chris murray's *Texfiles*

"A note to Pound in heaven: Only one mistake, Ezra! You should have talked to women" --George Oppen, _Twenty Six Fragments_





Archives:





xoxo Hey, E-Mail Me! xoxo







ManY PoETiKaL HaTs LisT:

Holly's Pirate-girl Hat, chrismurray in a straw hat, Michael Helsem's Gray Wyvern NOLA Fedora. Duchamp's Rrose Selavy's flirting hat. Max Ernst's Hats of The Hat Makes the Man. Jordan Davis' The Hat! poetry. hks' smelly head baseball cap. Samuel Beckett's Lucky's Black bowler hat, giving his oration on what's questionable in mankind, in *Waiting for 'God-ot'*. my friend John Phillips's 1969 dove gray fedora w/ wild feather. Bob Dylan's mystery lover's Panama Hat. Bob Creeley's Black Mountain Felt Boater Hat. Duke Ellington's Satin Top Hat. Acorn Hats of Tree. Freud's 1950 City Fedora. Joseph Brodsky's Sailor Cap. Harry K Stammer's Copper Hat Hell. Lewis LaCook's bowler hat(s). Tom Beckett's Bad Hair Day Furry Pimp Hat. Daughter Holly's black beret. harry k stammer's fez. Cat in the Hat's Hat & best hat, Googling Texfiles: crocheted hat with flames. Harry K Stammer's tinseled berets. Tex's 10 gallon Gary Cooper felt Stetson cowboy hat. Jordan Davis's fedora. Dali's High-heel Shoe Hat. Harry K Stammer's en-blog LAPD Hat & aluminum baseball cap. cap'n caps. NY-Yankees caps. the HKS-in-person-caps are blue or green no logos nor captions. Ma Skanky Possum 10's nighttime cap. moose antler hat. propeller beenie hat. doo rag. knit face mask hat. Bob Dylan's & photographer Laziz Hamani's panama hats. Mark Weiss's Publisher's Hat. Rebecca Loudon's Seattle-TX-Hats'n'boots.




Ever-Evolving Links:


Silliman's Links
Dominic Rivron
Unidentified
Br Tom @ One & Plainer
Dan Waber: ars poetica anthology
Dan Waber: altered books anthology
chris daniels: Notes to a Fellow Traveller
Chris Daniels: Toward an Anti-Capitalist Poetry
David Daniels: The Gates Of Paradise
subterranean poets: Beijing Poetry Group
Charles Alexander/Chax Press: Chaxblog
Headlines Poetry: the latest weblog entries
Henry Gould's AlephoeBooks
Julie Choffel's Understory
Tom Murphy's former one
Jean Vengua's New Okir
Roger Pao's Asian-American Poetry
Tom Lisk: Oilcloth and Linoleum
Kevin Doran
Reb Livingston's Cackling Jackal Blog
Janet Holmes: Humanophone
Lorna Dee Cervantes
Mark Young's gamma ways
Brian Campbell: Out of the Woodwork
Shanna's DIY Publishing Blog
Galatea Resurrects: a Poetry Review
Tom Beckett
John Sakkis: BOTH BOTH
New Francois Luong:Voices in Utter Dark, KaBlow!sm is...
Old Francois Luong: Voices in Utter Dark
Margin Walker: Andrew Lundwall
Free Space Comix: the latest BK Stefans blog
Adam Lockhart, Experimentalist Composer
Antic View: Alan Bramhall & Jeff Harrison
lookouchblog: Jessica Smith
MiPOradio
Web Log -- Charles Bernstein
Google Poem Generator: Leevi Lehto
Marie Mutsuki Mockett
Feral Scholar: Stan Goff
worderos: Tom Beckett
In Galatea's Purse
Japundit
Quiet Desperation: Jim Ryal
Luca Antara: Martin Edmond
Brief Epigrams: Ryan Alexander MacDonald
Radio My Vocabulary: 4 pm Sunday Poetry Streams
Mark Lamoreaux: [[[0{:}0]]]
Hot Whiskey Blog
louder
Nick Bruno: They Shoot Poets Don't They?
Joe Massey: Rooted Fool
Kate Greenstreet: every other day
heuriskein: Tom Orange
Chiaroscuro Metropoli: Tom Beckett
Behrle's latest spout!
Fluffy Dollars: Michelle Detorie
Jane Dark's Sugar High!
The Katherine Anne Porter Literary Center
(Charles) Olson Now: Michael Kellaher & Ammiel Alcalay
kari edwards' TranssubMUTATION
Notes on the Revival: Jeremy Hawkins
PurPur: Petrus Pokus
Snapper Missives: Scott Pierce
A Sad Day for Sad Birds II: Gina Meyers
Great Works: Peter Philpot
zafusy: experimental poetry journal
Writeboard: a collaborative writing tool
John Latta: Rue Hazard
KP Harris: Croissant Factory
Stephanie Young's New Site
Stephen Vincent's New Site
Portable Press@Yo~Yo Labs
Square America
Amy King's blog
Robert: Peyoetry Hut
Muisti Kirja: Karri Kokko
Karri Kokko's Blonde on Blonde
Yummeee Blog (recipes)
Nice Guy Syndrome: Tim Botta
Left Hook
Del Ray Cross: anachronizms
Juan Cole: Informed Comment
BuzzFlash - Daily Headlines, Breaking News, Links
Aaron McCollough
Chris Lott's Cosmopoetica
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Ron is Ron: the Ron Silliman Cartoon by Jim Behrle
Dagzine: Positions, Poetics, Populations: Gary Norris
Shadows within Shadows: Tom Beckett
Self Similar Writing: Jukka Pekka Kervinen
The Little Workshop: Cassie Lewis
Sky Bright: Jay Rosevear
Poesy Galore: Emily Lloyd
Lisa Jarnot's Blog
Poetry Hut: Jilly Dybka (has moved here)
Pornfeld: Michael Hoerman
Seven Apples: Justin Ulmer
Hi Spirits: Andrew Burke
Bacon Bargain!: Joe Massey
Ivy is here: Ivy Alvarez
Whimsy Speaks: Jeff Bahr
Umbrella: Jeff Wietor
Chicanas! (Susana L. Gallardo)
Masters of Photography
Blog of Disquiet: Gary Norris' Teaching Blog
Suzanna Gig Jig
Bad with Titles: Jay Thomas
Spaceship Tumblers! Tony Tost
Desert City: Ken Rumble
E-Po
Zotz!
Optative Mood: Tim Morris
ecritures bleues: Laura Carter
The Ingredient: Alli Warren
Skanky Possum Pouch
Slight Publications
Jewishy-Irishy: Laurel Snyder
Sea-Camel: Alberto Romero Bermo
Growing Nations: Jordan Stempleman
Tom Raworth
Entropy and Me: Hal Johnson
Scott Pierce: Snapper's Junk
Chicano Poet: Reyes Cardenas
Semio-Karl M&M
Stephen Vincent
Hoa Nguyen/Teacher's & Writers
a New Word Placements
Narcissus Works: Anny Ballardini
Richard Lopez
Tributary: Allen Bramhall
The_Delay: Chris Vitiello
Jukka Pekka Kervinen: Nonlinear Poetry
Lanny Quarles: Phaneronoemikon
Clifford Duffy: Fictions of Deleuze & Guattari
DagZine
Carrboro Poetry Festival
Steve Evans: Third Factory
DEBORAH PATILLO
SKANKY POSSUM PRESS
Tim Peterson: Mappemunde
WOOD'S LOT
Geof Huth: DBQP
Ann Marie Eldon
Jim Behrle: The Jim Side
Ray Bianchi:Postmodern Collage Poetry
Never Mind the Beasts
Diaryo
New Broom
Flingdump Scattershot
Tony Tost: Unquiet Grave
Grapez
SB POET
Mark Young's Pelican Dreaming
|||AS/IS2|||
Li's A Private Studio
Anny Ballardini's Poet's Corner
Tom Beckett: Vanishing Points
Dumbfoundry
BadGurrrlNest
Jean Vengua's Okir
Hear-it dot org: info on hearing problems
Tim Yu's Tympan
James Yeager's Modern Lives
Tony Robinson: Geneva Convention
Daniel Nestor's Unpleasant Event
Ex-Lion Tamer
Carlos Arribas: Scriptorium
David Nemeth
Ela's Incertain Plume
Mairead Byrne's Heaven
Catherine Daly
Black Spring
Br.Tom's Finish Yr Phrase
Shin Yu Pai: makura-no-soshi
Harry K. Stammer: Downtown LA
Corina's Fledgling Wordsmith
Jilly Dybka's Poetry Hut
Ben Basan's Luminations
Katey: Chewing on Pencils
YaY!! Eileen Tabios: Chatelaine Poetics !
Jill Jones: Ruby Street
Geoffrey Gatza's BlazeVox
Bill Allegrezza's P-Ramblings
Gary Sullivan's Elsewhere
GoldenRuleJones
Poetry_Heat
Bookslut
Chickee's SuperDeluxeGoodPoems
As-Is !
John Latta's Hotel Point
Sawako Nakayasu's Ongoing Show
Shanna Compton's Brand New Insects
Crag Hill
kari edwards: transdada
Fluss
Michael Helsem's Gray Wyvern
Word Placement
Bogue's Blog
Jordan Davis: Equanimity
Robert Flach's Unadulterated Text
Michelle Bautista
Ironic Cinema
Mike Snider
Farewell Tonio!

