chris murray's *Texfiles*

"A note to Pound in heaven: Only one mistake, Ezra! You should have talked to women" --George Oppen, _Twenty Six Fragments_





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ManY PoETiKaL HaTs LisT:

Holly's Pirate-girl Hat, chrismurray in a straw hat, Michael Helsem's Gray Wyvern NOLA Fedora. Duchamp's Rrose Selavy's flirting hat. Max Ernst's Hats of The Hat Makes the Man. Jordan Davis' The Hat! poetry. hks' smelly head baseball cap. Samuel Beckett's Lucky's Black bowler hat, giving his oration on what's questionable in mankind, in *Waiting for 'God-ot'*. my friend John Phillips's 1969 dove gray fedora w/ wild feather. Bob Dylan's mystery lover's Panama Hat. Bob Creeley's Black Mountain Felt Boater Hat. Duke Ellington's Satin Top Hat. Acorn Hats of Tree. Freud's 1950 City Fedora. Joseph Brodsky's Sailor Cap. Harry K Stammer's Copper Hat Hell. Lewis LaCook's bowler hat(s). Tom Beckett's Bad Hair Day Furry Pimp Hat. Daughter Holly's black beret. harry k stammer's fez. Cat in the Hat's Hat & best hat, Googling Texfiles: crocheted hat with flames. Harry K Stammer's tinseled berets. Tex's 10 gallon Gary Cooper felt Stetson cowboy hat. Jordan Davis's fedora. Dali's High-heel Shoe Hat. Harry K Stammer's en-blog LAPD Hat & aluminum baseball cap. cap'n caps. NY-Yankees caps. the HKS-in-person-caps are blue or green no logos nor captions. Ma Skanky Possum 10's nighttime cap. moose antler hat. propeller beenie hat. doo rag. knit face mask hat. Bob Dylan's & photographer Laziz Hamani's panama hats. Mark Weiss's Publisher's Hat. Rebecca Loudon's Seattle-TX-Hats'n'boots.




Ever-Evolving Links:


