chris murray's *Texfiles*

"A note to Pound in heaven: Only one mistake, Ezra! You should have talked to women" --George Oppen, _Twenty Six Fragments_





Archives:





xoxo Hey, E-Mail Me! xoxo







ManY PoETiKaL HaTs LisT:

Holly's Pirate-girl Hat, chrismurray in a straw hat, Michael Helsem's Gray Wyvern NOLA Fedora. Duchamp's Rrose Selavy's flirting hat. Max Ernst's Hats of The Hat Makes the Man. Jordan Davis' The Hat! poetry. hks' smelly head baseball cap. Samuel Beckett's Lucky's Black bowler hat, giving his oration on what's questionable in mankind, in *Waiting for 'God-ot'*. my friend John Phillips's 1969 dove gray fedora w/ wild feather. Bob Dylan's mystery lover's Panama Hat. Bob Creeley's Black Mountain Felt Boater Hat. Duke Ellington's Satin Top Hat. Acorn Hats of Tree. Freud's 1950 City Fedora. Joseph Brodsky's Sailor Cap. Harry K Stammer's Copper Hat Hell. Lewis LaCook's bowler hat(s). Tom Beckett's Bad Hair Day Furry Pimp Hat. Daughter Holly's black beret. harry k stammer's fez. Cat in the Hat's Hat & best hat, Googling Texfiles: crocheted hat with flames. Harry K Stammer's tinseled berets. Tex's 10 gallon Gary Cooper felt Stetson cowboy hat. Jordan Davis's fedora. Dali's High-heel Shoe Hat. Harry K Stammer's en-blog LAPD Hat & aluminum baseball cap. cap'n caps. NY-Yankees caps. the HKS-in-person-caps are blue or green no logos nor captions. Ma Skanky Possum 10's nighttime cap. moose antler hat. propeller beenie hat. doo rag. knit face mask hat. Bob Dylan's & photographer Laziz Hamani's panama hats. Mark Weiss's Publisher's Hat. Rebecca Loudon's Seattle-TX-Hats'n'boots.




Ever-Evolving Links:


