"A note to Pound in heaven: Only one mistake, Ezra! You should have talked to women"
--George Oppen, _Twenty Six Fragments_
Archives:
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ManY PoETiKaL HaTs LisT:
Holly's Pirate-girl Hat,
chrismurray in a straw hat,
Michael Helsem's Gray Wyvern NOLA Fedora.
Duchamp's Rrose Selavy's flirting hat.
Max Ernst's Hats of The Hat Makes the Man.
Jordan Davis' The Hat!
poetry. hks' smelly head baseball cap.
Samuel Beckett's Lucky's
Black bowler hat,
giving his oration
on what's questionable in mankind,
in *Waiting for 'God-ot'*.
my friend John Phillips's 1969
dove gray fedora w/ wild feather.
Bob Dylan's mystery lover's Panama Hat.
Bob Creeley's Black Mountain Felt Boater Hat.
Duke Ellington's Satin
Top Hat. Acorn Hats of Tree.
Freud's 1950 City Fedora.
Joseph Brodsky's Sailor Cap.
Harry K Stammer's Copper Hat
Hell. Lewis LaCook's bowler hat(s).
Tom Beckett's Bad Hair Day
Furry Pimp Hat. Daughter Holly's black beret.
harry k stammer's fez. Cat
in the Hat's Hat & best
hat, Googling Texfiles:
crocheted hat with flames.
Harry K Stammer's tinseled berets.
Tex's 10 gallon Gary Cooper felt Stetson cowboy hat.
Jordan Davis's fedora.
Dali's High-heel Shoe Hat. Harry K Stammer's en-blog LAPD Hat
& aluminum baseball cap. cap'n caps. NY-Yankees caps. the HKS-in-person-caps
are blue or green no logos nor captions.
Ma Skanky Possum 10's nighttime cap.
moose antler hat. propeller beenie hat.
doo rag. knit face mask hat. Bob Dylan's & photographer Laziz
Hamani's panama hats. Mark Weiss's Publisher's Hat.
Rebecca Loudon's Seattle-TX-Hats'n'boots.
Ever-Evolving Links:
Silliman's Links
Dominic Rivron
Unidentified
Br Tom @ One & Plainer
Dan Waber: ars poetica anthology
Dan Waber: altered books anthology
chris daniels: Notes to a Fellow Traveller
Chris Daniels: Toward an Anti-Capitalist Poetry
David Daniels: The Gates Of Paradise
subterranean poets: Beijing Poetry Group
Charles Alexander/Chax Press: Chaxblog
Headlines Poetry: the latest weblog entries
Henry Gould's AlephoeBooks
Julie Choffel's Understory
Tom Murphy's former one
Jean Vengua's New Okir
Roger Pao's Asian-American Poetry
Tom Lisk: Oilcloth and Linoleum
Kevin Doran
Reb Livingston's Cackling Jackal Blog
Janet Holmes: Humanophone
Lorna Dee Cervantes
Mark Young's gamma ways
Brian Campbell: Out of the Woodwork
Shanna's DIY Publishing Blog
Galatea Resurrects: a Poetry Review
Tom Beckett
John Sakkis: BOTH BOTH
New Francois Luong:Voices in Utter Dark, KaBlow!sm is...
Old Francois Luong: Voices in Utter Dark
Margin Walker: Andrew Lundwall
Free Space Comix: the latest BK Stefans blog
Adam Lockhart, Experimentalist Composer
Antic View: Alan Bramhall & Jeff Harrison
lookouchblog: Jessica Smith
MiPOradio
Web Log -- Charles Bernstein
Google Poem Generator: Leevi Lehto
Marie Mutsuki Mockett
Feral Scholar: Stan Goff
worderos: Tom Beckett
In Galatea's Purse
Japundit
Quiet Desperation: Jim Ryal
Luca Antara: Martin Edmond
Brief Epigrams: Ryan Alexander MacDonald
Radio My Vocabulary: 4 pm Sunday Poetry Streams
Mark Lamoreaux: [[[0{:}0]]]
Hot Whiskey Blog
louder
Nick Bruno: They Shoot Poets Don't They?