In Through the Out Door
The Blonde Brunette
Awake at Dawn on Someone's Couch is Toast
Jukka-Pekka Kervinen:Non-Linear
Xpress(ed) !
Chris Lott's Ruminate
Venepoetics
Laura: Yellowslip
Stick Poet Super Hero
Mighty Jens!
Radio UTA: Toni's Thursday Poetry Show
Tim Morris: Lection
Gabe Gudding
Constant Critic
Sappho's Breathing
Waves of Reading
Jhananin's Insite
Fanaticus
AdvExpo
Stephen Vincent
Stephanie Young: New Well Nourished Moon
Kasey Silem Mohammad's Newest Limetree
Lanny Quarles: (solipsis)//:phaneronoemikon
States Writes
Rebecca's Pocket
Simulacro
Braincase Links
Sentence
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73 Urban Bus Journeys
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poetry for the people: canwehaveourballback?
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Nick Piombino's Fait Accompli
Weekly Incite blogresearch
Jim Behrle's first monkey
Jim Behrle's Monkey's Gone to Heaven
David Kirschenbaum's Boog City
Not Nick Moudry
Laurable
David Hess Heathens in Heat
Jack Kimball's Pantaloons
Li Bloom's Abolone
Ron Silliman
Chris Sullivan's Bloggchaff
Chris Sullivan's Slight Publications
Chris Sullivan's Department of Culture
Kasey S. Mohammad's Old-New Limetree
Kasey's Old Limetree
James Meetze: Brutal Kittens
Cassie Lewis: The Jetty
Joseph Mosconi's Harlequin Knights
Nada Gordon's Ululate
ultimate: Stephanie Young's First Well Nourished Moon
Steve Evans: Third Factory
Noah Eli Gordon's Human Verb
Jean Vengua's Blue Kangaroo
Sawako Nakayasu: Texture Notes
Free Space Comix: BK Stefans
Crosfader
Malcolm Davidson's eeksy peeksy
Marsh Hawk Press group
Catherine Meng's Porthole Redux
Josh Corey's Cahiers de Corey
Very Nice! Shampoopoetry
UTA's Lit Mag: ZNine
Wild Honey Press
Jacket
JFK's Poetinresidence
Malcolm Davidson's Tram Spark poems
HYepez: RealiTi
HYpez: Mexperimental
Aimee Nez's Gila Monster
BestMaX: Jim Behrle's jismblog
Cori Copp's Littleshirleybean
Jordan Davis: Million Poems
Eileen Tabios: Corpsepoetics [see Chatelaine above]
YaY! Liz's Thirdwish
Ultra Linking
Henry Gould's HG Poetics




Saturday, July 05, 2003

 

Coming around to the home stretch. Should be able to post within the hour.

Meanwhile, here's an interesting "piece" from this booK, Alexandra Papaditsas and Kent Johnson, The Miseries of Poetry: Traductions from the Greek:


Fragment

[Moths have eaten here. Who sent them?]

they will remember us
by our pieces. Our torsos
will move them to poetry.
They will put our parts on parade,
to imagine what we were,
so to forget what they,
dreaming us, are.


--Attalyda, provenance and dates unknown. From papyrus discovered in the Montazah Palace find, Alexandria, Egypt, 1998.


The brackets: check out the use of brackets to enclose another story continuously throughout this book--in fact the only practical continuity.


chris at 10:44 PM |

 

Stephen Vincent got thinking about the poem above in Miseries, and created this "Conversation" response:

Don't even worry
We will be forgotten
Without a torso
And what else
There will be nothing
Upon which to imagine:
Not even this beautiful hand.
They will have to use their own.
May the Gods bless them
As well.



Check out how this literally hinges with the joints or turns in the other poem. A very interesting take, Stephen, on form inclusive of concerns both for content and for structural poetic.


chris at 6:49 PM |

 

Field Report:
I have finished one third of the recon of my essay on Kent's Miseries. I'm liking this one much better. I wanted to post it but then realized that since it is the beginning third of a linear development, and blogging posts choronologically, then the essay introduction will come last for readers. No, I don't think I want that.

This is actually becoming an interesting probem I will have to share with my writing students when back at teaching in the fall.