Silliman's Links
Dominic Rivron
Unidentified
Br Tom @ One & Plainer
Dan Waber: ars poetica anthology
Dan Waber: altered books anthology
chris daniels: Notes to a Fellow Traveller
Chris Daniels: Toward an Anti-Capitalist Poetry
David Daniels: The Gates Of Paradise
subterranean poets: Beijing Poetry Group
Charles Alexander/Chax Press: Chaxblog
Headlines Poetry: the latest weblog entries
Henry Gould's AlephoeBooks
Julie Choffel's Understory
Tom Murphy's former one
Jean Vengua's New Okir
Roger Pao's Asian-American Poetry
Tom Lisk: Oilcloth and Linoleum
Kevin Doran
Reb Livingston's Cackling Jackal Blog
Janet Holmes: Humanophone
Lorna Dee Cervantes
Mark Young's gamma ways
Brian Campbell: Out of the Woodwork
Shanna's DIY Publishing Blog
Galatea Resurrects: a Poetry Review
Tom Beckett
John Sakkis: BOTH BOTH
New Francois Luong:Voices in Utter Dark, KaBlow!sm is...
Old Francois Luong: Voices in Utter Dark
Margin Walker: Andrew Lundwall
Free Space Comix: the latest BK Stefans blog
Adam Lockhart, Experimentalist Composer
Antic View: Alan Bramhall & Jeff Harrison
lookouchblog: Jessica Smith
MiPOradio
Web Log -- Charles Bernstein
Google Poem Generator: Leevi Lehto
Marie Mutsuki Mockett
Feral Scholar: Stan Goff
worderos: Tom Beckett
In Galatea's Purse
Japundit
Quiet Desperation: Jim Ryal
Luca Antara: Martin Edmond
Brief Epigrams: Ryan Alexander MacDonald
Radio My Vocabulary: 4 pm Sunday Poetry Streams
Mark Lamoreaux: [[[0{:}0]]]
Hot Whiskey Blog
louder
Nick Bruno: They Shoot Poets Don't They?
Joe Massey: Rooted Fool
Kate Greenstreet: every other day
heuriskein: Tom Orange
Chiaroscuro Metropoli: Tom Beckett
Behrle's latest spout!
Fluffy Dollars: Michelle Detorie
Jane Dark's Sugar High!
The Katherine Anne Porter Literary Center
(Charles) Olson Now: Michael Kellaher & Ammiel Alcalay
kari edwards' TranssubMUTATION
Notes on the Revival: Jeremy Hawkins
PurPur: Petrus Pokus
Snapper Missives: Scott Pierce
A Sad Day for Sad Birds II: Gina Meyers
Great Works: Peter Philpot
zafusy: experimental poetry journal
Writeboard: a collaborative writing tool
John Latta: Rue Hazard
KP Harris: Croissant Factory
Stephanie Young's New Site
Stephen Vincent's New Site
Portable Press@Yo~Yo Labs
Square America
Amy King's blog
Robert: Peyoetry Hut
Muisti Kirja: Karri Kokko
Karri Kokko's Blonde on Blonde
Yummeee Blog (recipes)
Nice Guy Syndrome: Tim Botta
Left Hook
Del Ray Cross: anachronizms
Juan Cole: Informed Comment
BuzzFlash - Daily Headlines, Breaking News, Links
Aaron McCollough
Chris Lott's Cosmopoetica
Chad Parenteau
Little Emerson
Fever, Light--by Sawako Nakayasu
Second Wish
Nomadics
Alison Croggon
Radical Druid
Ron is Ron: the Ron Silliman Cartoon by Jim Behrle
Dagzine: Positions, Poetics, Populations: Gary Norris
Shadows within Shadows: Tom Beckett
Self Similar Writing: Jukka Pekka Kervinen
The Little Workshop: Cassie Lewis
Sky Bright: Jay Rosevear
Poesy Galore: Emily Lloyd
Lisa Jarnot's Blog
Poetry Hut: Jilly Dybka (has moved here)
Pornfeld: Michael Hoerman
Seven Apples: Justin Ulmer
Hi Spirits: Andrew Burke
Bacon Bargain!: Joe Massey
Ivy is here: Ivy Alvarez
Whimsy Speaks: Jeff Bahr
Umbrella: Jeff Wietor
Chicanas! (Susana L. Gallardo)
Masters of Photography
Blog of Disquiet: Gary Norris' Teaching Blog
Suzanna Gig Jig
Bad with Titles: Jay Thomas
Spaceship Tumblers! Tony Tost
Desert City: Ken Rumble
E-Po
Zotz!
Optative Mood: Tim Morris
ecritures bleues: Laura Carter
The Ingredient: Alli Warren
Skanky Possum Pouch
Slight Publications
Jewishy-Irishy: Laurel Snyder
Sea-Camel: Alberto Romero Bermo
Growing Nations: Jordan Stempleman
Tom Raworth
Entropy and Me: Hal Johnson
Scott Pierce: Snapper's Junk
Chicano Poet: Reyes Cardenas
Semio-Karl M&M
Stephen Vincent
Hoa Nguyen/Teacher's & Writers
a New Word Placements
Narcissus Works: Anny Ballardini
Richard Lopez
Tributary: Allen Bramhall
The_Delay: Chris Vitiello
Jukka Pekka Kervinen: Nonlinear Poetry
Lanny Quarles: Phaneronoemikon
Clifford Duffy: Fictions of Deleuze & Guattari
DagZine
Carrboro Poetry Festival
Steve Evans: Third Factory
DEBORAH PATILLO
SKANKY POSSUM PRESS
Tim Peterson: Mappemunde
WOOD'S LOT
Geof Huth: DBQP
Ann Marie Eldon
Jim Behrle: The Jim Side
Ray Bianchi:Postmodern Collage Poetry
Never Mind the Beasts
Diaryo
New Broom
Flingdump Scattershot
Tony Tost: Unquiet Grave
Grapez
SB POET
Mark Young's Pelican Dreaming
|||AS/IS2|||
Li's A Private Studio
Anny Ballardini's Poet's Corner
Tom Beckett: Vanishing Points
Dumbfoundry
BadGurrrlNest
Jean Vengua's Okir
Hear-it dot org: info on hearing problems
Tim Yu's Tympan
James Yeager's Modern Lives
Tony Robinson: Geneva Convention
Daniel Nestor's Unpleasant Event
Ex-Lion Tamer
Carlos Arribas: Scriptorium
David Nemeth
Ela's Incertain Plume
Mairead Byrne's Heaven
Catherine Daly
Black Spring
Br.Tom's Finish Yr Phrase
Shin Yu Pai: makura-no-soshi
Harry K. Stammer: Downtown LA
Corina's Fledgling Wordsmith
Jilly Dybka's Poetry Hut
Ben Basan's Luminations
Katey: Chewing on Pencils
YaY!! Eileen Tabios: Chatelaine Poetics !
Jill Jones: Ruby Street
Geoffrey Gatza's BlazeVox
Bill Allegrezza's P-Ramblings
Gary Sullivan's Elsewhere
GoldenRuleJones
Poetry_Heat
Bookslut
Chickee's SuperDeluxeGoodPoems
As-Is !
John Latta's Hotel Point
Sawako Nakayasu's Ongoing Show
Shanna Compton's Brand New Insects
Crag Hill
kari edwards: transdada
Fluss
Michael Helsem's Gray Wyvern
Word Placement
Bogue's Blog
Jordan Davis: Equanimity
Robert Flach's Unadulterated Text
Michelle Bautista
Ironic Cinema
Mike Snider
Farewell Tonio!