Joe Massey: Rooted Fool
Kate Greenstreet: every other day
heuriskein: Tom Orange
Chiaroscuro Metropoli: Tom Beckett
Behrle's latest spout!
Fluffy Dollars: Michelle Detorie
Jane Dark's Sugar High!
The Katherine Anne Porter Literary Center
(Charles) Olson Now: Michael Kellaher & Ammiel Alcalay
kari edwards' TranssubMUTATION
Notes on the Revival: Jeremy Hawkins
PurPur: Petrus Pokus
Snapper Missives: Scott Pierce
A Sad Day for Sad Birds II: Gina Meyers
Great Works: Peter Philpot
zafusy: experimental poetry journal
Writeboard: a collaborative writing tool
John Latta: Rue Hazard
KP Harris: Croissant Factory
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Self Similar Writing: Jukka Pekka Kervinen
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Poesy Galore: Emily Lloyd
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Pornfeld: Michael Hoerman
Seven Apples: Justin Ulmer
Hi Spirits: Andrew Burke
Bacon Bargain!: Joe Massey
Ivy is here: Ivy Alvarez
Whimsy Speaks: Jeff Bahr
Umbrella: Jeff Wietor
Chicanas! (Susana L. Gallardo)
Masters of Photography
Blog of Disquiet: Gary Norris' Teaching Blog
Suzanna Gig Jig
Bad with Titles: Jay Thomas
Spaceship Tumblers! Tony Tost
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E-Po
Zotz!
Optative Mood: Tim Morris
ecritures bleues: Laura Carter
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Chicano Poet: Reyes Cardenas
Semio-Karl M&M
Stephen Vincent
Hoa Nguyen/Teacher's & Writers
a New Word Placements
Narcissus Works: Anny Ballardini
Richard Lopez
Tributary: Allen Bramhall
The_Delay: Chris Vitiello
Jukka Pekka Kervinen: Nonlinear Poetry
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DagZine
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WOOD'S LOT
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Ann Marie Eldon
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SB POET
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Li's A Private Studio
Anny Ballardini's Poet's Corner
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Dumbfoundry
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Hear-it dot org: info on hearing problems
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James Yeager's Modern Lives
Tony Robinson: Geneva Convention
Daniel Nestor's Unpleasant Event
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David Nemeth
Ela's Incertain Plume
Mairead Byrne's Heaven
Catherine Daly
Black Spring
Br.Tom's Finish Yr Phrase
Shin Yu Pai: makura-no-soshi
Harry K. Stammer: Downtown LA
Corina's Fledgling Wordsmith
Jilly Dybka's Poetry Hut
Ben Basan's Luminations
Katey: Chewing on Pencils
YaY!! Eileen Tabios: Chatelaine Poetics !
Jill Jones: Ruby Street
Geoffrey Gatza's BlazeVox
Bill Allegrezza's P-Ramblings
Gary Sullivan's Elsewhere
GoldenRuleJones
Poetry_Heat
Bookslut
Chickee's SuperDeluxeGoodPoems
As-Is !
John Latta's Hotel Point
Sawako Nakayasu's Ongoing Show
Shanna Compton's Brand New Insects
Crag Hill
kari edwards: transdada
Fluss
Michael Helsem's Gray Wyvern
Word Placement
Bogue's Blog
Jordan Davis: Equanimity
Robert Flach's Unadulterated Text
Michelle Bautista
Ironic Cinema
Mike Snider
Farewell Tonio!
In Through the Out Door
The Blonde Brunette
Awake at Dawn on Someone's Couch is Toast
Jukka-Pekka Kervinen:Non-Linear
Xpress(ed) !
Chris Lott's Ruminate
Venepoetics
Laura: Yellowslip
Stick Poet Super Hero
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Radio UTA: Toni's Thursday Poetry Show
Tim Morris: Lection
Gabe Gudding
Constant Critic
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Stephen Vincent
Stephanie Young: New Well Nourished Moon
Kasey Silem Mohammad's Newest Limetree
Lanny Quarles: (solipsis)//:phaneronoemikon
States Writes
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Simulacro
Braincase Links
Sentence
Sor Juana
73 Urban Bus Journeys
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poetry for the people: canwehaveourballback?
