chris murray's *Texfiles*

"A note to Pound in heaven: Only one mistake, Ezra! You should have talked to women" --George Oppen, _Twenty Six Fragments_





Archives:





xoxo Hey, E-Mail Me! xoxo







ManY PoETiKaL HaTs LisT:

Michael Helsem's Gray Wyvern NOLA Fedora. Duchamp's Rrose Selavy's flirting hat. Max Ernst's Hats of The Hat Makes the Man. Jordan Davis' The Hat! poetry. hks' smelly head baseball cap. Samuel Beckett's Lucky's Black bowler hat, giving his oration on what's questionable in mankind, in *Waiting for 'God-ot'*. my friend John Phillips's 1969 dove gray fedora w/ wild feather. Bob Dylan's mystery lover's Panama Hat. Bob Creeley's Black Mountain Felt Boater Hat. Duke Ellington's Satin Top Hat. Acorn Hats of Tree. Freud's 1950 City Fedora. Joseph Brodsky's Sailor Cap. Harry K Stammer's Copper Hat Hell. Lewis LaCook's bowler hat(s). Tom Beckett's Bad Hair Day Furry Pimp Hat. Daughter Holly's black beret. harry k stammer's fez. Cat in the Hat's Hat & best hat, Googling Texfiles: crocheted hat with flames. Harry K Stammer's tinseled berets. Tex's 10 gallon Gary Cooper felt Stetson cowboy hat. Jordan Davis's fedora. Dali's High-heel Shoe Hat. Harry K Stammer's en-blog LAPD Hat & aluminum baseball cap. cap'n caps. NY-Yankees caps. the HKS-in-person-caps are blue or green no logos nor captions. Ma Skanky Possum 10's nighttime cap. moose antler hat. propeller beenie hat. doo rag. knit face mask hat. Bob Dylan's & photographer Laziz Hamani's panama hats. Mark Weiss's Publisher's Hat. Rebecca Loudon's Seattle-TX-Hats'n'boots.




Ever-Evolving Links:


Dominic Rivron
Unidentified
Br Tom @ One & Plainer
Dan Waber: ars poetica anthology
Dan Waber: altered books anthology
chris daniels: Notes to a Fellow Traveller
Chris Daniels: Toward an Anti-Capitalist Poetry
David Daniels: The Gates Of Paradise
subterranean poets: Beijing Poetry Group
Charles Alexander/Chax Press: Chaxblog
Headlines Poetry: the latest weblog entries
Henry Gould's AlephoeBooks
Julie Choffel's Understory
Tom Murphy's former one
Jean Vengua's New Okir
Roger Pao's Asian-American Poetry
Tom Lisk: Oilcloth and Linoleum
Kevin Doran
Reb Livingston's Cackling Jackal Blog
Janet Holmes: Humanophone
Lorna Dee Cervantes
Mark Young's gamma ways
Brian Campbell: Out of the Woodwork
Shanna's DIY Publishing Blog
Galatea Resurrects: a Poetry Review
Tom Beckett
John Sakkis: BOTH BOTH
New Francois Luong:Voices in Utter Dark, KaBlow!sm is...
Old Francois Luong: Voices in Utter Dark
Margin Walker: Andrew Lundwall
Free Space Comix: the latest BK Stefans blog
Adam Lockhart, Experimentalist Composer
Antic View: Alan Bramhall & Jeff Harrison
lookouchblog: Jessica Smith
MiPOradio
Web Log -- Charles Bernstein
Google Poem Generator: Leevi Lehto
Marie Mutsuki Mockett
Feral Scholar: Stan Goff
worderos: Tom Beckett
In Galatea's Purse
Japundit
Quiet Desperation: Jim Ryal
Luca Antara: Martin Edmond
Brief Epigrams: Ryan Alexander MacDonald
Radio My Vocabulary: 4 pm Sunday Poetry Streams
Mark Lamoreaux: [[[0{:}0]]]
Hot Whiskey Blog
louder
Nick Bruno: They Shoot Poets Don't They?
Joe Massey: Rooted Fool
Kate Greenstreet: every other day
heuriskein: Tom Orange
Chiaroscuro Metropoli: Tom Beckett
Behrle's latest spout!
Fluffy Dollars: Michelle Detorie
Jane Dark's Sugar High!
The Katherine Anne Porter Literary Center
(Charles) Olson Now: Michael Kellaher & Ammiel Alcalay
kari edwards' TranssubMUTATION
Notes on the Revival: Jeremy Hawkins
PurPur: Petrus Pokus
Snapper Missives: Scott Pierce
A Sad Day for Sad Birds II: Gina Meyers
Great Works: Peter Philpot
zafusy: experimental poetry journal
Writeboard: a collaborative writing tool
John Latta: Rue Hazard
KP Harris: Croissant Factory
Stephanie Young's New Site
Stephen Vincent's New Site
Portable Press@Yo~Yo Labs
Square America
Amy King's blog
Robert: Peyoetry Hut
Muisti Kirja: Karri Kokko
Karri Kokko's Blonde on Blonde
Yummeee Blog (recipes)
Nice Guy Syndrome: Tim Botta
Left Hook
Del Ray Cross: anachronizms
Juan Cole: Informed Comment
BuzzFlash - Daily Headlines, Breaking News, Links
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Ron is Ron: the Ron Silliman Cartoon by Jim Behrle
Dagzine: Positions, Poetics, Populations: Gary Norris
Shadows within Shadows: Tom Beckett
Self Similar Writing: Jukka Pekka Kervinen
The Little Workshop: Cassie Lewis
Sky Bright: Jay Rosevear
Poesy Galore: Emily Lloyd
Lisa Jarnot's Blog
Poetry Hut: Jilly Dybka (has moved here)
Pornfeld: Michael Hoerman
Seven Apples: Justin Ulmer
Hi Spirits: Andrew Burke
Bacon Bargain!: Joe Massey
Ivy is here: Ivy Alvarez
Whimsy Speaks: Jeff Bahr
Umbrella: Jeff Wietor
Chicanas! (Susana L. Gallardo)
Masters of Photography
Blog of Disquiet: Gary Norris' Teaching Blog
Suzanna Gig Jig
Bad with Titles: Jay Thomas
Spaceship Tumblers! Tony Tost
Desert City: Ken Rumble
E-Po
Zotz!
Optative Mood: Tim Morris
ecritures bleues: Laura Carter
The Ingredient: Alli Warren
Skanky Possum Pouch
Slight Publications
Jewishy-Irishy: Laurel Snyder
Sea-Camel: Alberto Romero Bermo
Growing Nations: Jordan Stempleman
Tom Raworth
Entropy and Me: Hal Johnson
Scott Pierce: Snapper's Junk
Chicano Poet: Reyes Cardenas
Semio-Karl M&M
Stephen Vincent
Hoa Nguyen/Teacher's & Writers
a New Word Placements
Narcissus Works: Anny Ballardini
Richard Lopez
Tributary: Allen Bramhall
The_Delay: Chris Vitiello
Jukka Pekka Kervinen: Nonlinear Poetry
Lanny Quarles: Phaneronoemikon
Clifford Duffy: Fictions of Deleuze & Guattari
DagZine
Carrboro Poetry Festival
Steve Evans: Third Factory
DEBORAH PATILLO
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Tim Peterson: Mappemunde
WOOD'S LOT
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Ann Marie Eldon
Jim Behrle: The Jim Side
Ray Bianchi:Postmodern Collage Poetry
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Grapez
SB POET
Mark Young's Pelican Dreaming
|||AS/IS2|||
Li's A Private Studio
Anny Ballardini's Poet's Corner
Tom Beckett: Vanishing Points
Dumbfoundry
BadGurrrlNest
Jean Vengua's Okir
Hear-it dot org: info on hearing problems
Tim Yu's Tympan
James Yeager's Modern Lives
Tony Robinson: Geneva Convention
Daniel Nestor's Unpleasant Event
Ex-Lion Tamer
Carlos Arribas: Scriptorium
David Nemeth
Ela's Incertain Plume
Mairead Byrne's Heaven
Catherine Daly
Black Spring
Br.Tom's Finish Yr Phrase
Shin Yu Pai: makura-no-soshi
Harry K. Stammer: Downtown LA
Corina's Fledgling Wordsmith
Jilly Dybka's Poetry Hut
Ben Basan's Luminations
Katey: Chewing on Pencils
YaY!! Eileen Tabios: Chatelaine Poetics !
Jill Jones: Ruby Street
Geoffrey Gatza's BlazeVox
Bill Allegrezza's P-Ramblings
Gary Sullivan's Elsewhere
GoldenRuleJones
Poetry_Heat
Bookslut
Chickee's SuperDeluxeGoodPoems
As-Is !
John Latta's Hotel Point
Sawako Nakayasu's Ongoing Show
Shanna Compton's Brand New Insects
Crag Hill
kari edwards: transdada
Fluss
Michael Helsem's Gray Wyvern
Word Placement
Bogue's Blog
Jordan Davis: Equanimity
Robert Flach's Unadulterated Text
Michelle Bautista
Ironic Cinema
Mike Snider
Farewell Tonio!

