PM |

 

ROSE


chris at 1:59 PM |

 

WATER


chris at 1:55 PM |

 

Mirror Stage: Window-Mirror-Window-Mirror-Window-Mirror-Tiny Bird! Tiny Bird! Tiny Bird!


chris at 1:43 PM |

Saturday, March 04, 2006

 

from Judith Butler's Undoing Gender (Routledge, 2004) :


... What I call my "own" gender appears perhaps at times as something that I author or, indeed, own. But the terms that make up one's own gender are, from the start, outside oneself, beyond oneself in a sociality that has no single author (and that radically contests the notion of authorship itself.

...

There are advantages to remaining less than intelligible, if intelligibility is understood as that which is produced as a consequence of recognition according to prevailing social norms. Indeed, if my options are loathsome, if I have no desire to be recognized within a certain set of norms, then it follows that my sense of survival depends upon escaping the clutch of those norms by which recognition is conferred. It may well be that my sense of social belonging is impaired by the distance I take, but surely that estrangement is preferable to gaining a sense of intelligibility by virtue of norms that will only do me in from another direction. Indeed, the capacity to develop a critical relation to these norms presupposes a distance from them, an ability to suspend or defer the need for them, even as there is a desire for norms that might let one live. ... That my agency is riven with paradox does not mean it [agency] is impossible. It means only that paradox is the condition of its possibility. As a result, the "I" that I am finds itself at once constituted by norms and dependent on them but also endeavors to live in ways that maintain a critical and *transformative* relation to them. This is not easy, because the "I" becomes, to a certain extent unknowable, threatened with unviability, with becoming undone altogether, when it no longer incorporates the norm in such a way that makes this "I" recognizable.


(1, 3)



chris at 6:04 PM |

 

a fine overflow of
Brazillian surrealist work being translated right now (right this minute!) by Chris Daniels at NFTSeries. Bravo!

Folks, if you love poetry full of duende and the real forces of life, do hurry over there and read, read, read--read with your heart pounding out its rising tower of minutes, blood & roses, bread & freedom to think & be ...



chris at 2:27 PM |

 

adding the excellent
Marie Mutsuki Mockett's blog here--Hi Marie!--(hey y'all should see her fascinating post about *nairu* art, and the marvelous photos of Japan.)
I'm going to look around Dallas area to see if there are any nairu artists here... if there are, i'm taking my *dis*posable*camera with me--more on that soon.

Also adding Japundit, where Marie is a contributor--wow, Japundit is a fine site--go have a look/listen there, too, folks ...

& I saw recently that novelist and lawyer Jim Ryals is blogging at
Quiet Desperation--Hi Jim!
so am adding that to the links list, too.

Welcome to Texfiles, Marie, Japundits, and Jim.

& come to think of it... about that trail of links on my sidebar....
noting, too, that somehow this links-list at texfiles is starting to feel a little like that trailing crocheted afghan in Laura Esquival's _Como Agua Para Chocolate_...

& in noting that, I'm saying, yeah: I like it that way--anti hierarchical, a little anarchy is always good for the "imaginative immensity" of things and soul (per Bachelard's conceptualization of such), especially when living in draconian times run by powerful liars like bushbag & cronies...



chris at 1:33 PM |

Thursday, March 02, 2006

 



a cover of Litterature (c. 1922-1924)

Continuing a curiosity fundamental to my thought about poetry, after research in the last two months over surrealism -- pertaining to my review for American Book Review of George Kalamaras' very fine Even the Java Sparrows Call Your Hair (Quale, 2005), where I'd been gladly able once again in life to review surrealism's foundations and cultural-crosscultural contexts--el maravilloso as central and as mimicked and/or appropriated, (see this LiP article for a sense of the) exigence, all close ideational-friends of my thinking ever since high school... which means quite a while ago! And now I'm looking into new ways to think and write about some of the interrelations between the primary texts, the criticism, the reception, and what we see today in contemporary US poetics. That is my project. Then there is surrealismo's subsequent *dissemination* or criss-crossing nominal paths, such as what today we call "neosurrealism." I might make a book out of it--indeed, if anyone out there has leads or commentary that way, please let me know...