Ernesto Priego's Never Neutral
Nick Piombino's Fait Accompli
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Jim Behrle's Monkey's Gone to Heaven
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Li Bloom's Abolone
Ron Silliman
Chris Sullivan's Bloggchaff
Chris Sullivan's Slight Publications
Chris Sullivan's Department of Culture
Kasey S. Mohammad's Old-New Limetree
Kasey's Old Limetree
James Meetze: Brutal Kittens
Cassie Lewis: The Jetty
Joseph Mosconi's Harlequin Knights
Nada Gordon's Ululate
ultimate: Stephanie Young's First Well Nourished Moon
Steve Evans: Third Factory
Noah Eli Gordon's Human Verb
Jean Vengua's Blue Kangaroo
Sawako Nakayasu: Texture Notes
Free Space Comix: BK Stefans
Crosfader
Malcolm Davidson's eeksy peeksy
Marsh Hawk Press group
Catherine Meng's Porthole Redux
Josh Corey's Cahiers de Corey
Very Nice! Shampoopoetry
UTA's Lit Mag: ZNine
Wild Honey Press
Jacket
JFK's Poetinresidence
Malcolm Davidson's Tram Spark poems
HYepez: RealiTi
HYpez: Mexperimental
Aimee Nez's Gila Monster
BestMaX: Jim Behrle's jismblog
Cori Copp's Littleshirleybean
Jordan Davis: Million Poems
Eileen Tabios: Corpsepoetics [see Chatelaine above]
YaY! Liz's Thirdwish
Ultra Linking
Henry Gould's HG Poetics
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Friday, April 07, 2006
I linked to the review page here the other day, but hey, Y'all, do also check out the rest of the latest issue of MiPOesias Magazine. It's full-up with off-the-usual po-fun (eep, seems i'm developing a rash of over-hyphenation here, eh?
chris at
5:52 PM
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I'm hearing in comments that I inadvertently left out some presences or members of KaBlow!sm, so am adding them to the link below: Hey, I just happened onto Francois Luong's very fun blog, Voices in Utter Dark, which at moment is variously questioning the (supposed) necessity of creating poetic movements (and then crashing/dashing them). So then, how about that KaBlow!sm originating with Eric Gelsinger, Jessica Smith. And self-admittedly John Sakkis, more toward "sucked into KaBlow!sm" . . . It all *sounds* to me like it has great inventional poet-tential . . . kaBlowkaBlamkaBlow,yeah! Add to the ranks these po-folk: Francis Luong, Tarwin, Jonathan Fadely, CS Perez -- did a double take on that name, Y'all: at first I misread it as CS Peirce : ) -- Claire Webb, and Al Cohen . . .
chris at
4:22 PM
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Thursday, April 06, 2006
EP / on / or / Poetic Ear
from Mary Barnard's memoir, Assault on Mt. Helicon * :
I decided Pound was the poet I wanted to write to. . . . I thought he knew more about the technique of writing poetry than any other living poet. . . . I went to the Vancouver Library and looked him up in _Who's Who_. I had never mailed a letter to Italy in my life, and I wished he were nearer . . . [but] one crisp fall day in 1933 I fired off six poems and a short letter asking for advice or assistance. The answer to my letter arrived early one November morning. It was a postcard that deserves to be quoted in full:
"Age? intentions? intention? how MUCH intention? I mean how hard and for how long are you willing to work at it? Rudiments of writing // vide my pubd/ crit. Rudiments music??? my unpubd/ and mostly unwritten crit. Contents?? 'Lethe' the best because there is more IN it. What magazines do you refer to? Young uns that dont pay / or the old fungus that has been putrifying on nooz standz fer 40 year? Nice gal, likely to marry and give up writing or what Oh?"