In Through the Out Door
The Blonde Brunette
Awake at Dawn on Someone's Couch is Toast
Jukka-Pekka Kervinen:Non-Linear
Xpress(ed) !
Chris Lott's Ruminate
Venepoetics
Laura: Yellowslip
Stick Poet Super Hero
Mighty Jens!
Radio UTA: Toni's Thursday Poetry Show
Tim Morris: Lection
Gabe Gudding
Constant Critic
Sappho's Breathing
Waves of Reading
Jhananin's Insite
Fanaticus
AdvExpo
Stephen Vincent
Stephanie Young: New Well Nourished Moon
Kasey Silem Mohammad's Newest Limetree
Lanny Quarles: (solipsis)//:phaneronoemikon
States Writes
Rebecca's Pocket
Simulacro
Braincase Links
Sentence
Sor Juana
73 Urban Bus Journeys
Poeta Empirica
poetry for the people: canwehaveourballback?
Ernesto Priego's Never Neutral
Nick Piombino's Fait Accompli
Weekly Incite blogresearch
Jim Behrle's first monkey
Jim Behrle's Monkey's Gone to Heaven
David Kirschenbaum's Boog City
Not Nick Moudry
Laurable
David Hess Heathens in Heat
Jack Kimball's Pantaloons
Li Bloom's Abolone
Ron Silliman
Chris Sullivan's Bloggchaff
Chris Sullivan's Slight Publications
Chris Sullivan's Department of Culture
Kasey S. Mohammad's Old-New Limetree
Kasey's Old Limetree
James Meetze: Brutal Kittens
Cassie Lewis: The Jetty
Joseph Mosconi's Harlequin Knights
Nada Gordon's Ululate
ultimate: Stephanie Young's First Well Nourished Moon
Steve Evans: Third Factory
Noah Eli Gordon's Human Verb
Jean Vengua's Blue Kangaroo
Sawako Nakayasu: Texture Notes
Free Space Comix: BK Stefans
Crosfader
Malcolm Davidson's eeksy peeksy
Marsh Hawk Press group
Catherine Meng's Porthole Redux
Josh Corey's Cahiers de Corey
Very Nice! Shampoopoetry
UTA's Lit Mag: ZNine
Wild Honey Press
Jacket
JFK's Poetinresidence
Malcolm Davidson's Tram Spark poems
HYepez: RealiTi
HYpez: Mexperimental
Aimee Nez's Gila Monster
BestMaX: Jim Behrle's jismblog
Cori Copp's Littleshirleybean
Jordan Davis: Million Poems
Eileen Tabios: Corpsepoetics [see Chatelaine above]
YaY! Liz's Thirdwish
Ultra Linking
Henry Gould's HG Poetics




Saturday, August 06, 2005

 

Sun., 7 Aug 05, 4:45 pm, I'm adding a note of clarification to this post:
the surprise I refer to is not the current post for Sunday that deals with the protest in Crawford. The surprise is about a new feature series to begin today or tomorrow on Texfiles.