Silliman's Links
Dominic Rivron
Unidentified
Br Tom @ One & Plainer
Dan Waber: ars poetica anthology
Dan Waber: altered books anthology
chris daniels: Notes to a Fellow Traveller
Chris Daniels: Toward an Anti-Capitalist Poetry
David Daniels: The Gates Of Paradise
subterranean poets: Beijing Poetry Group
Charles Alexander/Chax Press: Chaxblog
Headlines Poetry: the latest weblog entries
Henry Gould's AlephoeBooks
Julie Choffel's Understory
Tom Murphy's former one
Jean Vengua's New Okir
Roger Pao's Asian-American Poetry
Tom Lisk: Oilcloth and Linoleum
Kevin Doran
Reb Livingston's Cackling Jackal Blog
Janet Holmes: Humanophone
Lorna Dee Cervantes
Mark Young's gamma ways
Brian Campbell: Out of the Woodwork
Shanna's DIY Publishing Blog
Galatea Resurrects: a Poetry Review
Tom Beckett
John Sakkis: BOTH BOTH
New Francois Luong:Voices in Utter Dark, KaBlow!sm is...
Old Francois Luong: Voices in Utter Dark
Margin Walker: Andrew Lundwall
Free Space Comix: the latest BK Stefans blog
Adam Lockhart, Experimentalist Composer
Antic View: Alan Bramhall & Jeff Harrison
lookouchblog: Jessica Smith
MiPOradio
Web Log -- Charles Bernstein
Google Poem Generator: Leevi Lehto
Marie Mutsuki Mockett
Feral Scholar: Stan Goff
worderos: Tom Beckett
In Galatea's Purse
Japundit
Quiet Desperation: Jim Ryal
Luca Antara: Martin Edmond
Brief Epigrams: Ryan Alexander MacDonald
Radio My Vocabulary: 4 pm Sunday Poetry Streams
Mark Lamoreaux: [[[0{:}0]]]
Hot Whiskey Blog
louder
Nick Bruno: They Shoot Poets Don't They?
Joe Massey: Rooted Fool
Kate Greenstreet: every other day
heuriskein: Tom Orange
Chiaroscuro Metropoli: Tom Beckett
Behrle's latest spout!
Fluffy Dollars: Michelle Detorie
Jane Dark's Sugar High!
The Katherine Anne Porter Literary Center
(Charles) Olson Now: Michael Kellaher & Ammiel Alcalay
kari edwards' TranssubMUTATION
Notes on the Revival: Jeremy Hawkins
PurPur: Petrus Pokus
Snapper Missives: Scott Pierce
A Sad Day for Sad Birds II: Gina Meyers
Great Works: Peter Philpot
zafusy: experimental poetry journal
Writeboard: a collaborative writing tool
John Latta: Rue Hazard
KP Harris: Croissant Factory
Stephanie Young's New Site
Stephen Vincent's New Site
Portable Press@Yo~Yo Labs
Square America
Amy King's blog
Robert: Peyoetry Hut
Muisti Kirja: Karri Kokko
Karri Kokko's Blonde on Blonde
Yummeee Blog (recipes)
Nice Guy Syndrome: Tim Botta
Left Hook
Del Ray Cross: anachronizms
Juan Cole: Informed Comment
BuzzFlash - Daily Headlines, Breaking News, Links
Aaron McCollough
Chris Lott's Cosmopoetica
Chad Parenteau
Little Emerson
Fever, Light--by Sawako Nakayasu
Second Wish
Nomadics
Alison Croggon
Radical Druid
Ron is Ron: the Ron Silliman Cartoon by Jim Behrle
Dagzine: Positions, Poetics, Populations: Gary Norris
Shadows within Shadows: Tom Beckett
Self Similar Writing: Jukka Pekka Kervinen
The Little Workshop: Cassie Lewis
Sky Bright: Jay Rosevear
Poesy Galore: Emily Lloyd
Lisa Jarnot's Blog
Poetry Hut: Jilly Dybka (has moved here)
Pornfeld: Michael Hoerman
Seven Apples: Justin Ulmer
Hi Spirits: Andrew Burke
Bacon Bargain!: Joe Massey
Ivy is here: Ivy Alvarez
Whimsy Speaks: Jeff Bahr
Umbrella: Jeff Wietor
Chicanas! (Susana L. Gallardo)
Masters of Photography
Blog of Disquiet: Gary Norris' Teaching Blog
Suzanna Gig Jig
Bad with Titles: Jay Thomas
Spaceship Tumblers! Tony Tost
Desert City: Ken Rumble
E-Po
Zotz!
Optative Mood: Tim Morris
ecritures bleues: Laura Carter
The Ingredient: Alli Warren
Skanky Possum Pouch
Slight Publications
Jewishy-Irishy: Laurel Snyder
Sea-Camel: Alberto Romero Bermo
Growing Nations: Jordan Stempleman
Tom Raworth
Entropy and Me: Hal Johnson
Scott Pierce: Snapper's Junk
Chicano Poet: Reyes Cardenas
Semio-Karl M&M
Stephen Vincent
Hoa Nguyen/Teacher's & Writers
a New Word Placements
Narcissus Works: Anny Ballardini
Richard Lopez
Tributary: Allen Bramhall
The_Delay: Chris Vitiello
Jukka Pekka Kervinen: Nonlinear Poetry
Lanny Quarles: Phaneronoemikon
Clifford Duffy: Fictions of Deleuze & Guattari
DagZine
Carrboro Poetry Festival
Steve Evans: Third Factory
DEBORAH PATILLO
SKANKY POSSUM PRESS
Tim Peterson: Mappemunde
WOOD'S LOT
Geof Huth: DBQP
Ann Marie Eldon
Jim Behrle: The Jim Side
Ray Bianchi:Postmodern Collage Poetry
Never Mind the Beasts
Diaryo
New Broom
Flingdump Scattershot
Tony Tost: Unquiet Grave
Grapez
SB POET
Mark Young's Pelican Dreaming
|||AS/IS2|||
Li's A Private Studio
Anny Ballardini's Poet's Corner
Tom Beckett: Vanishing Points
Dumbfoundry
BadGurrrlNest
Jean Vengua's Okir
Hear-it dot org: info on hearing problems
Tim Yu's Tympan
James Yeager's Modern Lives
Tony Robinson: Geneva Convention
Daniel Nestor's Unpleasant Event
Ex-Lion Tamer
Carlos Arribas: Scriptorium
David Nemeth
Ela's Incertain Plume
Mairead Byrne's Heaven
Catherine Daly
Black Spring
Br.Tom's Finish Yr Phrase
Shin Yu Pai: makura-no-soshi
Harry K. Stammer: Downtown LA
Corina's Fledgling Wordsmith
Jilly Dybka's Poetry Hut
Ben Basan's Luminations
Katey: Chewing on Pencils
YaY!! Eileen Tabios: Chatelaine Poetics !
Jill Jones: Ruby Street
Geoffrey Gatza's BlazeVox
Bill Allegrezza's P-Ramblings
Gary Sullivan's Elsewhere
GoldenRuleJones
Poetry_Heat
Bookslut
Chickee's SuperDeluxeGoodPoems
As-Is !
John Latta's Hotel Point
Sawako Nakayasu's Ongoing Show
Shanna Compton's Brand New Insects
Crag Hill
kari edwards: transdada
Fluss
Michael Helsem's Gray Wyvern
Word Placement
Bogue's Blog
Jordan Davis: Equanimity
Robert Flach's Unadulterated Text
Michelle Bautista
Ironic Cinema
Mike Snider
Farewell Tonio!

In Through the Out Door
The Blonde Brunette
Awake at Dawn on Someone's Couch is Toast
Jukka-Pekka Kervinen:Non-Linear
Xpress(ed) !
Chris Lott's Ruminate
Venepoetics
Laura: Yellowslip
Stick Poet Super Hero
Mighty Jens!
Radio UTA: Toni's Thursday Poetry Show
Tim Morris: Lection
Gabe Gudding
Constant Critic
Sappho's Breathing
Waves of Reading
Jhananin's Insite
Fanaticus
AdvExpo
Stephen Vincent
Stephanie Young: New Well Nourished Moon
Kasey Silem Mohammad's Newest Limetree
Lanny Quarles: (solipsis)//:phaneronoemikon
States Writes
Rebecca's Pocket
Simulacro
Braincase Links
Sentence
Sor Juana
73 Urban Bus Journeys
Poeta Empirica
poetry for the people: canwehaveourballback?
Ernesto Priego's Never Neutral
Nick Piombino's Fait Accompli
Weekly Incite blogresearch
Jim Behrle's first monkey
Jim Behrle's Monkey's Gone to Heaven
David Kirschenbaum's Boog City
Not Nick Moudry
Laurable
David Hess Heathens in Heat
Jack Kimball's Pantaloons
Li Bloom's Abolone
Ron Silliman
Chris Sullivan's Bloggchaff
Chris Sullivan's Slight Publications
Chris Sullivan's Department of Culture
Kasey S. Mohammad's Old-New Limetree
Kasey's Old Limetree
James Meetze: Brutal Kittens
Cassie Lewis: The Jetty
Joseph Mosconi's Harlequin Knights
Nada Gordon's Ululate
ultimate: Stephanie Young's First Well Nourished Moon
Steve Evans: Third Factory
Noah Eli Gordon's Human Verb
Jean Vengua's Blue Kangaroo
Sawako Nakayasu: Texture Notes
Free Space Comix: BK Stefans
Crosfader
Malcolm Davidson's eeksy peeksy
Marsh Hawk Press group
Catherine Meng's Porthole Redux
Josh Corey's Cahiers de Corey
Very Nice! Shampoopoetry
UTA's Lit Mag: ZNine
Wild Honey Press
Jacket
JFK's Poetinresidence
Malcolm Davidson's Tram Spark poems
HYepez: RealiTi
HYpez: Mexperimental
Aimee Nez's Gila Monster
BestMaX: Jim Behrle's jismblog
Cori Copp's Littleshirleybean
Jordan Davis: Million Poems
Eileen Tabios: Corpsepoetics [see Chatelaine above]
YaY! Liz's Thirdwish
Ultra Linking
Henry Gould's HG Poetics