[--Ezra Pound postcard to Mary Barnard, Nov. 1933]
. . . In reply to the postcard I wrote a rather long letter explaining more about my situation, asking just what he meant by 'Contents' (my guess turned out to be correct), and telling him that so far as music was concerned, I was hopeless. I couldn't carry a tune. I did not know then that both he [Ezra Pound] and Yeats had the same difficulty. [but in part what he then replied was :]
". . . Music rots when it gets too far from dance. Poetry when too far from music . . . you needn't worry about not having an exact pitch sense NOW . . . Besides the difficulty in WRITING mus- ic is in the RHYTHM NOT in pitch . . . any- body can tap a pyanny till they find the pitch they want. The question of the DURATION of the note, is another job altogether . . . Get a metronome and learn HOW long the differing syllables, and groups of them take. and don't go telling everybody I said so/ I don't want the NEXT 'movement' smeared over by Lowells and people who won't work. . . ." [--Ezra Pound, Letter to Mary Barnard, December 2, 1933]
(52-55)
* Mary Barnard, Assault on Mount Helicon: a Literary Memoir (Berkely: Univ Calif Press, 1984)
chris at
11:22 AM
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Wednesday, April 05, 2006
In MiPoesias Magazine: Revista Literaria, Francois Luong has a review of various recent issues of poetry journals, including mem 3, which is edited and published by poet Jill Stengel. Gosh, what a nice surprise to read this--thank you.
chris at
11:25 AM
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Tuesday, April 04, 2006
from Ezra Pound's ABC of Reading * :
"I suppose this is the most beautiful sonnet in the language, at any rate it has one nomination." --EP (Exibits/Notes, 134)
by Mark Alexander Boyd (1563-1601):
Fra bank to bank, fra wood to wood I rin Ourhailit with my feeble fantasie Like til a leaf that fallis from a tree Or til a reed ourblawin with the wind,
Two gods guides me, the ane of them is blin, Yea, and a bairn brocht up in vanitie, The next a wife ingenrit of the sea And lichter nor a dauphin with her fin.
Unhappy is the man for evermair That tills the sand and sawis in the air,
But twice unhappier is he, I lairn, That feidis in his heart a mad desire And follows on a woman throw the fire Led by a blind and teachit by a bairn.
(134)
* Mark Alexander Boyd, "Sonnet," in Ezra Pound, The ABC of Reading (New Directions, 1960, 1987; orig. 1934)
chris at
11:03 AM
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Monday, April 03, 2006
from Geoffrey of Vinsauf's _The New Poetics_ (Poetria nova) * :
. . . [I]t you wish to proceed the more safely, fashion little cues for yourself, whatever your mind's free will suggests. If they delight you, then you will learn by using them. There are some people who wish to learn, but not to work or to suffer study and pain. That is the way of a cat: it wants a fish but does not want to go fishing. I do not speak to them, but only to any there may be whom the labor of getting knowledge rejoices as much as the knowledge itself does.
* * *
These languages should be heard in reciting: first, that of the mouth; next, that of the speaker's countenance, and, third, that of gesture. The voice has its own laws, and observe these as follows. Let the period keep its pauses when spoken, and let pronunciation preserve accent. Those words which the sense separates, separate; those which the sense joins, join. So tame your voice that it is not at odds with the subject, nor let it be inclined down a path other than that which the subject matter intends; let both go together: some particular tone of voice will be the perfect reflection of the subject matter. As the subject behaves, so let the speaker behave. Let us see this by one example: *Wrath, offspring of flame and mother of madness, deriving its origin from its own bellows, poisons the heart and the innermost parts. . . . It blasts with its bellows, burns with its flame, and confounds with its madness.* If you represent the person of this angry man, what, as a speaker, will you do? Imitate true rages. Yet be not yourself enraged; behave partially like the character, but not inwardly. . . . You can also present the gestures of a rustic character and be humorous . . . through little clues. . . . This is a disciplined charm; this technique of oral recitation is appealing and this food is flavorful to the ear.
(105-106)
* Geoffrey of Vinsauf, Poetria nova (c. 1210 AD) trans. Jane Baltzell Kopp, in Three Medieval Rhetorical Arts ed. James J. Murphy (Berkeley: Univ. Calif. Press, 1971).