In Through the Out Door
The Blonde Brunette
Awake at Dawn on Someone's Couch is Toast
Jukka-Pekka Kervinen:Non-Linear
Xpress(ed) !
Chris Lott's Ruminate
Venepoetics
Laura: Yellowslip
Stick Poet Super Hero
Mighty Jens!
Radio UTA: Toni's Thursday Poetry Show
Tim Morris: Lection
Gabe Gudding
Constant Critic
Sappho's Breathing
Waves of Reading
Jhananin's Insite
Fanaticus
AdvExpo
Stephen Vincent
Stephanie Young: New Well Nourished Moon
Kasey Silem Mohammad's Newest Limetree
Lanny Quarles: (solipsis)//:phaneronoemikon
States Writes
Rebecca's Pocket
Simulacro
Braincase Links
Sentence
Sor Juana
73 Urban Bus Journeys
Poeta Empirica
poetry for the people: canwehaveourballback?
Ernesto Priego's Never Neutral
Nick Piombino's Fait Accompli
Weekly Incite blogresearch
Jim Behrle's first monkey
Jim Behrle's Monkey's Gone to Heaven
David Kirschenbaum's Boog City
Not Nick Moudry
Laurable
David Hess Heathens in Heat
Jack Kimball's Pantaloons
Li Bloom's Abolone
Ron Silliman
Chris Sullivan's Bloggchaff
Chris Sullivan's Slight Publications
Chris Sullivan's Department of Culture
Kasey S. Mohammad's Old-New Limetree
Kasey's Old Limetree
James Meetze: Brutal Kittens
Cassie Lewis: The Jetty
Joseph Mosconi's Harlequin Knights
Nada Gordon's Ululate
ultimate: Stephanie Young's First Well Nourished Moon
Steve Evans: Third Factory
Noah Eli Gordon's Human Verb
Jean Vengua's Blue Kangaroo
Sawako Nakayasu: Texture Notes
Free Space Comix: BK Stefans
Crosfader
Malcolm Davidson's eeksy peeksy
Marsh Hawk Press group
Catherine Meng's Porthole Redux
Josh Corey's Cahiers de Corey
Very Nice! Shampoopoetry
UTA's Lit Mag: ZNine
Wild Honey Press
Jacket
JFK's Poetinresidence
Malcolm Davidson's Tram Spark poems
HYepez: RealiTi
HYpez: Mexperimental
Aimee Nez's Gila Monster
BestMaX: Jim Behrle's jismblog
Cori Copp's Littleshirleybean
Jordan Davis: Million Poems
Eileen Tabios: Corpsepoetics [see Chatelaine above]
YaY! Liz's Thirdwish
Ultra Linking
Henry Gould's HG Poetics




Tuesday, January 31, 2006

 

Rest in Peace,
Mrs. Coretta Scott King.



chris at 7:53 PM |

Monday, January 30, 2006

 



Driving across New York state, outside Rochester, toward Syracuse, January 7, 2006.

Worked on this one a little by adding color to the sky.



chris at 9:59 PM |

 

off to the doctor soon



chris at 9:55 PM |

 



A lovely dinner with dottir Heather in Dallas (thank you, baby!!).

But things got a little wierd afterward. We were musing about some interesting items she displays in her urban industrial loft, along with a couple Dali and Miro prints acquired in Barcelona a couple years ago.

One item is a full blown, spikes-extended, dried (or drama-frozen en-medias-ras) pufferfish (about 4 inches in diameter, so rather large, I guess, for puffers) that I had found and got for her from a shell shop on Coronado Island, CA, last October when we were visiting for an MCRD event. Beautiful puffer. (I also got some abalone earrings and a bunny made of teensy shells). We were trying to tie a string around the pufferfish and hang it from a lamp, that extends from the 12 ft ceiling of exposed pipes and H&AC ducts. It fell onto a table, a foot away from my hand. Several spike tips flew off: embedding themselves directly into our hands! One, about a quarter inch long, landed deep into the knuckle of my left forefinger. Tiny puncture wound from it, and a spattering of shorter (tinier: less than an eighth of an inch), more superficial piece-wounds. Carefully pulled the litte spine tips out, the longer one being a little difficult to remove intact, though I was sure I got it all. Then poured rubbing alcohol on cleaned thoroughly, soaking in warm water. Alas: woke up today with a swollen, very stiff and painful knuckle and finger, and the other lesser cuts now weepy, as in allergic reaction. Heather had a sore skin reaction, too. I've something of a fever tonight. It may be something they treated the hapless pufferfish with, of course, but who knows...

wow, Pufferfish!!!--formiddable beyond the infamous internal toxins (their poisons are not delivered through their spikes, but when they are ingested, or so I am surmising after doing a little research) !