Saturday, July 19, 2003

 

Saubona!


Art is better I think if poets make it. This pertains, at the very least, to the art in museums. It gets very boring (but for a few bright spots) without poetry. I had not thought about that until I went to the museums yesterday --and they are a very welcome sight to me. I feel like being a little critical today, though. Maybe a little bitchy, ya kno? At Balboa Park in San Diego there are a lot of great museums with very fine exhibits right now. I wandered through the Early Human Technology exhibit. There were a few interesting things: a real tool box, you know the kind that mechanics in garages have: big red on wheels with several drawers. in the museum tho it held a variety of rocks: axeheads and arrowheads. A little bit of nice humor there I thought. Also there is push button cabinet that will tell you how to say hello in any of 100 languages (human language as tool), but only a few of them work. so, um... good bye is? Anyway, the way to say hello in Zulu is Saubona.

I loved this since I had not been able to do this in so long: There were 9 sea lions at the ocean. Near La Jolla. They were very busy lounging on the beach in the early evening light
and rubbing around in the sand. They looked very happy and didn't mind the humans standing around waiting and watching them. The ocean was gorgeously loud. I had forgotten that part.

Very fine New York pizza for dinner in San Diego! This was at the Bronx Pizza place on 8th St. Not only was the food tops but the decor rocks in my book: a whole wall of boxing champions. Right next to where I sat was the smilingest. He is

Tribute: to Orlin "The Juice" Norris from El Cajon
and he won the World Boxing Association Championship in 1994.

He is still smiling. Hi, Orlin!!

More soon: from Tiajuana, Mexico--goin lookin for the fine poets.

Can I just say one thing?--YaY!! Tiajuana Poets Rock.


chris at 4:55 PM |

Friday, July 18, 2003

 

Off to see some art.


chris at 3:07 PM |

 

A Famous Duct Tape Moment On Jumbo Jet


Hey, All! Way So Cal is very nice: cool and rainy, so compared to sultrey, stormy Texas, this is great.

I wanted briefly to tell you all about an interesting in-flight moment on a jumbo jet.

A woman passenger seated on row 19 at the window reached up and pressed a button.

Voila!! the entire, elaborate oxygen mask apparatus dropped down on her head.

It definitely seemed to me, observing from row 22, seat C, that she had somehow

unwittingly invoked an Invasion of the Body Snatchers, so nighmarishly entangled

almost to the point of panic did she seem. Well, she reached up quickly

and tried to get the rubber-viney thing off herself, to avail, yes, but then she had

to figure out what to do with all those tubey innards. I really felt sorry for her: i kid

you not. what happened to her could have happened to anyone, ya kno?

So, quandary hung on the air. She reached up with her other hand to press

the attendant call button, all the while shoring up the ruin of the oxy masks

wont to strangle her. oh dear.

two attendants show up. they do not know what to do

but they do have lots of jokes. and they relieve her

of the troublesome need to hold the little door shut on the masks,

the door that will not longer contain the those ominous masks!

the flight attendants can do nothing else so while holding the door

shut on the masks, they phone for (get ready:) YaY!! the maintenance

men (for we had not even taken off the ground yet).

I was just about to raise my hand like a good student

and say to the woman and the two flight attendants

something i and many other people have found useful

in life: two icons: WD40 and Duct Tape. But the maintenance

guys arrived and had it under control immediately

tho they did not bring out the duct tape until

they had thoroughly surveyed the problem

as well as the audience. They moved the woman

to another, kinder seat, immmediately. Something

I thought particularly chivalrous since even the flight

attendants had not thought to do this.

Anyway you have heard this kind of Duct Tape

story before, so i won't bore

you, sure, but I have to say I had not heard

of a major airline resorting to any Duct Tape

Solutions at least not in public places,

although this time they did take my advice

i am happy to say. So we had no more

visions of the Invasion of the Body Snatchers

during our short bumpy naps on the rest of

that leg of the journey.


More soon!!


chris at 3:06 PM |

Thursday, July 17, 2003

 

Some fine new Purple Notebook of the Lake poems over at Jim Behrle's . I enjoyed reading these, thanks, Jim!


chris at 2:03 PM |

 

Over at Slight Publications:

--More to consider on the Silliman/Burger reading last weekend
--some theorizing on language photography via Hockney Evans notes
--some Eye to Ear relational considerations: what is not a binary opposition (which my writing below in Ear & Eye Arabesques, starts to veer toward)

Thanks, Chris S.


chris at 1:58 PM |

 

From the Dalai Lama:

This toward the outside:

"For world peace to happen, not only must all wars end,
but feelings of compassion and mutual respect
must be established around the world."