But when I am done with this here expository, linear thing?--I'm writing reams of imploded fragmenta, so send me your best lyric collisions no more than 4 words each: a new genre: I'm calling it Blogger's Archaelogy of Non-Linear Knowledge. Um, how weird is that little fantasy? (don't go there!)

more soon.


chris at 6:44 PM |

 

Let's Have a Picnic!--a few words from my favorite sponsor:
When the people of Lhasa (Tibet)
sometimes climbed for pleasure,
they chose hills of a reasonable
size and on reaching the top
would burn incense, say prayers,
and then relax with a picnic.
--Dalai Lama

I am Still doing recon.

But want to say
Stephanie, thanks so much.

and Hello & Congratulations to Professor (YaY!!) Cedrick May (hi Ced!!), of Auburn University in Birmingham, Alabama. Professor May is working on a book about the Dr. Martin Luther King Museum in Birmingham, and is visiting his family in Cleburn, Texas this week.



chris at 5:21 PM |

 

Life's Little Mysteries/Miseries Dept.

Blogger X'd my essay on Kent Johnson's Miseries of Poetry (they left a nice little note down there where the essay used to be). So, I'm reconstructing it. Will post again as soon as done (this afternoon). In segments. Thanks for yr patience. In segments.

ZaZenY'all


chris at 11:54 AM |

Friday, July 04, 2003

 

Hello & Happy Fourth of July to Mark Weiss! Here's some beauty in lyric poetry from Mr. Weiss to make the holiday and our happiness to have it, more luxuriuos than ever:

XXVIII

A last drink with the boatman
and the water lapping. Lost
in blue froth
at the edge
of the wave at the end
of night.
Layers of froth, and inland
the sound of dawn-birds and the last revelers.
Wind blows the white pages.
Last blue of night
first blue of morning.
*
The dangerous conflict
of the non-human.
*
Into the darkest place
the light penetrates.

Sculpting with light.

The ghost of a brush stroke
the ghost of a thought
the ghost of an imprint.

The shore of the sun
the powder of light

and at night

here on the edge of it
here where it breaks or drifts

this vulgar place

density of event
dots in matrix.
*
The sail the sun
the horizon
*
Sky interpenetrates the tree
as an act of passion.

Sky-theater.
*
The bend of a thumb
the bend of a nipple.

The thrilling rain.
*
Someone has died in this thrilling rain.
The terrible wind in
whatever kind of trees.
*
I have made this voyage
before, *
and before
and before

and before.

**
*



Mark Weiss, Figures: 32 Poems Chax Press , 2001. (27)




chris at 4:30 PM |

 

Nick ! of the Wisdom Crush List! Happy Fourth to you and yours


chris at 1:46 PM |

 

an email from India: Good News: this week a special Wedding in Banglore!!

Here's wishing a very Happy Wedding to my good friend, Gurudev Sirsi. Gurudev will be married this coming Monday, July 7, 2003, to his beloved bride Aruna, at 12-34 pm (Abhijin) in Bangalore 560011 INDIA

For the Happy Couple, a poetic Offering:
words from ancient Greek poet, Psappha (here, translated to English by Josephine Balmer), for the happy couple:

"Lucky Bridegroom,
the marriage you have prayed for has come to pass
and the bride you dreamed of is yours...

Beautiful bride,
to look at you gives joy; your eyes are like honey,
love flows over your gentle face...

[The goddess of love] Aphrodite
has honored you above all others"

Happiness!







chris at 1:40 PM |

 

Special Happy Fourth! to Li Bloom,
who emailed to say she, too, listens
to Buena Vista Social Club! And hey, Li,
some wonderful lyrics up there on yr blog--enjoyin' it.
The Truth is Out There
not In Here!!


chris at 1:23 PM |

 

More Wishes for a Happy Fourth of July!!

***Read Fredrick Douglass' speech about the meaning of the Fourth, on Chris Sullivan's Slight Publications

***Read an interview by Sentinel Poetry editor, Nnorom Azuonye, with Stephen Vincent, on teaching and learning in 70s Nigeria. Also exerpts from Stephen's *Walking*
Sentinel Poetry:"Stand Firm at the Gate of Your Heart!"