A surprise coming up tomorrow: a new Texfiles feature of work!
So, do stay tuned, Y'all. I think you'll like this one very much...


cm
o~o/



chris at 10:17 PM |

 

Ooooo! many excellent new goodies added to Anny Ballardini's amazing poetry website, The Poet's Corner. Check it out
for new work from Linh Dinh, Amy King, Eve Rifkah, Stacy Szymaszek, Ann Fisher-Wirth, and other excellent poets. Anny has also translated into Italian Tom Beckett's fine chapbook, Vanishing Points of Resemblance. Go Anny!



chris at 3:11 PM |

 

finished adding in the recipe for vegetable & seaweed soup that I began to post yesterday.



chris at 2:49 PM |

Friday, August 05, 2005

 

Viewing: Constantine

--courtesy of Dottir Holly--thanks, Sweetie. What a flick. Not sure yet how it measures up to Mr & Mrs Smith. A vastly more entertaining effort, even if from sin-city, eh? more soon on that one... but for now, Tex's Critical Bent says this: seems mostly candy for the already deluded reliosos--possibly funded by the catolico church, if not, then they've certainly missed a primo opportunity. figure of Gabriel given some snot, tho, and then sent to blow the snotty proboscis. the hellish others, however, seem to me barely Luke-warm... biblical pun intended... .



chris at 10:00 PM |

 

Happily, this notice about new publications from Brenda Iijima's
PORTABLE PRESS AT YO-YO LABS :

_____________________________________________________


Peter Lamborn Wilson's CROSS-DRESSING IN THE ANTI-RENT WAR

A floridly grand utopian treatise bursting at the seams
and oozing forth for reasons of propinquity! Meet up
with a anarchistic floral view. Vivaciousness,
operative vision, buoyant erudition--it all comes to a vortex
in these diverse, fecund poems.

Oversized chapbook with off-set printed covers
$7 ppd.

____________________________________________________

Jill Magi's CADASTRAL MAP

Nature writing is reassessed as well as the carpet of history.
Magi penetrates culture's outmoded suppositions as she combs
the brambles and fields of text which claim to partake
in sanctioned and conditioned domains. It isn't as dogmatic
as I make it out to be! Strikingly beautiful!

chapbook with off-set printed covers

$6 ppd.

--Book Notes by Brenda Iijima--
___________________________________________________

added note from chris m:

Hey, Y'all, you know I love receiving new books
especially in my mailbox,
and I can't wait to see these,
so I'm putting a check in the mail today
so maybe the rest of y'all would like
to get your checkbooks out, too,
and write those checks payable
to Brenda Iijima--
then query for the address to send
your moolah at:


yoyolabs AT hotmail DOT COM



Go Brenda, and poets Wilson and Magi!!
Best Wishes,
Chris Murray
o~o/



chris at 3:58 PM |

 

snacking: fresh blueberries & goat cheese hand pressed in cleveland, TX. yum



chris at 3:53 PM |

 



Listening:

Rain


!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
'''''''''''''''''''''''''''''''''''''''''
`````````````````````````````````````````
thunder mumble
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
`````````````````````````````````````````
"""""""""""""""""""""""""""""""""""""""""
"""""""""""""""""""""""""""""""""""""""""
"""""""""""""""""""""""""""""""""""""""""
`````````````````````````````````````````
firetruck siren
'''''''''''''''''''''''''''''''''''''''
:::::::::::::::::::::::::::::::::::::::::
.........................................
`````````````````````````````````````````
grieving beagle
........................................
grieving beagle
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
grieving beagle
`````````````````````````````````````````
;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
///////////////////////////////////////
gutter sluice
........................................
ZZZ ZZ ZZZZZZZZZ ZZ
lightning cackle
ttttttttttttttttttttttttttttttttttttttt
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
```````````````````````````````````````
power outage
`````````````````````````````````````````
`````````````````````````````````````````
`````````````````````````````````````````
` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` `
. . .
roof drip



chris at 1:39 PM |

 

Heather
and Holly,
out soaking in the rain:

Well, it's not raining cats and dogs, but it is raining sideways... a feature of Texas life in several seasons, that sideways rain. i opened the screen door on the patio so to listen. And i put my heather and holly plants out on the front step so they can have some real rain--as opposed to simulated rain by way of my spraying mist on them--yes, these plants are the namesakes of my two daughters. Is that weird? i kinda like that, and so do they. sort of like my children's godparents are hardy, blooming perennials... :)

in other neighborhood news, however, someone's dog got left out in the downpour (a backyard behind my patio) and is barking away in a steady rhythm at the thunder. it sounds utterly grief-struck more than angry or crazy. poor animal. the yard is locked behind a huge wooden fence--i can only see the dog because my patio is second floor. i guess that makes it a balcony more than a patio, yeah. i think of it as a patio because of all the plants i've been growing there.



chris at 1:18 PM |

 


Kelp Forest

from Susun S. Weed's Wise Woman Herbal: Healing Wise * :

--a wonderful book: a generous approach to living, thinking, sharing, growing, cooking, eating, caring. this copy was loaned to me a couple weekends ago on my visit to Austin, by good friend Hoa Nguyen: thanks so much, Hoa!--

Superb protection from modern pollutants, heavy metals, and accidental radioactive leaks is the gift of seaweed, the body guard. Regular use, especially of brown types [such as kelp, image above], clears lead, arsenic, cadmium, mercury, chemical pollution, and radioactive strontium from the body, prevents absorption from new sources, and protects against damage caused by exposure to carcinogens and teratogens.

Workers at Swedish nuclear power plants eat seaweed to reduce and elimate their absorption of strontium 90, a radioactive element. Research at McGill University finds that alginic acid, one of the main components of seaweed, binds with radioactive strontium to form strontium alginate, and insoluble compound, which is rapidly elimiated from the gastro-intestinal tract, reducing the absorption of strontium 90 by fifty to ninety percent.

... Try using a sprinkle of seaweed on grains, even breakfast cereals, vegetables, and eggs. Serve seaweed as a vegetable in its own right once a week or more. Increase consumption as needed, such as when healing after radiation, chemotherapy, or extensive X-rays.

"Of the fourteen elements essential to the proper metabolic functions of the human body, thirteen are known to be in Kelp." --Dr. JW Turentine, USDA agricultural scientist.


(223)

Mother Earth/Mother Ocean Soup
--serves 6-8

3 onions, chopped
3 Tbls olive oil
6 potatoes, cubed
2 carrots, sliced
2 parsnips, sliced
1/2 c wild greens
1/2 c dried seaweed
12 cups of water

Saute onion in oil until brown. Add all remaining ingredients. Cook until vegetables are done. Adust seasoning, adding salt if desired, and let mellow over night. Or serve immediately. Preparation time: Under an hour. Seaweed doesn't need to be soaked first when used in soups.
(229)


Enjoy!


* Woodstock, NY: Ash Tree Publishing, 1989



chris at 12:38 PM |

 

one of these days i'll get a better sense of humor.



chris at 11:36 AM |

Thursday, August 04, 2005

 


cowslip



from Robert Browning's Transcendentalism *



Stop playing, poet! may a brother speak?

'Tis you speak, that's your error. Song's our art:

Whereas you please to speak these naked thoughts

Instead of draping them in sights and sounds

--True thoughts, good thoughts, thoughts fit to treasure up!

But why such long prolusion and display,

Such turning and adjustment of the harp,

And taking it upon your breast, at length,

Only to speak dry words across its strings?

Stark-naked thought is in request enough:

Speak prose and hollo it till Europe hears!

The six-foot Swiss tube, braced about with bark,

Which helps the hunter's voice from Alp to Alp--

Exchange our harp for that,--who hinders you?

But here's your fault; grown men want thought, you think;

Thought's what they mean by verse, and seek in verse:

Boys see for images and melody,

Men must have reason--so, you aim at men.

Quite otherwise! Objects throng our youth, 'tis true;

We see and hear and do not wonder much:

If you could tell us what they mean, indeed!

As Swedish Boehme never cared for plants

Until it happed, a-walking in the fields,