This toward the inside:

"I feel very lucky."

This to mingle both, for all:

"If you wish to experience peace
provide peace for another."



Off now to catch a plane!


chris at 1:14 PM |

 

Most certainly, and thanks!--I'm trying to cut back on those silly and addictive YaY!!s so to add more serialness to the bloggone place, thus it sure is good of you to recognize, Tim . And I like words about joy to sound the way they look and vice versa, ya kno? Speaking of which (jOy!), I will be reporting from the nearest starfish skittering on all five flip flops over some sand in way-So-Cal by Friday. Please stay tuned...


chris at 3:18 AM |

 

Yeah, you know I feel that ear thing, thanks, Jean, at Night Jar
& hey, some really good stuff: on eeksy peeksy's rockin' posts , a late night favorite...


chris at 2:51 AM |

Wednesday, July 16, 2003

 

Starting tomorrow, I'm taking a vacation--
going to California for some ocean.
Will post from the road with lots of YaY!! fun things...


ZaZen Y'all


chris at 7:51 PM |

 

It's Crush List time again on Texfiles!--Yay!! time for Chris Murray's

*Wisdom Crush List*

1. Nick Piombino (permanent status at Numero Uno)

for continuing the rush of poetic flow + +

as Fait Accompli


+ + (meant in terms of human community and poetic necessity reasons only)


chris at 2:57 PM |

 

Tornado Alley Countdown Love # 92

Ganado okays baby
birth better’n
helicoptering whahpp whahpps
out to Flag for the quick
64 doc stitches: is all
forceps & six weeks
to Vaccinate Now!
some of the People
against the Plague
no lotsa Kaibab chipmunk
around today Black Hat nods
crimson velvet swish
& I’m tinkering
daydreams, beaded

hatbands, silver barettes,
flaking tree bark
over floating willow
out this sunny hogan Chinle
pink & slate creek crossroads
round window: which way,
Sharp?--he says night froze
the air, some of the People ran
drunk over the sign
killt everyone in the bed
all 10 mostly kids
but 3 women in
squash blossom necklace
turquoise season
pointing up ruddy Lukachukai

like grins with your name
all over it & rainbow
when another pick-up
got itself Yah‘t‘ay
some of the People
damn stuck this side
of a 6ft tide
of mud hole
leaning into a peace
AIM was tryin
for outside pinyon
rises & your straightest

blue black ponytail
I love, the only thing
to hold onto
when things get going
the way the little ones
watch the red laundry
go round & round
in dryers full of brown mud

blowin itself dry
some of the People--
this is Chinle, at Black Hat’s--
yes, want? Squint, oh Navajo
Taco or the only library
up to Tsaile Star Trek
popcorn that highway 64
let’s go sweetie over
on White Mountains,
some of the People
whitetail loose like love

there & maybe more Colorado
they’ll Ho Fuck You never
understand what it took
to post a letter of baby cry
mother broke hitching
& the last pay phone across
earth vast, stark blue mud
stars broken in it eh picci?
outside the Happy
Mountain some of the People
waiting for a Trading
Post rug, damnitall,
sweetie.

chris murray
Tornado Alley Series



chris at 12:31 AM |

Tuesday, July 15, 2003

 

Wow! Jim's looking all spiffy and cool at the new Monkey's Gone to Heaven .


chris at 11:01 PM |

 

Dept. of "Dhuwiving" Just Fine!

Particularly enjoyed reading Porthole Redux today. Fast-footed thinking on the move, in fun ways and great directions. Thanks, Catherine!


chris at 6:36 PM |

 

burning
incense
gift from Kriti's mom:
orange blossom
listening lost
fusion tunes

(Auroshikha Agarbathies:
"Orange Blossoom:
Guaranteed free
from toxic substance,
10 gms. when packed.
Hand made
by Auroshikha Agarbathies,
Sri Aurobindo Ashram
Pondicherry - 605 002 South India)


chris at 5:37 PM |

 

Eye, Ear & Arabesques: Some thoughts on the interesting audblogged readings recorded last evening:

At Jim Behrle's blog, Jim's Monkey: Nick Piombino from his fait accompli blog, reading from his work, "Wandering Poem" (also posted at Jim's New Monkey )

At Chris Sullivan's blog, Slight Publications: Chris Sullivan reading from 3 works: "Young Ryan Brindle"; "Let go of the work, Arise"; "Let Goof"

There is something very compelling about the audblog reading as form, and poetry bloggers have only begun to tap into it--Jim Behrle's generous offerings of audblogs being the most prolific example to date. Like radio-listening, the audblog draws its audience around itself, into its fold, literally, *in* a fold cut deeper in mind, that is, than would or can an offering of a simple eye reading. As such, the eye could be considered a little bit more polite, or forgiving, or just plain manageable than is the ear as conduit for matters that sway audiences to action (Cicero, again!--he never goes away...). What is it that the reeling Hamlet learns to respect most for its surreptitious effect/affect, its radical potential, during the mousetrap, layering section of Shakespeare's play (“the play within the play”): the openness and potential vulnerability of the ear, no?