Needless to say, I'm off to the doctor tomorrow for a tetnus booster and perhaps some antibiotics (I almost never take anything, but this seems warranted) for what looks to be a combination of allergic reaction and impending infection of the knuckle joint. Can barely move my finger :(

How weird is this?--one of those manifestations in physics of chaos theory, so unlikely that, if you tried to reinact the circumstances and achieve the same effect, it would be near impossible odds. And anyway, I would definitely have moved my hand out of the vicinity. Ouch.
Puncture wound from severed, flying, pufferfish spikes! Yikes!



chris at 7:32 AM |

Sunday, January 29, 2006

 

woo hoo! off to dottir Heather's this evening... going out to dinner in downtown Big D, at one of her favorite spots, Nick & Sam's. then to watch movies at her loft--top of the downtown highrise where the neon Pegasus framed by other buildings and reflected in the windows is all you can see at night from her balcony (see my post on that in the archives, Thanksgiving, 2005)--and eat ice cream. YaY!! my dottirs rock, ya kno?



chris at 2:34 AM |

 



same pic as below, cropped and edited.

i like the convoluted perspectes in this, as
brought out by editing the scene to be half black, half lighter,
and the slow realization in the chaos of objects in the composition
that the view is constantly returning the viewer' eye to a form of infinite regress.
i hadn't planned it at all.

but i think i like the original better.
it's a sort of preserved chaos-moment, and accidental 'as is': i did not compose it, i just aimed and shot, thinking, 'let's see what happens here'
which as a photo turned out to be kind of interesting
in an Eggleston-sort of way of "I take one shot and one shot only"
as he says, and goes from there without messing around with the result.
this differs of course, in that he doesn't do accidents, and he was focused to vibrant colors and the contrasts and the textures they create.

nonetheless, there's something in this.

instead of color, i like motion, but in the non-motion (non video), still-shot way.
in both of these i like the machinery, including the hand. in a sense, since there is no photographer's eye intentionally composing this, the hand becomes a kind of eye, or replaces the conventional expectation of the eye. eye as tool, then, since hands are a form of tool. they do things, perform actions. so do eyes, but we seldom think of them as that, yet the gaze is a dynamic tool, even if apparently less active than a hand, no?
yeah.

hey, i'm going to do more of these. i yike 'em!



chris at 12:09 AM |

Saturday, January 28, 2006

 



on highway I 35, just outside Austin, in passing lane taking a snapshot of rear view mirror simultaneous with view ahead (including camera and fingers on shudder in mirror!)--generic instant camera, November 2005--by Chris Murray



chris at 11:50 PM |

Thursday, January 26, 2006

 



from William Carlos Williams' The Wedge * :


A Sort of a Song


Let the snake wait under
his weed
and the writing
be of words, slow and quick, sharp
to strike, quiet to wait,
sleepless.

--through metaphor to reconcile
the people and the stones.
Compose. (No ideas
but in things) Invent!
Saxifrage is my flower that splits
the rocks.

(145)


* * *


The Poem


It's all in
the sound. A song.
Seldom a song. It should

be a song--made of
particulars, wasps,
a gentian--something
immediate, open

scissors, a lady's
eyes--waking
centrifugal, centripetal

(151)



* WCW, Selected Poems. ed. Charles Tomlinson (New Directions, 1985)



chris at 10:01 PM |

 


Environmental Working Group || Public Interest Watchdog
: been spending some time going over links and content at this site, the link sent to me by my good friend Mimi Boswell, the Sedona, AZ artist and quilter (Hi Mi!!!--thanks very much for this informative link). It's comprehensive, sharply critical in exacting, supportable ways. Keep on, Y'all.



chris at 6:04 AM |

Wednesday, January 25, 2006

 

from

Hot Off the Argyle: Lost-Sock-Wrangler Poet
Re-Socked by Hir New York Dad!!!



My father is a wonder... is amazing, as a good father should be, eh?

Earlier this cold month while I was in NY visiting my father who I absolutely adore, I had occasion to put a laundry-load in his washing machine, & in due process, the dryer. Then I went to take a shower while waiting for my wash to get done. At which point my helpful sister Jo offered to look after my laundry. She's so sweet. Jo checked and folded it all real nice, even though she needn't have had anything to do with my laundry (and lord knows that growing up right there in that same house, with the same washer and dryer, we would not have offered each other any such graciousness, eh?--or very little, and not easily...). But here we are, and so I find it fun to say that.

Well, out of that, I had a loner sock. A bit of a tweak in that since I don't like loner socks--I'm something of an a-retentive sort about laundry match-ups. Too many kids' socks lost over the years or something... Also, I'm just a logical mother fucker: if a certain number (of paired socks) goes into the laundry together, then the same number of them should come out of it... together! It only takes a human to ferret :) them out and back together, right?

So, okay, *there was that one stray sock* image of dismay for me : on top of the pile of folded laundry, so nicely, so generously, put at the end of the brass bed I splept in at our dad's. Yes, there was my pile of laundry put by my sweet sister. And there was one stray sock on top of the pile. One from a pair of socks I kind of liked, too. That one was so obviously missing its nylon, 2-D-appearing, fake-foot-shaped other. I bought that pair special for the trip. My particularities of personality told me: those two socks definitely deserved to be together. But: one was lost. Could be lost in my many other similar colored articles of clothing: I might find the lost sock clinging with static to a sleeve of a shirt or a pants' leg, eh?

Okay, chris, I said in the moment, so ya win some and ya lose some (one sock does not a city or a pants' or even a shirt, make, or some such bumfuck thought like that), I reminded myself (that it was an unimportant problem, this lost sock). A sock is just a sock. One lone sock. A silly sock. A non-socks-sock. How many one-socks are there right now out there in the world? Dunno, dunna wanta kno: isn't it better when a one-sock is matched up with the sock that is its best or only other?--and so I thought, and think, but cannot dwell too much on because the demands of the rest of my life are not about socks at all). Truly. Confession [or congestion]: I often wish My OWN Life really was only about washing and finding socks--so, I must be nuts, right?--clearly teaching at a university is far better work and opportunity than washing and matching up socks, eh!!!--right!!!!--but hey, Y'all: who is/was that with all the excess punctuation there?--um, dunno].

Me?--I would find every sock, ever, that might need its other. Truly.

But I am human, viz: inadequate.