***Read about Kent Johnson's Alexandra: Her Best Miseries: Shoving It to Embarrased Purveyors of Hegemonic Authority and Thick Headed High Culture, right here at Texfiles (later) today.


chris at 4:51 AM |

 

Listening to Buena Vista Social Club. Does anyone around here listen to it? I like it. What a cool project Ry Cooder did on this.


chris at 2:04 AM |

Thursday, July 03, 2003

 

Special Report from Texfiles' Yearly Chris-on-the-Road Series:

Posting from YaY!!--The coffee shop aka Coffee Haus in Lincoln Square, North Arlington, Texas. What an adventure: they actually have people drinking coffee here :) also, live acoustic guitar players/singers. and drums. I love drums. These are a little tame. but kinda nice. i wz listening to techno all day tho, so all that gauzy band-aid acoustic (how awful is Janis Joplin--o Tex!--slowed to a temp of 31 farenheit?) grates a little. and people are noisy--good for them, not so good for my reading. try this with Janis and drumming in slomo-slush, for background:

"Marius Plotius Art of Grammar[on the Dactylic Metre]: The dactylic
Adonian dimeter catalectic was invented by Sappho, and that is why it is also
called the monoschematist Sapphic [oooo, yeah, i like how that sounds!] for it is
always composed of a dactyl and a spondee [spondee is another cool word: it should always have a smiley face attached to it with a sunflower threatening just two inches away to scoop up any forgotten sunlight to store away for foggy San Francisco mornings, no?]; compare:
Woe for Adonis!" (25)**

Woa-yeah, right. I think six syllables dropped below the horizon waving white flags in the second clause. So much better with Janis and vice versa (actually, it could be... maybe there's something to this).

But: i'm eating a giant chocolate chip cookie. not bad, tho i have to say mine are better. will go home soon for green tea cocoon.

ZaZenY'all

**Loeb Lyra Graeca. ed., trans., JM Edmonds (Harvard Up, 1963), 199.




chris at 9:52 PM |

 

Department of Stirring
Things Up
(then I'm off to look into some Lobel & Page Sappho
in a coffee shop with outdoor tables!--i never go to them but will try this time).

Some Paulo Leminski (as translated by the incomparable Chris Daniels)*
to cool off the heat-lowering, institutional-chirrrrpy parts of the day:

wash me out
thin me down
mix me up
until
after me
after us
after everything
nothing's left
but the charm

[love this next one: seems to call attention to attitude adjustment for a few literary matters of colonization: great choice, Chris!]

one of these days i wanna be
a great english poet
of the last century
saying
o sky o sea o folk o destiny
fight in India, 1866
go down in a clandestine shipwreck

Haikus

enormous night--
everything sleeps
but your name

silk curtains
the wind comes through
without asking

1.
Zealous beasts keep minarets,
constellations are signs.
No starshadow;
comets--solemn;
the moon--enigma.
Celestial bodies--in contact,
hard light of hierarchy on high.


from Paolo Leminski, Meta(/other)poems trans. Chris Daniels, ed. with Chris Chen. Grand Quiskadee Publishing: Berkeley, 2003
"Translation Fights Cultural Narcissism"




chris at 7:07 PM |

 

special thanks to Aimee! for the X-men Quizilla.


chris at 11:45 AM |

 

I took the Quizilla test, and here are my results (a little mirror ouch: fear=that much a motive?): But hey, I am Storm. She's cool, yes--Oo--I think I *like* this!!

storm
You are Storm!

You are very strong and very protective of those
you love. You are in tune with nature and are
very concerned with justice and humanity.
Unfortunately, certain apprehensions and fears
are very hard for you to overcome, and can
often inhibit you when most need to be strong.


Which X-Men character are you most like?
brought to you by Quizilla


chris at 11:40 AM |

 

Tornado Alley Countdown Love # 94

morning, lOvE!--
hairy arc of Hell’s
Angels gentling
three-ball time

cue rub by platinum
girl & blue chalk
to wrist, ("baby,"
you say
“just quick”) lilac
school house walk
instead--
fun-house
feel

one trinket’s tiny eye
bead & gold
margarita
salt on yr lip
love

finger mining
musem floor
map for all lost
wanting

velvet drape & rock booth
palm to palm:
ultraviolet & underground

cave-ins left
main street wrecked
so wrecked--
brilliant
fire engine
survives red
from Spirit
Room to Mingus,
let's just call it
the other Jerome


Chris Murray
Tornado Alley Series




chris at 4:42 AM |

Wednesday, July 02, 2003

 

From Jack's Mars & Venus Dept.
Hey Deborah,
I know exactly what you mean about the desk and all the papers, the names of forgotten students (apologies, yes, to those we sometimes forget), but really, best of all is that random pile of forgotten writings: it proves something Spicer favored--a lot of unself. So, me, you, we are not the writers. We are the whirr: Spicer used the trope of Martians to convey it: They are channeled to do the writing. Now, I know--the complaint is, well, it sounds kinda WAcK!! but point is: writing reads and writes us, or is always there trying to do so. Sometimes our hands are there on the paper, too.