As trope-conduit, the eye offers at least the possibility of some distance for escape just in case there is any discomfort--albeit the eye's offering of a possibility of distance is double edged since what subliminal bargaining there is takes place in terms of a highly appropriative late-captitalist-embedded- homunculus, ii.e., that tired trope, The Gaze. Hey, just ask John Berger (Ways of Seeing): how does any cultural idea become a matter not of expression/production (for that is simple) but of reproduction, thus of continual import? One thinks of films that mull these ear to eye relational issues over: Blue Velvet, for one--if one can stand to be assaulted at the levels of both eye and ear by poor Dennis Hopper yet again. Some figures who became famous due to motorcycle crazes should just stick to waving from motorcyles, no? I mean, don't get me wrong here: I love motorcycles--it's Hopper crazed out once again in Blue Velvet that I'm wont to pick over.

But we are on the ear, now. The ear is instrumentally different than the eye. More quickly and subtly than the eye does the ear (as instrumental conduit) make its owner ideologically complicit in so many things--even to the point of concocting: yes, in some sense, feeling/being actually there in terms of maximum identification with whatever is being described. In Nick Piombino’s audblog of his fascinating work, “Wandering Poem” at Jim's Monkey, the listener is beautifully drawn into a storyteller's journey, in the western-familiar mode of Scherazadian arabesques** about poetry as person: poetry lives its own life and afterlife. We might have known this, but after listening to this poem, we have also lived with it. I was completely captivated on hearing it.

In this way, the ear is more the conduit of expansiveness, of minded-expansion ("the brain is wider than the sky" [Emily D] ). We like the ear to be available, open. The eye has a lid. The ear has a door, a threshold hung continually open. It becomes more of an eye than the late-capital-eye itself--reverberating, musical, compelling, memorable, pre-cognitive, subliminal. In terms of cultural import and critique, these things begin to be touched on by Eric A. Havelock's The Muse Learns to Write: Reflections on Orality and Literacy from Antiquity to the Present (Yale UP1988), the chapter on radio and how radical it was in the mid twentieth century. But here we seem to be seeing something else going on, something more elaborate. We could, Havelock explains, find that we have been opening our literate minds more through the ear than the eye. In the audblog we have even more going on.

Forms such as audblogging--which on surface can seem trivial, are actually very powerful. Such forms actively participate in fusing differing ways of perceiving poetry, thus becoming radical in potential, although of course they seem completely innocuous because the effects are hardly perceptible. Or perhaps I have tipped over here into the too dramatic?--always a possibility: who can rely on the late-romantic-era's individualizing self, since a creation so tenuous yet arrogant in perceptive abilities, always concocting or *investing in* much loved illusions? This seems an especial possibility for this blogging medium, so subject it is to maximum narcissism and play of the most superficial [though fun!] appeal.

Still there is something about the illusion of a real voice in both immediate and large senses. But I do not mean the magnificent *voice* we hear tell from simple expressionists, the *My Poetic Voice Needs to Express Itself Now* folks. No, this way of the ear is potentially shared body, material of community: as in the sound entering the senses to be wound around the brain a few times gathering loaded neurons to go. So what is being said, and said musically, must really, really, be thought over.

When we hear about "Young Ryan Brindle" from Chris Sullivan, then we are there too, working (though of course not in exactly the same way: *working* in the way of getting something meaningful done if only in critical thinking) alongside Ryan, or on the beach, collecting things,arranging them, or just Goofing (also a play on words, the audblog tells us). Something intimate and cutting in close there, thus cutting out or posing for consideration also, a lot of other, well--sometimes just real life noises, the *soundings* that necessarily surround voice, ie, real life. I *see* how, for instance, in one of the audblogs (second of the three, I think) at Slight Publications, a tea kettle is going off in the background. Somehow it stops but is not explicitly remarked upon. Very Nice Touch, Mr. Sullivan.


**Critically speaking, this is a cross-culturally loaded figure for me to use, granted: see Edward Said's Orientalism. But I'm thinking of the differing, more problematized use of these figures in such works as Anton Shammas' novel, Arabesques.


chris at 3:26 PM |

Monday, July 14, 2003

 

Yum: Pulav! Raita! Subgee! All Life Is Yoga!

I went to a special dinner tonight at Kriti's. Her beautiful mother is visiting for the summer, from Bangalore, India, and prepared some very yummy food for the three of us. Kriti (her whole name is Kritika: isn't that a gorgeous name?) is an MBA grad student here at UTA, who for 2 years has been an indispensible assistant to me at the university's Writing Center. I'm happy to say she's graduating next month--Congratulations, Kriti!! But am sad because she'll be leaving, so I will be missing her very fun and business-savvy presence.

Not to worry too much, though: Kriti is engaged to be married, wedding tentatively set for next year ( I asked about how they decide on a date, and it was explained to me that as soon as they get back Kriti's mom will consult with an astronomer who will check the star paths for the proper intersection of the betrothed. The places where the crossing paths are situated in a providential star neighborhood are the best places, which of course are also times/dates, which translates to the best times to set the wedding day. And the wedding lasts for four or more days! When Kriti's brother (he's an electrical engineer in Bangalore) got married a few years ago there were over 1,000 guests over four days! What a party... Anyway, I'm going to Kriti's wedding. We 3 made a toast of a glass of wine on that tonight. Kriti and her mom are already planning a sari for me to wear (ooo, i like that idea), as well as the kinds of henna painting for the palms of our hands (girl-fun prior to the wedding, also for good luck). I can't wait: Kriti, hurry up and get going, okay?!