Then again there is deus ex machina to save the something you never, every:

In the mail today I received a note from my Dad--a sort of a squishy feeling envelope with a hand written note. And I knew right away what joyously gratifying object signifying my terrific lost desires might be in there: Yikes!! it was that one absolute and lost sock!!!!!!!!!!!!!!!!!

It felt so very full of closure's non-closure that it gave me great suspect pleasure, translated as reverb JOY!! As said two lines above with accompanying punky-marks ...

Yes, that missing sock, thank goodness (now, how many of you out there would have already, across place and time, thrown out that lost/found sock's other?--I'm so weird I kept the other sock and brought it back here with me--I'm a saver, ya kno?), because I never give up, and because of a happy accident and astute Dad, I can now happily reunite the one sock with its differently journeyed other. WooHOO

How?

Hah: Dad & US Mail!

Best of all is this dear, dear, note (given line-by-line here) from Dad:

Hi Chris

This is the first

time in all my [**!] yrs I've

sent a sock

in the mail.

I found it in my

dryer.

Love,
DAD


So, indeed, the man who faithfully forwards all kinds of fathomless other mail,
now sends me a single sock...

& Ah, as Mom, gone now for ten years, might say,
It really is all about love, the lost-sock-wrangling,
& I thank you for the opportunity to match the two back up
.

She definitely was like that--major thematic--bless her heart
(xoxoxo, to you Mom).

And as I also say:

Dad! You rock! Thanks for the sock
back
or the back-sock!! & by mail!
so cool...

Love,
chris

And as I'd like y'all to know:

so dear, this dad of mine ...
how many Dads would think to do this,
singular, everyday, wonderful thing?
My Dad's always wowed me, I thought,
as I opened the envelope with the sock in it,
plying it yet also already knowing exactly what it was.
Yeah.

Keep on, Y'all.



chris at 7:49 AM |

Tuesday, January 24, 2006

 

from Denise Levertov * :


Overland to the Islands


Let's go--much as that dog goes,
intently haphazard. The
Mexican light on a day that
'smells like Connecticut'
makes iris ripples on his
black gleaming fur--and that too
is as one would desire--a radiance
consorting with the dance.
                    Under his feet
rocks and mud, his imagination, sniffing,
engaged in its perceptions--dancing
edgeways, there's nothing
the dog disdains on his way,
nevertheless he
keeps moving, changing
pace and approach but
not direction--'every step an arrival.'

(86)



* in Postmodern American Poetry, ed. Paul Hoover (Norton, 1994).



chris at 6:47 AM |

Monday, January 23, 2006

 

from "The Return of the Archetype" * :


La Loba *


An old woman still lives among the broken slopes of the mountains in the land of the Tarahumara Indians. No one knows exactly where.

She is sometimes seen standing along the highway near El Paso, hauling wood near Oaxaca, or even hitching a rid on a semi rig. She is the bone woman, the gatherer, La Loba. She collects bones, especially those of wolves.

When she has collected enough bones to make a whole wolf, she sings over the skeleton, and it begins to grow flesh and fur. She sings some more, and the wolf becomes strong; then it breathes.

La Loba keeps singing, and soon the wolf leaps up and runs off while the desert world trembles. And when a ray of the sun, or the moon, strikes the wolf at just the right time and place, it turns into a woman, a laughing woman, who you may see running toward the horizon.

It is in the desert that you see the wolf, and maybe the laughing woman, running to the horizon.


(173-174)


* Clarisa Pinkola Estes, qtd in David Leeming and Jack Paige, eds., Goddess: Myths of the Female Divine (Oxford University Press, 1994)



chris at 8:41 PM |

 

a fascinating interview of poetry translator Chris Daniels, by Kent Johnson, at Jacket 29... also check out
the latest series Chris has going over at his blog, NOTES FROM A FELLOW TRAVELER. I'm very taken with the Karen Brodine piece.
Go, Chris Daniels!



chris at 8:13 PM |

 

was down with a flu this weekend, y'all. doing better now. much to catch up with/on.



chris at 12:06 AM |

Thursday, January 19, 2006

 

from John Ashbery * :


The Chateau Hardware


It was always November there. The farms
Were a kind of precinct; a certain control
Had been exercised. The little birds
Used to collect along the fence.
It was the great "as though," the how the day went,
The excursions of the police
As I pursued my bodily functions, wanting
Neither fire nor water,
Vibrating to the distant pinch
And turning out the way I am, turning out to greet you.


(117)


* John Ashbery, Selected Poems (New York: Penguin, 1985)



chris at 9:46 PM |

 

Adding a link to Hot Whiskey Blog to the long trail of bloggies in the sidebar. Also, note the link on their blog to the Hot Whiskey Press and there, to the magazine. Good stuff, Y'all!



chris at 9:37 PM |

 

oh, hey, one more thing before signing off tonight:


found on googling "circle of life"

yah...



chris at 8:47 AM |

 

Found a superlative little desk calendar for dottir Heather, of Japanese Woodcuts. And: wow: the Itty Bitty Buddah !!! I love miniatures... I've got all kinds of animal minis... But a mini Buddha???? not until now... YaY!!

xoxoxoxo
to Y'all...
adios
chris


p.s. Heading out to Austin this weekend, to see the wonderful Smith-Nguyen clan and all other special folk there, including Phillip Trussell, the best painter-poet this side of the Milky Way... more soon, Y'all, Keep On & Do Good!!



chris at 8:33 AM |

 

I'm so lucky!! Extra cool generosity flowing here from Brenda Iijima & Portable Press at Yo Yo Labs :

A sneak preview in late December of Diane Ward's new chapbook, when you awake (Portable Press, 2006, with fabulous cover art: blue & gray fractal-like collage work framing a scattering of partial pics of such things as wedding cakes and creeksides, grass and graphic shapes... and a beautiful inside cover page of sparkly indigo paper that feels almost like a cloth--lovely art and design work by Brenda Iijima). Here's how the poetry begins:

well, it's not just passion fading now. watch the image,
the long line of ourselves, wait. our eyes' place on the
lateral horizon, as if on target, the pattern our bodies
should fold into, this time as a strategy. we're told sight
runs stagnant, cells were created when one bacteria
surrounded and overtook another. we should be
whispering if our mouths move this way: what if the
language doesn't do it anymore, if atom means that which
can't be split. whose roadside has grown this? it's pin-
drop quiet in here, even your voice stipped to yellow
stain. it's the sun that keeps coming up. when we talk,
even a fraction of evacuation is an endless chain.
common sense screams what to feel, the proctors approve
of specific meaning effects. completely surrounded by
cues. get your fur up ...