Um... and then six months later the hands go back in to straighten up the little mess. It's just like love. LuV & MaRTiaNs, yes.

But to be really honest, I do not like that idea at all. I want to mean what I say, say what I mean. So, basic paradox: Paradox is from Mars, Writing is from Venus.


chris at 9:50 PM |

 

Yes: China, Hello! I'm glad you like Texfiles. Thanks for letting me know.


chris at 9:30 PM |

 

Dept. of Squirrel Classics

Wow--Kasey,
super "homophonic" on Sappho's *Poikilothronos Athanat Aphrodita* !


chris at 7:54 PM |

 

Some Good News in Texas:

Joe Ahearn, editor of Dallas' Rancho Loco Press and of Veer mag, has just released a new electronic chapbook that RoCkS.

Check out Joel Chace's chapbook, Levee, of down home, local-*loco* New Orleans poems:
go to

www.rancho-loco-press.com/veer/


Look for the VEER Chapbook series at bottom of page. Click on through to Joel's book, yes, but also note that there are 2 choices once you get to the Veer contents page: Definitely read both. Chapbook # 1 is Brian Clements' Ion (hi, Brian!) one of DFW's finest poets and best teachers, here, too.
My candidate for a Top Ten List in Texas blurbs:
Joe's, for Rancho Loco:
Think Global,
Act Loco!


Hell, yeah...


chris at 12:15 PM |

 

Wonderful reading entry posted at Cahiers de Corey yesterday, reader afloat--telescoping--views on aethetics, between Adorno and Kant (!) in fascinating ways. Lovely quotes.

One of several provocative statements (oH So oRaCuLaR!) in Adorno's Aesthetic Theory :

"Artworks are alive in that they speak in a fashion that is denied to natural objects and the subjects who make them." (5)

Thanks for this thoughtful, detailed entry, Joshua Corey.




chris at 1:11 AM |

Tuesday, July 01, 2003

 

E-hem & Em-broideries:

&&&&&&&&*********!!!!!!!!^^^^^^^^)))))))))))))..........................%%%%


Something for Eileen Tabios (who liked my line in To Do List, below, *Talk to wary starfish* and who took the time to work out problems & Blogger-frustrations to post a report about the Barbara Guest, Audacious Imagination event)--Thanks, Eileen!!


wArYsTaR

FisH SaYs **fiN-Fin

uN2. fiIDDlE oVeR

sAND, RolLinG

& haLLOwEd, bABY.**

HoW pOoL.


XXXXXX;;;;;;;;;;;;;;;;;OOOO==+++=+===+=+===UUUZZZZZZVVVVVVV


chris at 4:38 PM |

 

To Do List:

Laundry
Laundry
Dishes
Grade exams
Turn grades in to Registrar
Eat at Baby/Blue: Paradise Downtown
No packing allowed:
Find nearest Ocean for indefinite stay
(dirty water but Galveston= easy drive, so OK)
Look for SeASheLL(_)
Drink green tea
Talk to wary starfish


ZaZenY'all


chris at 11:15 AM |

 

Dept. of JaCk-WiZdOm:

"Dante would have blamed Beatrice
If she turned up alive in a local bordello
Or Newton gravity
If apples fell upward
What I mean is words
Turn mysteriously against those who use them
Hello says the apple
Both of us were object.
______________________________________

"There is a universal here that is dimly recognized. I mean everybody says some kinds of love are horseshit. Or invents a Beatrice to prove that they are.

"What Beatrice did did not become her own business. Dante saw to that. Sawed away the last plank anyone he loved could stand on."



By Jack Spicer

"Sheep Trails Are Fateful to Strangers"
The Heads of the Town
(Collected Books: Black Sparrow, 1975)
p. 125


chris at 4:04 AM |

Monday, June 30, 2003

 

You're Either In It or You Ain't Dept.

Here?--We got Goodie Mob's STilL STanDiNg: soundy Atlanta, with bare-limbs-logo image and all over the music BOdY thing. You cannot sit still with this gOiNG. You're either iN it or "yoU aiN't*--as they say:

"we're from the ghetto__
ghetto__ghetto-ghetto__ghetto___
i know
you wonderin about my
spirit
and my ways___
in the ghetto there ain't no time outs"


But actually we do have lots of "time outs" here in my neighborhood. if time-outs are opportunities to get up out of a ghetto. or so lots of folks here say. something's still working, at least. don't know for how long, tho.

This line's why H's first boyfriend AJ gave me this Goodie Mob CD:
Poetry deep in the team
Y'all the stepped on?
we the green-green.