But our terrific dinner tonight? Kriti's mom made the best vegetable pulav rice, expertly seasoned with a spice & herb blend of clove, cinnamon, cumin seed, pepper, a bay leaf, and some fennelgreek. Spicy enough to tingle, but only just a little. So good! Then we had some subgee potato fry, spiced with mustard seed, cumin, chili coriander, salt and browned in oil. Yummy: this is why McDonald's is such a pit (besides all the other kinds of damage such an enterprise does): much better potatoes can and should be easily made and eaten with joy instead of lard (see Chris Daniels quote below). But we are not done yet. This part is crucial to balanced taste and digestion, Kriti's mom explained to me: all foods need to be complimented with their edible partners. For this meal of potato and veggie rice, the compliment is a yogurt dish called Raita. It's a mix of tomato, onion, cucumber, chili powder, and the yogurt, which is somewhat thinned by the veggie juices, I believe. Oh so good! And because it's all balanced, there is no trouble with the onions (for those who happen to have problems with onions). I'm so healthy tonight I can't stand myself!! But best of all it was a pleasure to have this abundance of good food so caringly prepared.

Before I left, Kriti's mom brought me out a little present of several kinds of incense (these are just the finest most delicate), a burner, and a beautiful painted leather case for lip balm (I'm going to the ocean this week so this case will be very handy indeed) . I asked about the incense and heard about a wonderful man of wisdom from Pondicherry. He's a former freedom fighter (I saw his picture: yes, he was there! but he is still in great shape: see what love and peace can do?) . His name is Sri Aurobindo, and he is much beloved. He has two points of wisdom he would like people to be guided by in life:

1. "All life is yoga."

2. "This too shall pass."



chris at 5:49 PM |

 

This in from Stephen Vincent: Last Night's Ron Silliman and Mary Burger Poetry Reading cf: Tim Yu's comments on Tuesday July 15

Last night in Oakland was a kind of seminal return visit of Ron Silliman to
the Bay Area where he was joined by Mary Burger in a reading at Gallery 26.
A warm evening: a fans-on initially stifling heat inside the large space
that was practically filled partly to honor the now rare visit and reading
of the former homeboy!
I don't have time to say too much about Mary Burger's reading. She began by
reading work within rather tight and implicitly analytical Stein frames and
grammatical formulae - gradually opening up to oppose the frames from within
and then by end of the reading- opening up in much more felt sense and
vision of a dot.com Bay Area landscape in ruins. She has a highly refined
and compelling intelligence, and an authoritative & rhythmic percussive
delivery of the line. My suspicion is that the work will become more
engaging as she relaxes the semiotic critical hinges - where the language is
composed primarily in analytical measure - and as it becomes more embraced
by the inherent, less predictable velocity of her materials.

Ron was terrific. I don't say that easily. I have been finding his blog
presence difficult - at its worst, full of pontifical drift, intellectually
flat, and factually imaginative in its historical omissions. Frankly, it
reads late night, tired, and compulsive - maybe worried that history will be
claimed by others, configured "badly", whatever. In an ironic way - no pun
intended - he perhaps unfortunately sets himself up to be a whipping boy by
the young and aspiring, rather than letting trust and silence speak his
literal now published volumes. His work is already a more than adequate and
on-going critical sign post in the textual culture.

Ron read from VOG (Voice of God - from the evangelical radio in the fifties
or contemporary Voice-over-Guy)- in the on-going saga d'alphabet. Real poems
- with tops and bottoms - were read in sequence. My own reading of the
Alphabet series has been various over the years - after first being knocked
by a couple of very early break through works, Sunset Debris and Bart (the
one where he rides and writes non-stop on the Bart transit system through
out the Bay Area), then of course, Ketjak and Tjanting. In VOG, as in
the early works, the eye is constantly operative. In the 1850's, shortly
after the emergence of photography, there were a group of photographers that
actually formed what they called "The Eye Club" - of which an earlier
version of Ron - I am sure - would have been a member! Indeed he uses his
eye as a pencil combined with an inveterately analytical topping. Yet,
different than a stationary photograph and more in the manner of cinema the
images keep wheeling forth in a montage of gradations and juxtapositions. If
I were to compare Ron to a photographer, it would be Gary Winogrand, who
probably possessed the quickest visual intelligence to ever shoot with a
35MM camera and whose prolific, abundant output probably compares with that
of Ron. In any case, Ron's VOG sentences seem invested in the big loop -
where they start with an image, drill down to the related images - toilet
seat down or up and then right down to the residual urine drops - and then
swoop into the issue of the consequences of when men leave the seat up or
down. Not necessarily revolving that mixed-use bathroom issue, but making
the evidence and predicament as tangibly visible as possible. The manner abd
delight of Ron's "realism" constantly plays in opposition to a recurrent
choral refrain in the text of the "the electronic handshake" (which, of
course is a manual "digital" joke and probably a comment on the futility of
"virtual" contact.")
I won't try to paraphrase the landscapes that enter this world - that vary
from family, to dream, to air plane seat to office, to waiting for the kids
to take the bus in the morning. Ron clearly takes some of his visual markers
from Reznikoff and, implicitly, a Whitmanian reach into terms of covering by
implication the entire country. If Johnny Appleseed set out to fill the
American landscape with trees, comparatively, Ron is a farmer at harvest, a
man obsessively bent on plucking images from primarily urban and now more
suburban terrain within which the text provides a smart stock/harvest
analysis. Yet, the gathering in VOG - in contradistinction to the early
works - is divested of an inherent political optimism. The Whitman
inheritance here is full of decay, partial ruins ventilated by the
claustrophic presence of electric fans, lights, computer gadgets and
programming languages each of which appear more likely to trump growth
rather than foster it. Yes - apart from the drive of the language - I get
the impression more of a man trying to accommodate the ruins rather than
plough forth with optimism - Strom Thurmond considerably outlives Kathy
Acker the text bemoans, albeit with a tinge of dark humor. What does that
tell us (him)?
So the work, it seems, becomes more Augustan(?), eighteenth century in its
witness? I am not sure. But something in WOG seems to pull back from
revolutionary resolve - the early belief that language will move us beyond
"this".