chris at
10:22 AM
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Sunday, April 02, 2006
from Mikhail Bakhtin, on Notes on the Forms of Knowledge, Monologic, Dialogic * :
. . . The exact sciences constitute a monologic form of knowledge: the intellect contemplates a thing and expounds upon it. There is only one subject here--cognizing (contemplating) and speaking (expounding). In opposition to the subject there is only a voiceless thing. Any object of knowledge (including man) can be perceived and cognized as a thing. But a subject as such cannot be perceived and studied as a thing, for as a subject it cannot, while remaining a subject, become voiceless, and, consequently, cognition of it can only be dialogic. . . . Historicity. Immanence. Enclosure of analysis (cognition and understanding) in one given text. The problem of the boundaries between text and context. Each word (each sign) of the text exceeds its boundaries. Any understanding is a correlation of a given text with other texts. Commentary. The dialogic nature of this correlation. The place of philosophy. It begins where the precise science ends and a different science begins. It can be defined as the metalanguage of all sciences (and all kinds of cognition and consciousness). . . . thought about the world, and thought in the world. . . .
(161-162)
* M.M. Bakhtin, "Methodology for the Human Sciences," Speech Genres and Other Essays eds. Caryl Emerson and Michael Holquist. trans. Vern W. McGee (University of Texas Press, 1986).
chris at
3:08 PM
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An Announcement from John Tranter, publisher/editor of Jacket Magazine :
There are over two hundred books and magazines forlornly awaiting reviewers in Jacket's unassigned list, from Kazim Ali to Rachel Zucker:
Jacket's List of Books for Review
And Jacket 29 is slowly growing...
Jacket 29, Index
=== Douglas Messerli: The Countess of Berkeley: on Barbara Guest
Feature: Gilbert Sorrentino -- Edited by Ken Bolton
=== Ken Bolton: Gilbert Sorrentino: an Introduction === John O'Brien: Gilbert Sorrentino: Some Various Looks === Eric Mottram: The Black Polar Night: The Poetry Of Gilbert Sorrentino === Donald Phelps: Extra Space === Gilbert Sorrentino in conversation with Barry Alpert, 1974
Interviews
=== Bill Berkson in Conversation with Robert Glück, August 2005 === Setting the World on Fire: Charles Bernstein in conversation with Leonard Schwartz, 2004 === On the Nature of the Lyric: Tom Clark in conversation with Ryan Newton === My Motto Is: 'Translation Fights Cultural Narcissism' -- Chris Daniels in conversation with Kent Johnson, on Fernando Pessoa, Brazilian Poetry, and the Task of the Translator, 2005
Feature: James Schuyler, Edited by Pam Brown
=== James Schuyler: Letters from Italy, Winter 195455, to Frank O'Hara (a selection, ed. William Corbett) === Simply, Freely, Clearly: David Kennedy reviews Just the Thing: Selected Letters of James Schuyler 1951-1991, edited by William Corbett. 470pp. Turtle Point Press. US$21.95 / £13.99. 1885586302. Paper. AND James Schuyler: Selected Art Writings, edited by Simon Pettet. 310pp. Black Sparrow Press. US$17.50. 157423076X. Paper. === On editing James Schuyler: Simon Pettet and William Corbett and Nathan Kernan in conversation with Pam Brown
Mallarmé revisited
=== Chris Edwards: A Fluke: 'A Fluke' is a mistranslation into English of Stéphane Mallarmé's 1897 poem 'Un coup de dés...' with parallel French text. === Rachel Blau DuPlessis: Draft 73: Vertigo -- a response to Mallarmés work. === John Tranter: Desmond's Coupé: A partly homophonic mistranslation into English of 'Un coup de dés', using a nice, sensible even left margin. === John Tranter: a review of Musicopoematographoscope, by Australian poet Christopher Brennan, a manuscript parody of 'Un coup de dés' written within a few months of Mallarmé's poem being published in the May 1897 issue of the Paris journal Cosmopolis.