He noticed all at once that plants could speak,

Nay, turned with loosened tongue to talk with him.

That day the daisy had an eye indeed--

Colloquised with the cowslip on such themes...


(112-113)


* Robert Browning, Men, and Women. _Poems of Robert Browning_, Humphrey Milford, ed. London: Oxford UP, 1923.



chris at 3:05 PM |

Wednesday, August 03, 2005

 

Thanks to you both for responding to my question, Chris Daniels, and Gary Sullivan. I completely agree that having and maintaining friendship is one of the best things about life.



chris at 9:29 PM |

 

Jon Leon, editor of Wherever We Put Our Hats, reviewing Kent Johnson's Lyric Poetry After Auschwitz, over at John Latta's Hotel Point blog.



chris at 7:42 PM |

 



Listening: Modest Mouse

this:

Alright, Already, We'll all float on
Don't worry even if things get a bit too heavy
... we'll all float on...


then:

... your body when you're gone
I'm gonna carry in my head
even when you're gone,
your body, your mouth, your soul

when the ocean met the sky
where time and life shook hands
and said goodbye

tell me what you saw
and I'll tell you what you missed

you wasted life, why wouldn't you waste death?

the ocean breathes soft
why don't you carry it in your head, your mouth, your soul
...
you wasted life, why wouldn't you waste the afterlife?


and:

...
I didn't need that Madmax bullshit...
we are just hummingbirds ...

there's good news for people who love bad news...



chris at 7:08 PM |

 

Alexander Pope: "ye tinsel insects"--
what is that all about?



chris at 9:51 AM |

Tuesday, August 02, 2005

 

Poet/critic Steve Burt, as interviewed on Lance Phillips' Here Comes Everybody



chris at 9:17 PM |

 

Well, I guess it should be obvious what happened. I had to think on that.



chris at 6:42 PM |

 

Sheesh! After work today I went looking around, reading some blogs I've been following the last few days, but when I got here, I found two days' worth of posts and numerous comments in debate about Kent Johnson's Lyric Poetry After Auschwitz: Eleven Submissions to the War were no longer there. I'm wondering what happened?--can anyone tell me?



chris at 6:01 PM |

 

Just when hope withers...
"visa," "provisionally..."

"... we are, above all, animals who attempt to be reborn by speaking."
--Valere Novarina, "Syncopations."



Hey, no, I'm not leaving for Russia, though that does sound inviting right now--going anywhere sounds inviting right now, ya kno? See below for the connection to the Novarina quote, which comes courtesy of reading Laura Carter's excellent blog. And that italicized bit about hope is a piece out of a Rita Dove poem I am familiar with from having written at length on her Mother Love (Norton, 1995), which I do not have with me here at work but which I will try to find in my room at home--although that room is stacked near to the ceiling, and is several rows deep, in boxes of books stowed away after my recent move. I have not memorized the entire poem, but perhaps I should do that. Memory is such an animal, a gerbil, or a puppy fetching a grab bag of associational stuff unless one focuses it and actually memorizes structured or set pieces, such as poems or songs. Well, my memory is very dependent on material sources, written things, books or other sources to reference (this is part of what Socrates did not like about writing--how it changed memory from an oralist orientation where a lot had to be committed inside ones head, to a freeing up but also a dependency on material texts) I am now missing those books terribly but not willing to unpack because I will probably have to move again in the next several months. But maybe I should reconsider that.

So, I was scrolling around blogland and found the wonderful Novarina quote posted to Laura Carter's blog, and when I read it, this patchwork bit from the Rita Dove poem popped in my head--Kristeva would say that is how the semiotic chora becomes intertextuality. If you haven't already done so, go read this quote at Laura's, and do check out the developing scroll of fascinating quotes she has going. I'm thinking, then, that I should reconsider my decision not to unpack my books (also, of course, the famous Walter Benjamim essay comes to mind), because I get to feeling great loss when a connection like this between text and reading and material being occurs. It is fulfilling to have the book in hand to complete the material moment, I guess, and I suppose there are other more pop-psychology ways to interpt that, as well as many dusty layers of Freudian stuff to say about it... :) but I'm really not one for much of that crap. I'm of the Irigaray frame of mind, though I do also like some of Lacan, even if Luce spent 300+ pages of dissertation famously severing her student relationship with him. Or so the myth goes--not sure how much that story measures up to the practical reality of the event, is what I mean to say about that.

Added note: oh hey, here I'll amend the above in this very moment of writing it, by posting the Dove poem now, since I paused to check online and happily found the poem (it's one of my favorites) at the Modern American Poetry site:


Exit --by Rita Dove *


Just when hope withers, the visa is granted.
The door opens to a street like in the movies,
clean of people, of cats; except it is your street
you are leaving. A visa has been granted,
"provisionally"-a fretful word.
The windows you have closed behind
you are turning pink, doing what they do
every dawn. Here it's gray. The door
to the taxicab waits. This suitcase,
the saddest object in the world.
Well, the world's open. And now through
the windshield the sky begins to blush
as you did when your mother told you
what it took to be a woman in this life.


*Copyright © 1995 Mississippi Review.