WoW!! Diane Ward's when you awake was just released at a Segueway reading event (many thanks for this report on the event, Tim!) Woo Hoo! Wish I could have been there for the reading, but here I am instead, hunkered down in good ol' windy north Texas--thank goodness for books... all the more happiness, then, in having this lovely chapbook-slice of NYC poetry life. Dear Brenda, thanks so much for sending this lovely book!


~~~~~~~~~poetry copyright of Diane Ward~~~~~~~~ o~o/ ~~~



chris at 3:13 AM |

Tuesday, January 17, 2006

 

from Shanna Compton's prize winning book,

down spooky


(Winnow Press, 2005) :


My Huge Napoleon


Lounge and choose--
if that were all he had to do
he'd occasionally be happy.

He's enumerated enough.
Drumming his darlings, head motors
whirpling to a frantic standstill.

Great dogs of the past, heed
this call. Lick his hand a little,
will you? Common sense will do the rest.

The monotony of only commas.
The autonomy of the monomaniac.
The automatic mommy.

Violators of these depth prescriptions
may be unsubscribed. But does it matter?
He'll mature into silliness.

He'll arrive hushily hastily
tongue-wagging or rather finger-tapping keys
to please his opinion by expressing it.

Why can't he just admit
pleasure is inevitable?


(28)



go, Shanna!

~~~~~~~~poem copyright of Shanna Compton~~~~~~ o~o/ ~~~~



chris at 10:23 PM |

 

of course, anarchy also has drawbacks...
over much self-reliance, chaos, indecisiveness, civic and social irresponse
& what else??...



chris at 8:40 AM |

 

On Hierarchical Modes as Deterministic of Rhetorical Episteme:

Rant!!


Have I mentioned how much I loathe hierarchies???--hierarchy as an organisational mode???--the mode that enabled imperialism???--the mode that enables oppression???--yeah, that organisational mode... How I find them not useful and unimaginative??? In fact, they are systems made to stifle creativity as well as criticism. Boo!


just sayin' : why not we-all make a better organizational mode... which means for starters, a better rhetorical mode, eh? yeah. i'm so sick and eff-ing tired of hierarchical mode continually masking itself as the one and only possibilty, the privileged a la mode.

let's give humans more credit than that, eh? hierarchical organization is fucking boring, exclusive, thus limited or non-productive.

Historical materialism has already shown that as pluralistic & visionary,
human communities of real people and vital ideas can do far better than to allow hierarchical structuring to determine significant life courses, *living* and learning, as it were (history as applied to real life).



o~o/



chris at 5:40 AM |

 

a nice note from Argentinian visual artist
Ramiro Clemente, who now works in Barcelona, Spain
--sharing some new works... here's one:



Clemente's work is a favorite here at tex,
first found via the fabulous cover of Amy King's especially praiseworthy book of poems, Antidotes for an Alibi, which came out in Sept. 2004 from
Geoffrey Gatza's : : : BlazeVOX

[books] :: "avant garde texts : publishers of weird little books : : :"



chris at 1:56 AM |

 

Just put in new links on the sidebar to two more interesting po-blogs:

Nick Burns' painting & poetry space,
They Shoot Poets - Don't They?


and the eclectic mix of louder



chris at 1:08 AM |

Monday, January 16, 2006

 

Happy Birthday, MLK



chris at 10:09 PM |

 

from Texfiles Poet of the Week, Jill Stengel:





in comp...           (Anne Frank)

a thin
nine
finer
a dawn       non
kick…
[kind…]
[ki…]


* * *


what languages have
      I written

            tightrope

sea spray heralds
      already forgotten
          (moment)


* * *


three hundred poems

moon sky view saw
birch pine elm
oak
cedar
fir
pomegranate
baby sleep dream teeth
scar furrow groove rift
canoe



~~~~~~~poems copyright of Jill Stengel~~~~~~ o~o/ ~~~~~~



chris at 9:17 PM |

 

Wonderful lunch today with



dottir Heather!
at the exquisite


Piranha: Killer Sushi
here in North Arlington.


Yummy miso, edamames, hand rolls of spicy crab and fried salmon skin, ceviche, Hot Sake, Kirin Ichiban beer--with which we made sake bombs (which i sipped--those babies are way too much % in the pleasure combo, ya kno?--but they made me feel baaaadddd for a few moments, yeah...)!

& there was excellent company/conversation there (including some talk of the mysterious blowfish sushi, which can be made only by someone you trust with your life... woo hoo!--serious sushi, man...). Such fine, congenial and artful chefs at the sushi bar--hey these folks rock, Y'all... if you are ever in N.Arlington Tex, go there and eat and have fun... and also, see their other fine place, My Martini: wine and bistro--each of these especially artful treats are the work of Kenzo Tran, whose vision has provided happiness to many good folks--Mr. Kenzo, please keep on!!

So, hey, my Heather--good thinkin' on goin' there today, super thanks!!

Good company... fresh, artfully & exactingly prepared food... good stories shared... good imbibing (go slow on the sake bombs, Heather!)... in a relaxed and beautiful setting... what more could a human want in one window on one day in a finite life?

i'm feeling so blessed. thanks again, baby-girl.



chris at 6:48 AM |

Sunday, January 15, 2006

 


a gift from my sister, bamboo wind chimes, something i've wanted for some time now... thanks, Jo! it's been very windy here lately and the chimes are on my patio/balcony making mysterious & friendly clackety-clacks at night ... so lovely!



chris at 3:46 AM |

Saturday, January 14, 2006

 



from Jill Stengel, Texfiles Poet of the Week:


Dear Sir/Madam—
a racecar to escape me
from here. ignoring traffic
lights, stop signs, double
yellow lines. the rules of
the road. a pilot with a
flowing scarf, cocky. little did
I suspect you were fuelless.
american dream part two:
awakening into it. time
to get up. care to dance.
hot rod, convertible. coupe.
I stole the keys. my own
chauffeur.





~~~~~poem copyright of Jill Stengel~~~~~~~~~~ o~o/ ~~~~



chris at 10:06 PM |

Friday, January 13, 2006

 



via Lorca translator, photographer, paleontologist, and potter
Jim Morgan's fossil guy blog... nice work, Jim!



chris at 10:51 PM |

 

apologies for interrupting the Steve Jonas post last night. i was suddenly called away. i've gone in and finished the post now, and on Monday will have another of Jonas's most excellent, tuneful poems.

& coming up here in a bit, the penultimate piece of Texfiles Poet of the Week Jill Stengel's feature...

enjoy!



chris at 10:13 PM |

 

from Steve Jonas * :

BACK 'O TOWN BLUES


There is a bourgeois dullness
        that settles plumb blank upon
the blobs of american cities

it is a dullness of locality
& to each city its own brand
            of ennui

I have felt it
    so must have you
the traffic of a thorough-fare
        moves left to right
            & right to left
thusly the faces in windows

              move likewise
or they loiter abt stoops
        or congregate
at the corner's intersections

(anticipating violence) what else
save read a book on the Index
      or see a controversial movie
dead tho' they move

              like an Egyptian mummy
whose guts have been excerpted
i tell you

        there is a bourgeois
dullness
that settles plumb blank upon
the blobs of american cities


*


MUSIQUE ANCIEN


music hath no power
          that sensate can
            no image that can
peel, the flayed flesh
the song is weak but
              sweet
                nbsp; they image shall
not die by song
so long as flesh can
                peel & image
feel the song.