So, following here on Tex is something from a rare book I found in the UTA library, a book that is falling apart--spine is crumbling, but it still holds... when I return it I will suggest they send it to the book doctor (there is such a thing, yes) but I'm so glad to see that so many students have apparently availed themselves of this book's exigence?--hah, i thought on finding it buried in the stacks, well I hope many minds's fingers have thumbed through this wonderful little book, which is also full of photographs (on beautifully thick, glossy pages), mostly snapshots of picnics and group photos I'd not seen before, and Duchamps et al artwork, and all the kinds of clowning around that Breton and folk loved to do, and which upset a wide range of authorities, all of which seem now so innocently full of good critical-responsive fun -- well, yes, and I do so-love a well-used book, Y'all :)

Writing shortly after his friend's death, here is a resonant excerpt from critic
Andre Parinaud's poignant Hommage a Andre Breton * :


Today when he is no more -- his blue gaze, his voice, his presence no longer invested with the power to provoke even the slightest wave of immediate action -- I know very well that it is his immeasurablility which has escaped the measure of all, the measure of the specialists in order.

And I know that his _raison d'etre_ has gone beyond the reasoning powers of the more powerful, the more powerful but by no means the better. Who was Andre Breton? What role did he play in this western world... ?

. . .

It seems to me that the best way to render homage to this man who has left me so many beautiful things to remember, is to give him a kind of meditation ... in the company of his old friend, Duchamp to take up again our conversations and our dialogs with the man who was perhaps his spiritual brother, notwithstanding their almost total difference in ways of life, in actions, in the formation of human relationships, in the very use of the word. Breton explained everything, even when there was nothing to explain. Duchamp contents himself with suggesting and uses silence as one of the elements of his dialectic.

He listens... perhaps better to recall his memories, "The essential thing about Breton ..." -- [Duchamp] tells -- "I have never known a man who had a greater capacity for love, a greater power for loving the greatness of life, and you don't understand anything about his hates if you don't realize that he acted in this way to protect the very quality of his love for life. Breton loved like a heart beats. He was the lover of love in a world that believes in prostitution. This was his sign."


(19, 20, 24)

* Andre Parinaud in collaboration with Arturo Schwartz, Homage to Andre Breton (Milano: 17 gennaio, Centro Francese di Studi, 1967).



chris at 9:26 PM |

 

from

kari edwards' new book, obedience (Factory School, 2005) :


this is duration

this is an indefinite continuation

this is a continuation of the indefinite

this is a claim number's damp residue sealed dream

this it tomorrow's tomorrow -
wandering in a murmur of midnight

this is duration spark

and this is duration on the edge of intimacy

this could be the sound of a child's cry

the body that becomes ecstasy

a looming close to liquid
barely green
transparent
high pitched
with impact spots for the solid

not poised but given
not a room but softly
not irrelevant but guardian of eloquence
not contrast singing with
insistence but peering wakefulness

looking at something
my insomnia names tomorrow

ieffectiveness across
another limited construction
turned to another discarded clause

immortal
from shale to coal
photo to
another limited abandon

an unnamed constant
perhaps an ordinary day for the dead
closer to cruel than cruel
in the hands of pretend ordinary
cracks in the crust
fissures in the organ
of the air we breathe

from root to pathos
wishing ricochet touch
without alphabetic beginnings

like most boring sketches
thickened with strangers and yesterday
impatience for another other
I send a note saying
will send money
saying
there is one event in every circumstance
saying
a weeping mausoleum
one afternoon of ingratitude
indignity behind glass
crying --
you are my cascade from the subterranean
aqueduct among the plow blades

oh, rubble
oh, rubble
glistening in a puddle of shards
across the surface dioxide
single servings habits

up against this backdrop
against the glimmering brain
here and there
one defined uncertain
a vishnu outcropping
a bright angel in an untethered war

what time is it you say
it's assemblage inflexibility time
what time is it you say
split between fingertips
and what bleeds now
what time is it you say

what's how

what's in disarray?
...


(35-37)


* kari edwards, obedience (Factory School, Heretical Texts Series, edited by Bill Marsh, 2005)



 

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