Appreciate your patience if you got this far. I mean - interestingly enough
- Ron's come to an odd point in his career where his strengths and limits
are being thrown up against Robert Lowell's "Skunk." Never would have Ron -
I suspect - thought the day. And yet - the interest Brian Steffans' query
essentially about Ron's absence of personal vulnerability and its corrolary
pathos and self-examination - brings up the issue of whether or not Ron's
work is actually going towards a tragic or quietundous view of the location
of his future work. Is a darker curtain falling? And are the young wanting
the positive textual veneer to crack and see what breaks through - and what
kind of language may emerge, at the risk of engaging/confronting a possibly
impending and/or overwhelming pathos. Is there the ghost of a Lowell under
Silliman? I am not instantly ready to imagine.
But maybe that's the new work of others, including "the young." (?)

Last night "les blogistes" were out in force so be sure to check out - if
you are interested - Stephanie Young and Kasey S. Mohamad's reviews, and any
others.
In the meantime, honor to Ron for keeping his flames on.

Stephen Vincent



chris at 5:44 PM |

 

from Paolo Leminski (translated by Chris Daniels)*

a letter an ember athwart
inside the text
cloud full of my rain
crossing the desert to me
the mountain way
the sea between the two
a syllable a sob
a yes a no a cry
signs to say us
when we are no more



nothing the sun
could never explain

all the moon more
chic yet still plain

such flowers do not
fade in the rain


*Meta(/other) poems, edited with Chris Chen. Grand Quiskadee: Berkeley, 2003


chris at 3:18 PM |

 

from the Dalai Lama:

"The world needs a radical orientation away from our habitual preoccupation with the self."



and this exigent statement sent from Chris Daniels:

"Today's humanity is a small child who is starving somewhere on this
planet, and today's music is the crying of that child in a mass for
carrion vultures. This is the world that an adult, deformed humanity of
flesh and lard has made."

-- Allan Pettersson


chris at 7:48 AM |

 

Dept of After the Ninth
Comes the Tenth:


It is well known
that European scholars,
impressed with the New
World poetic accomplishments
of Sor Juana Inez de la Cruz
called her the Tenth
Muse. It is also well known
that she was called
The New World Sappho--
Sappho having been called
the Tenth Muse by the ancients.
What is not well known
is that in her letter of rejoinder
to her Bishop, "La Respuesta,"
Sor Juana named the tenth
part of speech
the tear.


chris at 7:44 AM |

Sunday, July 13, 2003

 

best Google search yielding Texfiles today:

Edit___Lit___Files


chris at 8:31 PM |

 

There are some poems I have really liked reading
over at Million Poems these last few days, such as:

697 (by Jordan Davis)

The excitement you carry in your case
(Like the second beloved) is stern
And subject to disappearance.

The day, however, vanishes on schedule.



chris at 8:15 PM |

 

2 Very Nice Poems

from Ai:

(on the first one: let's just get gritty about Lowell)