I love the 16+ prismatic ambiguities found in those lines.
Many of the cuts are more spoken word with tonepoem background than any classifiable hip hop or rap thing. Great percussion emphasis moving in and out. These guys have something to say (well it's 3 years old now I guess, but still works for me and history hasn't exactly righted itself in these past 3 yrs, has it?).

AJ really knew about, had some sense of wisdom about poetry UpPeR CAse P, even if he wasn't honorable to H. She had to send him away, of course. We got over it.



chris at 11:03 PM |

 

from A Sappho Series*

# 115

[... like frightened doves]

[too sensitive
to patterns I this your
bracket, double happiness
tattoo & pore brocade
]

whose hearts turn to ice

[with its curious burn,
slowed angel
chambers
]

whose wings falter

[nowhirrrr]



*Translated by Josephine Balmer *Sappho: Poems and Fragments.* (Lobel & Page # 42, Carol Publ., 1993 [interlinear dispersions, cmurray]).



chris at 10:24 PM |

 

Cross country blogger bus, TP Billyness? That does sort of appeal, Catherine!


chris at 9:17 PM |

 

Very Cool, Tim,
On the info about Poet Laureate position:
my students say "Hey! Thanks, man..."
for everything. We'll see how it goes.

I think for replacement Poet Laureate we should nominate Jim Behrle--wouldn't that be terrific??
That way the job would get done right...


chris at 12:26 PM |

 

OOOSo Beautiful Blue Links Dept:

Wow!! Check out what's behind the blue links at Chris Sullivan's Slight Publications, on Sunday, June 29. Please do keep that Boss camera happy, Y'all ...


chris at 12:20 PM |

 

From Gabriel Gudding (orig. posted to Buff-Po List, partly in response to a post I made there, after another he made about the exoneration of the murderers of US-activist and Evergreen College student, Rachel Corrie. While trying to protect a home in Palestine, on March 16, 2003, Rachel Corrie was run down, then run over two times, by an Israeli tank.).

How Unfortunate the Embrace of George Bush:

Quoting international scholar, Edward Said, "The Meaning of Rachel Corrie," PMC, June 28, 2003:

"The military solution hasn't worked at all and never will work. ... I want now to speak about dignity, which of course has a special place in every culture known... .With all the Bush administration's talk about guidance from the Almighty, doesn't one Arab leader have the courage just to say that, as a great people, we are guided by our own lights and traditions and religion? But nothing, not a word, as the poor citizens of Iraq live through the most
terrible ordeals and the rest of the region quakes in its collective boots,
each one petrified that his country may be next. How unfortunate the
embrace of George Bush, the man whose war destroyed an Arab country
gratuitously, by the combined leadership of the major Arab countries last
week. Was there no one there who had the guts to remind George W. what he
has done to humiliate and bring more suffering to the Arab people than
anyone before him, and must he always be greeted with hugs, smiles, kisses
and low bows? Where is the diplomatic and political and economic support
necessary to sustain an anti-occupation movement on the West Bank and Gaza? Instead all one hears is that foreign ministers preach to the Palestinians
to mind their ways, avoid violence, and keep at the peace negotiations,
even though it has been so obvious that Sharon's interest in peace is just
about zero. There has been no concerted Arab response to the separation
wall, or to the assassinations, or to collective punishment, only a bunch
of tired clichés repeating the well-worn formulas authorized by the State
Department."




chris at 1:15 AM |

Sunday, June 29, 2003

 

Just a Jack
reminder
even Jack would have
to say wz ever
part Jack
only:

** "Dear Lorca,

"I would like to make poems out of real objects. The lemon to be a lemon that the reader could cut or squeeze or taste--a real lemon like a newspaper in a collage is a newspaper. I would like the moon in my poems to be a real moon... the imagination pictures the real...

"Love,
Jack"

** fr. After Lorca, in The Collected Works of Jack Spicer. ed., Robin Blaser (Black Sparrow, 1975)



chris at 11:48 PM |

 

Maybe a little Spicer* at dinner,
with a sprinkling of some nice arrested lettering?


III.

BEaUty iS sO RarE a TH---
SIng a nEw sOng
REal
MUsIc
A bUstEd flUSh. A pAIn iN the eYebroOWs. A
VIsItINg CaRd.
ThEre aRe rOcks on the mountains that will lie there for fifty
yEARs AnD I Only lIvEd wIth yOu thrEE mONthS
whY
DoES
YoUr aBsEncE sEEm sO rEal Or yOuR prEsEncEs
So uNInViTIng?