On Flarf
=== Dan Hoy: on Flarf: The Virtual Dependency of the Post-Avant and the Problematics of Flarf: What Happens when Poets Spend Too Much Time Fucking Around on the Internet === The Flarflist Collective: Actual Interview with a Six-Year-Old on the Topic of Flarf
Margaret Avison:
Eight poems: The World Still Needs / End of a Day or I as a Blurry Needy / Christmas Approaches, Highway 401 / The Hid, Here / A Small Music on a Spring Morning / Cycle of Community / The Fixed in a Flux /
Articles
=== David Brooks: "Petit Testament": A Reading [on the Ern Malley hoax] === Stephen Kirbach: Resisting the power museum with and beyond Allen Ginsberg's 'Wichita Vortex Sutra' === Thomas Lisk: William Bronk's Path Among the Forms === Michael Palmer: Ground Work: on Robert Duncan === John Welch: Getting it Printed: London in the 1970s === Barry Wood and Bill Luckin: Catch the Music as it Fades: The Poetry of Jack Beeching
Comic Strip
=== John Tranter: Dan Dactyl and the Mad Jungle Doctor: A 95-frame black and white comic strip that traces the adventures of adventurer Dan Dactyl and his pals as they search the South American jungles for the mysterious French poet Doctor Verlaine. First published in Chain (US), Poetry Review (London) and Southerly magazine (Sydney).
Reviews
=== Erik Anderson: Join the Planets, by Reed Bye === Jasper Bernes: The Hounds of No by Lara Glenum and A Defense of Poetry by Gabriel Gudding === Michael Cross: Rumored Place by Rob Halpern === Elaine Equi Light and Shade: New and Selected Poems, by Tom Clark === Michael Farrell reviews "Hyper Taiwan: Art Design Culture", by Kurt Brereton === Thomas Fink: 60 lv bo(e)mbs, by Paolo Javier === John Hall: Whisper 'Louise', A double historical memoir and meditation, by Douglas Oliver === David Koehn reviews: Profane Halo by Gillian Conoley === Michael Leddy: More Winnowed Fragments by Simon Pettet === David McCooey: Compared to What: Selected Poems 1971-2003 and The Ash Range by Laurie Duggan === Marianne Morris: Embrace, by Andrea Brady === Chris Murray: Small Works by Pam Rehm === John Olson: What He Ought To Know, New and Selected Poems by Edward Foster === Gerald Schwartz: Drunken Sailor by John Montague === Erik Sweet: American Music by Chris Martin === Erik Sweet: Father of Noise by Anthony McCann === Eileen Tabios: The Passion of Phineas Gage & Selected Poems by Jesse Glass === Nathaniel Tarn: Red Sky Café by Geoffrey O'Brien === Ed Taylor: The Beautifully Worthless, by Ali Liebegott
Poems
=== Aaron Belz: Four Poems for Jen Bervin === Dustin Collis: Two poems: Title Poem / Light Plucked === Alfred Corn: Rip at the Half Moon === Wystan Curnow: Three poems from Modern Colours === Denise Duhamel and Stephen Paul Miller: from 'Hurricanes': 2. B-Boy / 4. Desperate Young Americans / 6. If RFK had become President === Jon Fosse: The train in one's heart: English version by May-Brit Akerholt === Bill Freind: Four poems: Serenade for Intercom and Tardy Chorister / Dispensationalist Foxtrot / Deportation Celebrant / Chillun of the Hods === John Hall: An essay on lyric ethics === Anthony Hawley: Six poems: 'Awhile' -- Field Guide for Voices / Five poems from P(r)etty Sonnets === Brian Henry: Three poems: Poem for the Man / Dead Aesthetic / Jesus/Stick === Kent Johnson: Prosodic Structure (A bit after Barbara Guest) === Kent Johnson: Julian in Nicomedeia -- after Cavafy === Andrew Johnston: Mauve === Peter Larkin: Urban Woods (Section 1 of Open Woods) === Norman MacAfee: The Coming of Fascism to America === Nicholas Messenger: The Pleasures of Reading === Philip Nikolayev: Two poems: Three Stars / Litmus Test === Ron Padgett and Yu Jian: Five poems: Shoe Cloud / Poem 8 / Poem 9 / Poem 16 / Poem 11 === Christopher Salerno: Two poems: The Republic, Book X / Not Dying === Ouyang Yu: Nine Poems: Listening to the ex-Chinese-woman-soldier / Listening to the Pakistani Taxi-driver / Listening to the Big Bus Guy in London / Listening to the poet talk about himself / Listening to the Lebanese Taxi-driver / Listening to my woman patient / Listening to the 80 year old telling me a story / Listening to the Bangladeshi taxi-driver / Listening to the Chinese audience === Maged Zaher: my software mission
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