* Stephen Jonas, Selected Poems, ed. Joseph Torra (Hoboken, NJ: Talisman House, 1994)146-147)



chris at 5:00 AM |

Thursday, January 12, 2006

 



reading on the characteristics of history & the reversals undergone in relations between revolutionary change and (in) a democratized state--it's sounding creepily familiar...

from Karl Marx, The Eighteenth Brumaire of Louis Bonaparte (an old favorite read) * :

... Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly found, given and transmitted from the past. The tradition of all the dead generations weighs like a nightmare on the brain of the living. And just when they seem engaged in revolutionizing themselves and things, in creating something entirely new, precisely in such epochs of revolutionary crisis they anxiously conjure up the spirits of the past to their service and borrow from them names, battle slogans and costumes in order to present the new scene of world history in this time-honored disguise and this borrowed language. ... In like manner the beginner who has learnt a new language always translates it back into his mother tongue, but he has assimilated the spirit of the new language and can produce freely in it only when he moves it without remembering the old and forgets in it his ancestral tongue. Consideration of this world-historical conjuring up of the dead reveals at once a salient difference. ... the heroes, as well as the parties and the masses of the old French Revolution, performed the task of their time in Roman costume and with Roman phrases [:Roman rhetoric and rhetorical strategies], the task of releasing and setting up modern bourgeois society. ...

The Constitution, the National Assembly, ... the blue and the red republicans ... the sheet lightning of the daily press, ... the civil law and the penal code, the
liberte, egalite, fraternite... --all have vanished like a phantasmagoria before the spell of a man whom even his enemies do not make out to be [such] a magician. Universal suffrage seems to have survived only for a moment, in order that with its own hand it may make its last will and testament before the eyes of all the world ...

* * It is not enough to say... that [a] nation has been taken by surprise. A nation and a woman are not forgiven the unguarded hour in which the first adventurer that came along could violate them. The riddle is not solved by such terms of speech, but merely formulated in another way. It remains to be explained how a nation of ... millions can be surprised and delivered unresisting into captivity by three high class swindlers. * *



* Karl Marx, "The Eighteenth Brumaire of Louis Bonaparte," The Marx-Engels Reader. ed. Roger Tucker (New York: Norton, 1978) 595, 598-99.



chris at 8:15 PM |

 

Jay Rosevear--wow.

harrowing.


so glad you made it through,
and did so mostly okay.

keep on.



chris at 10:44 AM |

 



Cronos Flame for the memory of Walter Benjamin and his texts--
found at Lloyd Spencer's Benjamin site, via readings at the most admirably eclectic on art, and the most abundantly humane toward all being:
::: wood s lot ::: "the fitful tracing of a portal"


M W: Thank you.



chris at 7:51 AM |

 

Crag Hill's moving Score into
Spore : check out his innovative new blog.



chris at 6:33 AM |

 

Also adding Tom Beckett's new poetry blog, Chiarascuro Metropoli--this is new work that I really like, Tom, keep on!



chris at 12:56 AM |

Wednesday, January 11, 2006

 



--detail from entryway sculptures, "Under the Lion's Paw," Forbidden City, China

I really like the following--it's brilliant, one of the most lively and inventive statements I've ever read--so am quoting one section in full (tho do go there and read the entire statement and the discussion in comments):

from
rootedfool: CRUNK:

Joe Massey's A MANIFEST-ODE
:

... Cookie-cutter MFA contest-driven poetry is immediately recognizable in its utter lifelessness; it's fabricated life. Perhaps it's my tendency toward a neurotic form of mysticism as it applies to poetry, that I believe I am capable of hearing within the sound the syllables in a poem make -- the aural strain of a piece -- whether or not the poet really meant it, or if they're bullshitting. When a poet sits down to intentionally write a poem, rather than the poem beckoning to the poet to be written, it's not difficult to diagnose. There's an awful toughness, an itchiness to the sounds it makes; the phrases compile at a contrived, awkward pace, without intending to. There's nothing spontaneous, no flame there, no inspiration -- to take that word, inspiration, from its origin (to breathe): there is no BREATH there, and I don't mean BREATH in Olsonian terms, I mean very simply some detectable notion that the poem arrived without being mauled by some formula of what the poet wanted; that the poem had some flow that exceeded the reigns tucked into the poet's bloated paws ...


Go,
Joe
Massey!




chris at 11:09 PM |

 

Adding Kate Greenstreet's blog, every other day, to the links list--check out the extra nice work done there with collaged/layered photos...



chris at 10:18 PM |

 

An announcement from Jordan Davis:

Tonight in NYC--Million Poems Show:

As ever, starring JJ Appleton as the house band,

LIVE at the Bowery Poetry Club, tomorrow at 6:30



when my guests will be

poet and tv personality MEGHAN CLEARY

and musical guest MARY LEE'S CORVETTE



I interview them, they read and sing,

and with your help we write a poem live onstage

using a never-before-seen-in-New York method --

it's the future of poetry readings --

more fun than you can process at the time, actually --



which is why I've arranged to follow the show

by giving a traditional poetry reading at the Poetry Project

(Tenth Street and Second Avenue) at 8 p.m. with

CHRIS EDGAR, poet, translator, and my co-editor on The Hat.



It would be love to have you on hand for

these two totally different poetry experiences --

see you then.