*fr. Fifteen False Propositions Against God
in Collected Wks of Jack Spicer, ed. Robin Blaser (Black Sparrow, 1975)




chris at 7:50 PM |

 

How easy in Blogland it is sometimes to misinterpret things. I got some signals crossed recently over something posted at Kasey's. We've got it straightened out now but word about it is still bouncing back and forth. Really, Kasey, I'm sorry, too : in future I'll just *drop you a lime* to ask if a question comes up !


chris at 5:42 PM |

 

from Jim's Monkey:

** Blogcon 3 Announcement: Call for Papers

*** HoW to--Ooooo--MaKe LOvE [Finally, all the lost secrets revealed!!]

**** Audblog Interview with Beautiful Gila Monster Blogger:

YaY!!! Aimee Nezhukumatathil



chris at 5:14 PM |

 

Semiotic Hauntings Dept.--Kundun

Lately haunted, not unpleasantly, by recurring image-moments. Triggered by?--a sensual image from, oh gee: a film! And it is more than obvious in its Lacanian implics, so I will spare myself and you that line of discussion. I am after something else here, more about *sharing.*

In the film, Kundun, story of the Dalai Lama's childhood and struggle, there is a scene where the adolescent Rinpoche is in a playroom with several monks. A row of silken sheets is folded over, suspended from ceiling (?) and across the length of the room. Effectively, then, something of a screen but loose, with a lot of give and take (!). Well I don't know the traditions--tho will look it up to see--but it seems a ritualizing, typical childhood kind of game: all the monks (not allowed directly, physically, to touch the person of our little deity) on one side of the flowing screen, which billows in and out--much giggling--as the little deity hurls himself , turning round and round, down the line of the veil behind which are the many (also giggling) monks. he monks hand him back and forth to one another. There is one shot meant to be ecstatic, I think, when the little deity, almost completely wrapped in the screen by now. pushes his face tightly into the screen. What we see in that moment is the impression of his features, taut, in silk. It is gold, if I recall correctly (I am working here not from the fact of the film but from my recall: what my imagination has made of this moment).

What the sensually deprived are ritually allowed to do for fun? Well yes, in a vulgar or limited logic, and in part the point of the film's narrative development.

But I want more here: isn't this also an apt representation of semiotic chora, as in how Kristeva envisions it in thinking of the infinite feminine a priori, the given--before language--(tho here of course shared as hybrid & literally masculine, new/old, then, layered, too--Just Wonderful!!)--differently from the more ordinary tradition in study of semiotics, which reminds me by comparison of something more like a glassed in conservatory of language's-- well--more sorry bounds (but inside are thousands of butterflies, not so far fetched: the Butterfly (Beauty-fly) Conservatory in Houston--been there?--you should go--butterflies love people--will light ever so lightly on a toe or a shoulder, linger a while, take off again, repeat...).

Well, I am sorry the Dalai Lama's experiences were apparently of an appalling kind of emotional deprivation. But I am so glad for this lovely, resonant image of play. So restorative. I'm glad it keeps recurring to me lately. If you haven't seen this flick, find it and have a look.

Dalai Lama quote for today:

At daybreak, if the weather is fine, I go into the garden. This time of day is very special to me.




chris at 2:07 PM |

 

A lovely email from Stephanie Young at Well Nourished Moonto say hello. She's posted the Bill Luoma Sappho trans-poem, Phainetai Moi (a fine version of the same one from Balmer's translation--traditionally known as # 31--that I posted Thursday, June 26). Stephanie adds insightful commentary, aptly noting the poem's sensitive shifts in perspective. Thanks for this, Stephanie, I had not looked at Luoma's text before. Thanks to Steve Evans at Third Factory for the *connection* too.


chris at 1:35 PM |

 

Lifelong Found
& Lost Dept.


Daniel Francis O'Connell !
Where are you??
If you read this, call
or email me...


chris at 12:51 PM |

 

A Sappho Series +

27

[I want you to know:]
I prayed that for us
the night
[like a photo image]
could last twice as long
[but then I felt foolish]

P***********P

28

[I was dreaming of you but]
just then
[two of your Dali Cs began to = O, so]
Dawn, in her golden sandals
[woke me]
[wake me]

P**********P

68

... like the sweet apple
[or the cherries you so like]
turning red at the top of the highest branch,
[Baby, you do know what I'm doing here, right?]
forgotten by the apple gatherers -- no,
[i read the part about the fire three times]
not quite forgotten, for they could not reach so far...
[1500 miles]

P**********P

+ (all from Balmer translation; see below, Thurs. June 26; & italics: interlinear dispersions, c.m.):

HCIC: these might do Good Works, thx


 

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