~~~~ Yeah ~~~~~~~~~~ o~o/ ~~~~~~~~~~~~~~



chris at 1:01 PM |

Monday, August 01, 2005

 

damn, everyone's gone and got all serial all of a sudden. whatever. a good fight gets so much adrenaline going that it clears everyone's head out, right?



chris at 9:48 PM |

 


--dried coxcomb--


from Alexander Pope * :

The Power of Ridicule


Ask you what provocation I have had?
The strong antipathy of Good to Bad.
When Truth or Virtue an affront endures,
The affront is mine, my friend, and should be yours.
Mine, as foe professed to false pretense,
Who think a coxcomb's honour like his sense;
Mine, as a friend to every worthy mind;
And mine as man, who feel for all mankind.
      F. You're strangely proud.
            P. So proud, I am no slave:
So impudent, I own myself no knave;
So odd, my country's ruin makes me grave.
Yes, I am proud; I must be proud to see
Men not afraid of God, afraid of me.
Safe from the Bar, the Pulpit, and the Throne,
Yet touched and shamed by Ridicule alone.
      O sacred weapon! left for Truth's defense,
Sole dread of Folly, Vice, and Insolence!
To all but Heaven-directed hands denied,
The Muse may give thee, but the God must guide;
Reverent I touch thee! but with honest zeal;
To rouse the Watchman of the public weal,
To Virtue's work provoke the tardy Hall,
And goad the Prelate slumbering in his stall.
Ye tinsel Insects! whom a Court maintains,
That counts your beauties only by your stains,
Spin all your cobwebs o'er the eye of day!
The Muse's wing shall brush you all away:
All his Grace preaches, all his Lordship sings,
All that makes Saints of Queens, and Gods of Kings,
All, all but Truth, drops dead-born from the press,
Like the last Gazette, or the last Address.

(422)

* The Oxford Book of English Verse: 1250-1950, Helen Gardner, ed. (Oxford UP, 1972)



chris at 4:10 PM |

Sunday, July 31, 2005

 

I want to point out this poem of Tom Beckett's that I really like: I love radishes / I love radiance...
Yes, & exceedingly well put.


Also, here's a Beat Poet Dumbledore... hahaha... Dumbledore's death rewritten in the stylistic perspective-of-a-ventriloquised-voice of Jack Kerouac... a cool layered effect...
found via Ron Silliman's post today.
Thanks for this link, Ron.

And I've rearranged a few posts here since last night, because some important issues were raised below in the comments boxes, but I do want to be sure folks also have the chance to click on a link to Zafusy, a new zine.



chris at 8:10 PM |

 

A poem post from Kent Johnson's Lyric Poetry After Auschwitz

(and also check the next posts for Chris Daniels' testimonial review of the book as well as the responses in the comments boxes both here and there... )

Hey, just in case anyone thinks Kent Johnson would not be willing to energetically legitimize a full range of views on his work, here is a link to a post he made at the New Poetry Listserv yesterday afternoon, inviting responses to
[New-Poetry Listserv:] Lyric Poetry after Auschwitz
.

So, hey, folks, can we now respond to the poetry, please?

To get a little closer to that goal, here is another poem from Kent Johnson's Lyric Poetry After Auschwitz :


Baghdad *


O, little crown of iron forged to likeness of imam's face,
what are you doing in this circle of flaming inspectors and bakers?