Your grateful host,

Jordan Davis



& check it out at Jordan Davis dot com





THE MILLION POEMS SHOW



Wednesday, January 11

6:30 pm

Bowery Poetry Club

308 Bowery

212.614.0505

Bowery Poetry site



and then 8 pm

The Poetry Project at St. Mark's Church

131 E 10th St (2nd Ave)

212.674.0910

The Poetry Project at St. Marks




chris at 8:42 PM |

 

i seem to be wired or on a roll tonight... anyway, here's another good favorite saying: "the purpose of playing is to hold a mirror up to nature" yah ...
and YaY!!



chris at 9:03 AM |

 

Catching up on blog reading after being away from things for several weeks, and I was delighted to find this at Olson Now... check out the post:
Olson Now: H_NGM_N: CHARLES OLSON AND THE CONCEPT OF ONTIC IMMEDIACY, by David Saffo
... and check out this journal... (hey, i yike it!) H_NGM_N : Online Poetry Journal... fabulous stuff--glad to see it...



chris at 8:40 AM |

 

Dept of favorite sayings:

It may be that I was another self that day. So, if I contradict myself, well then, I contradict myself.--paraphrasing Montaigne



chris at 5:14 AM |

 

Clayton A. Couch is interviewed on Lance Phillips' Here Comes Everybody--go Clayton!



chris at 3:23 AM |

 

One of my all-time favorite writers: Edward Abbey, on Water * :


... A great thirst is a great joy when quenched in time. On my first walk down into Havasupai Canyon, which is a branch of the Grand Canyon, never mind exactly where, I took with me only a quart of water, thinking that would be enough for a mere fourteen-mile downhill hike on a warm day in August. At Topocoba on the rim of the canyon the temperature was a tolerable ninety-six degrees but it rose about one degree for each mile on and downward. Like a fool I rationed my water, drank frugally, and could have died of the heatstroke. When late in the afternoon I finally stumbled--sun-dazed, blear-eyed, parched as an old bacon rind--upon that blue stream which flows lke a miraculous mirage down the floor of the canyon [Havasu Falls] I was too exhausted to pause and drink soberly from the bank. Dreamily, deliriously, I waded into the waist-deep water and fell on my face. Like a sponge I soaked up the moisture through every pore, letting the current bear me along beneath a canopy of overhanging willow trees. I had no fear of drowning in the water--I intended to drink it all. ...


One reason I like this descriptive piece is that I feel connected to it: I lived at Grand Canyon south rim for close to 15 years, and hiked and visted and swam in that same 'deliriously' beautiful place--so fortunate to have done so! -- o~o/


* Edward Abbey, Desert Solitaire: A Season in the Wilderness (New York: Touchstone, 1968).



chris at 2:58 AM |

 

Readings: Two from Harryette Mullen's S*PeRM**K*T * :

Aren't you glad you use petroleum? Don't wait to be told you
explode. You're not fully here until you're over there. Never
let them see you eat. You might be taken for a zoo. Raise your
hand if you're sure you're not.


*


A daughter turned against the grain refuses your gleanings,
denies your milk, soggy absorbancy she abhors. Chokes on your
words when asked about love. Never would swallow the husks
you're allowed. Not a spoonful gets down what you see of her
now. Crisp image from disciplined form. Torn hostage ripen-
ing out of hand. Boxtop trophy of war, brings to the table a
regimen from hell. At breakfast shuts out all nurturant mur-
murs. Holds against you the eating for two. Why brag of pain
a body can't remember? You pretend once again she's not lost
forever.


* Singing Horse Press, 1992


~~~~~~~poems copyright of Harryette Mullen~~~~~~ o~o/ ~~


go Harryette!




chris at 2:42 AM |

 

just added Tom Orange's blog, heuriskein, to the sidebar links list.

also: sending an apology out to those who've made comments in the last
week or so: for online activity i only had limited access via an intermittent wireless arrangement last week, so did not have opportunity to respond to the comments, although they are always much appreciated here. thank you all for commenting, and i hope to be able to respond this evening or tomorrow.



chris at 1:30 AM |

 




Happy to receive a note today from UNT musician, Adam Lockhart, who last year selected one of my Texfiles poems to use as lyrics to write a piano & voice score for, "Winter Mirror: Prayer: Demeter to Persephone."

Adam's note is an invitation:


Come to My Show!!

My band, Rabbit Ears

performing on FRIDAY THE 13TH!


at the Bar of Soap, in Fair Park,
--Expostition and Parry Ave--
Dallas, TX


from 10pm to 11pm

tell a friend.

thanks,
adam


I'm going to try to be there--spread the word, Y'all...
and hey, congrats to you, Adam!



chris at 12:15 AM |

Tuesday, January 10, 2006

 

& On the Other Hand,
kudos to the latest in Orion Magazine: January | February 2006: Erik Reece, Moving Mountains in Appalachia : It's high time that media studied U.S. mining locales and lives, the lives as caught up in webs of socio-politics, and how socialization to culture strands people in unbearable lives that they struggle through courageously--high time this is done with a particular eye toward historical materialist perspectives. Bravo, Orion!



chris at 5:35 AM |

 

On the One Hand: Just Out: the latest Contemporary Poetry Review. Unfortunately, this CPR is headlining more harping & upchuck from Joan Houlihan: this time dissing on the poetry of Eric Baus, Christine Scanlon, and Rebecca Wolf. Joan gets so caught up in her project of dissing that, like similar articles she's written, she never really does clearly define exactly what it is she wants readers to be able to "understand" in contemporary poetry. If she changed her rhetorical strategy and began by exploring that abstract concept then her wit might be insightful rather than plainly bent on disrespect. While she does hint at relating the notion of readerly "understanding" by mentioning emotionality as a characteristic element of commonality, she fails to elaborate on this romanticist notion and its obvious drawbacks. She fails to question emotionality's slippery instability and notorious rhetorical misuses. One need not go far to see a similar relation in other recent brouhahas,
for example, this one: millions of paying readers and critics feeling cheated when emotionally loaded autobiographies can't be entirely proven as factual.


So, given the apparent audience-dependence on texts centered on appeals to emotionality, I'd have to ask, why should emotionality, more than other presences and rhetorical effect in the reception of poetry, be privileged as *the* one commonality or standard?

Perhaps with a focus more on defining and discussing the range of these abstract notions, there'd be something to respect in Joan's writings, something truly 'inviting'. As it stands, though, we get a binaristic self-involved logic busily at work hectoring, agonistically debasing the work of others. I don't have any respect for such wreckless pleasure taken from simplistic dissing difference just because it is different--a Derrida-like formation in that, no? Or, in other words, pleasure taken in dissing what, as laid out in Joan's ego-centric writing, is being cast in the role of *the other*.

In my opinion, critical writing about seriously engaged contemporary poetry should be able to find and elaborate more depth than that. In fact I have to say it comes off being not only an insult to the poets/poetry being hectored and dissed, it's also insulting to the reading audience.



chris at 4:50 AM |

 




Brought back The Hangman's Beautiful Daughter, a 1969 vinyl album from
The Incredible String Band, and then found this site with more cool stuff from/about them...



chris at 2:28 AM |

Monday, January 09, 2006

 



from Jill Stengel, Texfiles Poet of the Week :* * *


what kind of stemming forth
without argument, an idea
or notion           glissando)
          (aside—here it is all
weather  :     I am inside with
windows       an alley view
          and beyond—
              the torment of       the daily
      bread,       one I
          and you, a dollhouse for you
      with cars—


* * *


what are the words to lead me
to this song close breathe wait
imagine lights on a dark screen
the old computer monitors, not pretending
to be a piece of paper but foreign
entirely, different in all ways but
the composer—


* * *


waiting for divine inspiration is a real drag.
what is divine, and how do I know if I’m
inspired anyway? and if I’m not with pen         (lighten
and paper, or, say, my child needs me
at that moment, whatever moment that         (fleeting
is, well, then, what good is it if I can’t         (saucer
hold it for a moment, write it down—
but oh to be burned by the sun
for a moment, to hold it doesn’t matter,
to be held by this light—that is what
matters, to feel the warmth of poetry,
however fleeting—is this why I breathe?


* * *