Conversation*

for Robert Lowell


We smile at each other
and I lean back against the wicker couch.
How does it feel to be dead? I say.
You touch my knees with your blue fingers.
And when you open your mouth,
a ball of yellow light falls to the floor
and burns a hole through it.
Don't tell me, I say. I don't want to hear.
Did you ever, you start,
wear a certain kind of silk dress
and just by accident,
so inconsequential you barely notice it,
your fingers graze that dress
and you hear the sound of a knife cutting paper,
you see it too
and you realize how that image
is simply the extension of another image,
that your own life
is a chain of words
that one day will snap.
Words, you say, young girls in a circle, holding hands,
and beginning to rise heavenward
in their confirmation dresses,
like white helium balloons,
the wreaths of flowers on their heads spinning,
and above all that,
that's where I'm floating,
and that's what it's like
only ten times clearer,
ten times more horrible.
Could anyone alive survive it?


~~~~~~~~~~~~~~~~~~~~~~

Everything: Eloy, Arizona**

Tin shack,where my baby sleeps on his back;
the way the hound taught him;
highway, black zebra, with one white stripe;
nickel in my pocket for chewing gum;
you think you're all I've got.
But when the 2 ton rolls to a stop
and the driver gets out,
I sit down in the shade and wave each finger,
saving my whole hand till the last.
He's keys, tires, a fire lit in his belly
in the diner up the road.
I'm red toenails, tight blue halter, black slip.
He's mine tonight. I don't know him.
He can only hurt me one piece at a time.


Ai, Vice: New and Selected Poems. Norton, 2001 (*61-62, **17)


chris at 6:44 PM |

 

New products (to me) from shopping with Fei (see story below) yesterday:

canned wasabe peas: dried, salted, seasoned extra spicy. these are very tasty (tho like absent-minded lovers, will sometimes make eyes water)! and high in iron and protein.

orange-creme filled (sandwich-type) cookies or tea biscuits (see mention below): very good.

new brand of soy milK: not very good



chris at 5:04 PM |

 

My main email has been down again. It's working right now, but I don't know for how long. If you are trying to reach me, send to both these:

cmurray@uta.edu

cmrry88@aol.com


chris at 1:39 PM |

 

Shopping with Fei:
Selecting Lycees & Strategizing Over Fish


Lycees, at first glance, look like smaller, brick-red, horse chesnuts without spines. They look like they would be hard to the touch. They are not. More like aligator or frog skin, though not wet feeling (until the skin is opened--then very bursty juice all over), but bumpy, leathery. And blue crab is best, sweetest, when female. "This is because of the eggs, which are yellow," Fei informs me as we watch the crab handlers pick away at the wrangling, eye-roving, super competitive soft shell crabs. "Always choose the liveliest one," Fei says, pointing to one that is trying to climb out of the bin by stumbling all over the other crabs, using them as stepping stones, first, then as something more like a ladder. It makes it to an inch of the top of the bin. The handler slaps it down with a flick of wrist and prongs. Just the tiniest hint of showmanship in/about his work, too, I'm thinking. And why wouldn't he have?

Fei has caught the eye of one of the fish handlers--there must be ten men behind the counters and fish tanks which teem with circling or writhing fish, rocking water out onto the floor (promptly mopped up by another crew of cleaners): tilapia, catfish, lobster. These men are working very hard. They look a little grouchy. These men are decked out in heavy waterproof aprons and gloves, patiently hacking up fish for the people lined up, or milling around watching the fish and perpetually pointing into the counters or tanks hoping to spot or pick out a good fish deal. The insides of the counters are lovely for the chaos-to-order ratios and arrangements: straight rows inside the counters of fish or fish parts, discreet displays of orangish salmon, graying grouper, all manner and size of shrimp. There is a barrel full of lounging clams situated between the main counter and an overflowing rack full of disordered seasonings: oyster sauce, orange fish dish, No MSG!, I busy myself reading them while Fei goes on with her fishing, as it were.

We sort through these clams with a scoop--clams are a particular favorite of mine. They stop the lounge act and, well, clam up. Another barrel holds oysters, their barnacly warped shells. But the fish handler who had caught Fei's eye is going through a set of swinging doors, looking purposeful. I feel like something magical is about to happen. Fei is smiling and explaining to me that this fish handler knows she likes to take the tilapia they have just removed from the tank. These fish are removed and discarded because they have begun to act sluggish and so appear ready to quit life. Fei says "But they are still really good, you see." The man comes back out and drops two almost fat fish onto the floor tiles. They sort of flap a little, staring straight up like fish eyes will do since they can't rotate or do anything else more interesting than to stare straight out (here, up). Fei is pleased. She nods at the man, who almost smiles, just barely, sort of pleased with himself for doing a good job. But me? --I still have no idea what is going on here: we could be negotiating over the removal of W from office, or deciding who gets to clean up the bloody red tile floors after all the day's fish have been sold, swept up, or cleaned and put away, for all I know: since I am easily distracted here into watching all the activity.

I am gently tugged back to our fish present with her one-of-a-kind, wide-Fei-grin: a very disarming yet knowing or authoritative grin that overturns a lot of stereotypes, I think. For, Fei is a very tiny female--delicate looking, though very sharp in many ways, when necessary. She says, "This fish handler, he knows me, or knows that I am looking for a certain kind of good fish out of these rejects. I always buy these failing fish because they still have enough life in them to taste good but only cost 1.19 per pound. Those other ones in the tank are twice as much." She's grinning that full grin of hers that says everything is perfect, at least for the moment. So that was it, I finally figure out: she was bargaining to get the best fish for least amount of money. (Yes: Fish + Market, I remind myself) The fish are handed across the counter. Fei has a paper bag (she prefers the paper bag) for them and taking the bag from the man, she's engrossed in telling me a story: "when my sister and I were in college in BeiJing, we also took care of all the housework so our mother didn't have to do anything. She took care of everything for us at home for all those years. This is how we do to show her we care." What a great idea, I think, and then I just say it: "I don't think it happens the same way here, very often, Fei, but it would be nice if it did--I mean the appreciation enacted by the practice of caring and doing."

By then we are in the soap aisle: jasmine--the aisle is entirely out of another body space--and Lux. We spend a moment pondering why Lux is no longer a popular soap here in the US--Fei says that it's a most prefered soap in Asia. I'm amazed. I recall Lux as a mediocre though not particularly unpleasant product. I explain how much more I like the Bee and Flower soaps: sandalwood, jasmine, gensing. These seem exotic to me. We have a little giggle over our flip-flopped exoticisms. I like those soaps so much better than Lux, although I note that these Lux soaps do smell good, much better than I remember them. Fei picks out two differing kinds of Lux scent. We move along also looking at red Thai candles ("Those are used for weddings and anniversaries, Chris, red is very important"), and of the numerous red with gold lettering, stacked plaques, which are meant to bring good luck in business, Fei says, "People always buy these to hang on the walls of their stores." I fight off an urge to buy one for the wall over my writing area. "We all need all the good luck we can get," I say. Fei says "Yes!" and we both laugh.

We had started our trip by the fruit: cherries, apricots, cantaloupes, and lycees, which looked vaguely familiar to me but I had not bought them raw before. It looked like the store had gotten a truckload: this was a huge bin/display stacked to overflow with lycees. I said, "Well, what tells you if you've picked out a good one--I mean how do we go about this?" Fei picked one up and started to peel the red leathery outter shell off of it. I didn't know what to expect: then, there it was, the edible part. And before I could remark, Fei popped it tight into her mouth! I looked around wondering if anyone saw that, and what would happen if they did. Just a typical American paranoid response: well-socialized/trained-by-i-market-institutional-disciplines, I guess. I mean what would a grocery/produce detective do to us for this offense? Fei says, "Well, we have to taste them. This is the only way to tell if they are any good." So, yeah, I got over my moment there, and tried one too. We didn't overdo anything. Just one each. They were juicy, sticky, very sweet. But not like sugar. So much better than the canned version. We each filled a bag and were happy with our selections.








 

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