And little burnt dinner all set to be eaten
(and crispy girl all dressed with scarf for school),
what are you doing near this shovel for dung-digging,
hissing like ice-cubes in ruins of little museum?

And little shell of bank on which flakes of assets fall,
can't I still withdraw my bonds for baby?

Good night moon.
Good night socks and good night cuckoo clocks.

Good night little bedpans and a trough where once there and inn
(urn of dashed pride)
what are you doing beside little wheelbarrow
beside some fried chickens?

And you, ridiculous wheels spinning on mailman's truck,
truck with ashes of letter from cripy girl all dressed with scarf
      for school.
why do you seem like American experimental poets going nowhere
on little exercise bikes?

Good night barbells and ballet dancer's shoes
under plastered ceilings of Saddam Music Hall.
Good night bladder of Helen Vendler and a jar from Tennessee.
(though what are these doing here in Baghdad?)

Good night blackened ibis and some keys.
Good night, good night.

(And little mosque popped open like a can, which same as factory
of flypaper has blown outward, covering the shape of man with it
(with mosque): He stumbles up Martyr's Promenade. What does it
matter who is speaking, he murmurs and mutters, head a little bit
on fire. Good night to you too).

Good night moon.
Good night poor people who shall inherit the moon.

Good night first edition of Das Kapital, Novum Organum,
The Symbolic Affinities between Poetry Blogs and Oil Wells,
and the Koran.

Good night nobody.

Good night Mr. Kent, good night, for now you must
soon wake up and rub your eyes and know that you are dead.

(11-12)


*Kent Johnson, "Bagdad," Lyric Poetry After Auschwitz (effing press, 2005)



~~~~~~~~~~poem copyright of Kent Johnson~~~~~~~~ o~o/ ~~~~





chris at 4:08 PM |

 

Grading Argument Papers and Reading My Comments Box Below--I See a Need for Clarifying a Few Things about Texfiles...


I'm grading student papers today--my University of Texas at Arlington summer course in advanced argument. The student papers are looking good. We have a blog--I haven't yet announced it but I will now: this course-blog is more a practicum, or workshop arena for the students, than it is a formal or systematic tool for teaching about argument, so, on the one hand, if you are looking for a formal pedagogy of argument, you won't find much of that there. On the other hand, in the informal, stimulus-response of a workshop arena, the students have written some very provocative and thoughtful responses to one another and to some of our readings, including this
at The New York Review of Books: The Case of Theresa Schiavo, by Joan Didion
, an article I mentioned here last month.

At moment, however, in turning from the student papers to check out texfiles, I'm noting no little irony about that (my professional), situational context of grading some sophisticated argument written with plenty of attention to the issues and texts cited, in view of what I see posted below: there has been some 'argumentative' commentary made (in the comments box) over the Chris Daniels review of Kent Johnson's Lyric Poetry After Auschwitz: eleven submissions to the war (effing press).

The irony occurs to me because nothing about the poetry itself has been posted by the questioning detractor. Instead there is reaction to the (perceived) persona of the poetry's author.

In part that may have been unintentionally brought about by my introduction in the post, which says that Chris Daniels' review "gives a strong account of Kent and his new book." Thus the introduction seems to emphasize or to give equal weight to the author in relation to the book. If my introductory comment somehow misled anyone in the direction of responding 'to the man,' as it were (ad hominem), then I hope y'all will forgive that as a rhetorical misstep on my part, and get back to the better business of thinking about and responding to poetry.

But even at that, it's still a commonly held value in argumentational discourse about art, especially poetry, that--regardless of who the author of a work is, or what one might think of the author's (perceived) persona--one usually responds first to the poetry. In other words, by discussing one's response to the poetry.

So, hey, those who have had a chance to read this poetry, even if only the excerpts I have posted here, then please comment.

To anyone who hasn't yet read the poetry, and who might only be interested in stirring up rhetorical aggressions, please refrain from commenting here. Productive argumentative discourse, yes. Aggressive posturing, no.

I've learned from the comments box that the delinking I complained about apparently was a chronic problem of Blogger templates losing links. I accept that explanation and am glad to hear it was not some other kind of silliness over poetics-stances. Thanks for clarifying.

Thanks and Peace:

chris murray o~o/



 

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