~~~~~~~~~poetry copyright of Jill Stengel~~~~~~~~ o~o/ ~~~~



chris at 7:51 AM |

Sunday, January 08, 2006

 

Hello from Beautiful Downtown Baltimore Airport!!!


blogging from the beautiful (cough, cough) Baltimore airport... eating around the scarier (unidentifiable) parts of a pre-packaged chef's salad (the tomato is okay, and the swiss cheese, but the lettuce belongs in the Smithsonian, I think) in a little restaurant space with huge important football thingees blaring in my ears from a screen as big as a door (well, okay that's an exaggeration) awaiting my flight back to DFW... me and a fruit fly whose territory I've obviously invaded (sorry there little fly)... this feels like a telegram... maybe it's the dot dot dots... yah...

a great time seeing my dad and brother Jimmy, sister-in-law Beth, niece Julianne and nephews Jimmy, Alec, Ethan, and Danny and my 3 sisters, Joanne, Jayne, Nancy... missing only one person there, my other cool brother, Patrick... Hi Pat!--wished you were there for all the fun... yesterday it snowed, and i liked it ...

xoxoxoxoxo to all in Rochester NY... I've a much longer piece to post soon about a fun time at brother Jimmy's pub, The Shoen Place Grill... special blues jam on Wednesday night... but I wasn't able to get much online access while visiting...

and I've got more fascinating poetry to post from Texfiles Poet of the Week, Jill Stengel...

stay tuned, Y'all... will be posting tonight with my faithless gray cat, Mouse-the-whiney, by my side...

o~o/



chris at 10:40 PM |

 

Happy Happening:
i love a good



chris at 10:06 AM |

Thursday, January 05, 2006

 

from Texfiles Poet of the Week, Jill Stengel :

[here, Jill refers to the previous feature posting of Jan. 1, 2006,
scroll down the screen to read it]

* * *


the poem above was not written w/any intention other than the
intention of listening to the words I might hear, seeing the
words I might see. trying to keep my receptors high—possibility—
is—open. I wonder where it might have gone
if Serafina hadn’t awakened just then—I kind of
like it tho. will have to consider it more closely.
S is sleeping, nap sleep. right next to me right
now. I must rise, close shades, and do some
other things. How luxurious it feels to write in
my journal mid-day. Stretch, yawn, smile inside.


* * *


concrete image here

basalt granite quartz here

what am I to

      tell you       you who
are so ancient

    age not so much
    as ideas           roadmap
      set in old
    unrelenting       uniform
      composition

as if language
or love
or anything
were fixed—


* * *


~~~~~~~~~~poetry copyright of Jill Stengel~~~~~~ o~o/ ~~~~~~~~~



chris at 9:07 PM |

Monday, January 02, 2006

 

Check out mem 3!

a note from a+bend press editor/publisher, Jill Stengel--
also Texfiles Poet of the Week :


hi, hello, happiness to tell you, mem 3 is done at last, a mere three months behind (i was never late w/publications pre-children...was there a pre-children? i can't remember...), it's at the printer which is as good as done unless they catch fire or something. happy mla week, happy new year, and happy mem. i'll send it when i get it. please each of you send me your mailing addresses again, as i don't believe i still have them. and here's the announcement. with love and thanks to you for your terrific work and your patience--jill

now available:

mem 3

featuring new writing by reb livingston, chris murray, hoa nguyen, danielle pafunda, laurel snyder, kathrine varnes

$6, includes postage

orders to jill stengel, a+bend press, po box 72298, davis ca 95617
www.durationpress.com/abend


now available:

mem 3

featuring new writing by reb livingston, chris murray, hoa nguyen, danielle pafunda, laurel snyder, kathrine varnes

$6, includes postage

orders to jill stengel, a+bend press, po box 72298, davis ca 95617
www.durationpress.com/abend


(please post/forward this announcement elsewhere if you wish)



chris at 6:44 PM |

 

a note from kari edwards:


I would like to welcome you to the New Year from India by announcing the
publication of my new book, obedience from Factory School Press..

You can either order it directly from the publisher (Factory School -
see below) for $10.00 or SPD (also below) for $12.00..

I do hope you enjoy... and for all those who helped ...
thank you ...

kari

obedience
... Poetry ...
Factory School. 2005. 86 pages, perfect bound, 6.5x9.
ISBN: 1-60001-044-X
$12 / $10 direct order

Description: obedience, the fourth book by kari edwards, offers a
rhythmic disruption of the relative real, a progressive troubling of
the phenomenal world, from gross material to the infinitesimal. The
book's intention is a transformative mantric dismantling of being.

Factory School dot org / heretical pubs / [yeah!!!]

SPD Books... rock, eh?!!



--

TransSubMutation




chris at 10:44 AM |

 

a nice email from Tom Orange today with a few clarifications of the homonmymic ambiguities i noted in regard to my being a listener at the MLA Poetry Extravaganza the other day. thanks much, Tom! i'm heading there now to make the corrections...



chris at 5:08 AM |

Sunday, January 01, 2006

 




from Texfiles Poet of the Week, Jill Stengel:



* * *


stopping here. female voice. prior, male voice.
both unfamiliar narrators. new, surprising.
she because seemed to be sensible till
words appear. he because unclear where
he came from, all new to me, typewise and
everything.

hers like a dream-ish. his different,
like overhearing a conversation.
how hers started out.

now bed. very sleepy.

nice writing tonight.
                    milk. milk for the soul.


* * *


first in dream years
the somnolesence       tea-tired

and withered hoards (ordes)
of starches and lace       beaten
to a ragged pulp
membrane
and roping the desire
enough a cough raspy
whisper                     (the small squeal
                                      of difficult dream)



~~~~~~~~~~copyright of Jill Stengel~~~~~~~~~~ o~o/ ~~~~



chris at 10:32 PM |

 

Happy New Year, Y'all!!
I'm in Lansdale, PA, visiting my sister and her family,
trying to get over what turned out to be a really bad cold
or maybe flu, that I caught while at MLA.
Sipping broths and tea with lemon & honey.

But my sister had a wonderful New Year's Eve party here last night with her neighbors,
lovely, interesting people I am fortunate to have met and talked with.
If the cold/flu thing is not worse, we'll be driving tomorrow to Rochester NY to see our dad. Looking forward...



 

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